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Lysias, a resident alien at Athens in the late fifth and early fourth centuries B.C.E., acted as a consultant for clients involved in litigation and put into circulation written versions of the speeches that he composed for them. In the early Hellenistic period, a corpus of more than four hundred speeches was ascribed to him; however, literary critics in the first century C.E. formed the opinion that scarcely more than half that number were correctly ascribed. In late Roman times, a small selection of speeches was made without regard for the opinions of critics on authenticity, and that selection has survived. Our knowledge of the remainder is fragmentary and indirect. K. J. Dover examines the extent to which, and the means by which, the work of the individual Lysias can be distinguished within the total corpus ascribed to him. One part of the examination is an attempt to reconstruct the entire process of transmission, from the making of the late Roman selection through the internal arrangement of the corpus in ancient editions to the relation between client and consultant at the time of writing. The other part evaluates the criteria used to establish authenticity: chronology, ideology, and style. Dover concludes that any demand for a clear division of the speeches into two categories, authentic and spurious, is unreasonable and methodologically unsound. Instead, we must content ourselves with degrees of probability and treat the corpus as presenting us not with an individual but with certain aspects of Athenian art and society. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
The most up-to-date history of Greek literature from its Homeric origins to the age of Augustus. This magisterial survey by one of the leading European authorities on classical literature is establishing itself as the standard account.
The most up-to-date history of Greek literature from its Homeric origins to the age of Augustus. Greek literary production throughout this period of some eight centuries is embedded in its historical and social context, and Professor Dihle sees this literature as a historical phenomenon, a particular mode of linguistic communication, with its specific forms developing both in an organic way and in response to the changing world around. In this it differs from conventional humanist approaches to Greek and Latin literature which analyse the works as objects of timeless value independent of any historical setting or purpose. This magisterial survey by one of the leading European authorities on classical literature will establish itself, as it already has in Germany, as the standard account of the subject.
Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship. Following Splendide Mendax, this is the latest installment of an ongoing inquiry, conducted by scholars in numerous countries, into how the ancient world-its literature and culture, its history and art-appears when viewed through the lens of fakes and forgeries, sincerities and authenticities, genuine signatures and pseudepigrapha.
The most important study of the funeral oration for dead combatants in democratic Athens since Nicole Loraux's classic work.
Central to rhetorical theory, the enthymeme is most often defined as a truncated syllogism. Suppressing a premise that the audience already knows, this rhetorical device relies on the audience to fill in the missing information, thereby making the argument more persuasive. James Fredal argues that this view of the enthymeme is wrong. Presenting a new exegesis of Aristotle and classic texts of Attic oratory, Fredal shows that the standard reading of Aristotle’s enthymeme is inaccurate—and that Aristotle himself distorts what enthymemes are and how they work. From close analysis of the Rhetoric, Topics, and Analytics, Fredal finds that Aristotle’s enthymeme is, in fact, not syllogistic and is different from the enthymeme as it was used by Attic orators such as Lysias and Isaeus. Fredal argues that the enthymeme, as it was originally understood and used, is a technique of storytelling, primarily forensic storytelling, aimed at eliciting from the audience an inference about a narrative. According to Fredal, narrative rather than formal logic is the seedbed of the enthymeme and of rhetoric more broadly. The Enthymeme reassesses a fundamental doctrine of rhetorical instruction, clarifies the viewpoints of the tradition, and presents a new form of rhetoric for further study and use. This groundbreaking book will be welcomed by scholars and students of classical rhetoric, the history of rhetoric, and rhetorical theory as well as communications studies, classical studies, and classical philosophy.