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These novels face head-on the reality of the American Indian, perhaps the last great taboo in American culture. After all of the flag-waving, the wars to protect the Land of the Free, and interventions around the world in the name of democracy, how do Americans admit, even today, that America was not discovered by Columbus and not courageously cultivated by white Anglo-Saxons? The land was invaded and a people destroyed, all in the name of religion, political freedom, and money. Long before Cormac McCarthy and even long before Tom Robbins, William Eastlake invented an American Southwest whose comic and tragic dimensions, as well as its hard beauty, encapsulates American myths and nightmares in much the way that Faulkner did with his invented Yoknapatawpha County. Against a background of New Mexico that transcends regional space, Eastlake explores race, greed, and tradition, evoking stereotypes for the sake of exploding them and laying bare an American reality that is a strange mix of pop culture, zany humor, biting satire, and a deep-seated respect for and love of the land.
Overeducated, unemployed, recently dumped, and depressed, the 38-year-old nameless narrator is a familiar American character, except she's Finnish. It is the 1980s, her married Russian lover has recently left her, and the narrator compulsively writes in her journal as she tries to put her life back together. Obsessed with omens, astrology, dreams, fortune-tellers, and other objects of the paranormal, the narrator is both funny and morose.
This volume collects new short stories from one of Ireland’s leading writers in both the Irish and English languages. Eilis Ni Dhuibhne’s stories are widely acclaimed for their acute perception of Irish women’s lives, the power of her verbal economy, and her skillful and unique use of both humor and the fantastic.
A modern-day Don Quixote and an exile in his own hometown, the protagonist of Teeth Under the Sun is kept from writing by a conspiracy (real? imagined?) designed to prevent him from revealing the truth about the town's strange status quo and violent past.In a place where people have abandoned their houses for tiny apartments in the confines of new high-rises, the narrator walks the almost empty streets, remembering better times and meeting figures from his past: his ex-wife, his son, writers, friends, and revolutionaries. And all of this is interspersed with his memories of the movies Fact and fiction, past and present, all meet in this story of the narrator's attempts to engage more fully with a modern world forcing him into isolation.
A recasting of Sorrentino's Aberration of Starlight, this is the story of how a child becomes a monster: of how Red the boy becomes Red the Fiend. With an absent father who turns up only to drunkenly berate his son, and a grandmother whose aggression crescendos to a daily beating, Red can only escape by turning his hatred outward, by being as cruel and bitter as his young life has been. Employing direct, elegant sentences, while retaining his characteristic formal inventiveness, Sorrentino evokes this unyieldingly grim Brooklyn boyhood, describing close, familial conflicts that deepen and widen to reflect the hardships of Depression-era life.
Sonia meets Knut in an online literary forum and begins a long-distance relationship with him that gradually turns to obsession. Though Sonia needs to create distance when Knut becomes too absorbing, she also yearns for a less predictable existence. Alternately attracted to and repulsed by Knut, Sonia begins a secret double life of theft and betrayal in which she will ultimately be trapped for years.
"In language as colorful and diverse as the stories being told, these writers create worlds of imagination that reach beyond the cultural and political status quo. Whether playful or serious, tender or chilling, topical or timeless, As You Were Saying offers more than just a great collection of fiction. It's a bold experiment in crossing international borders through art."--BOOK JACKET.
In this newly rediscovered memoir, Bonnie Bremser, ex-wife of Beat-poet Ray Bremser, chronicles her life on the run from the law in the early Sixties. When Ray fled to Mexico in 1961 to avoid imprisonment for armed robbery, a crime he claimed he did not commit, Bonnie followed with their baby daughter, Rachel. In a foreign country with no money and little knowledge of the language, Bonnie was forced into a life of prostitution to support her family and their drug habit. Just twenty-three years old, Bonnie was young and inexperienced, but very much in love with her husband; indeed, she was ready to go to any lengths in an attempt to keep their small family alive and together, even if it meant becoming une troia.
The hiring of a new secretary shouldn't be a big deal--just a slight a change in the office environment. But for the protagonist of this novel, it is a declaration of war, a call to arms: "The new secretary has only been here two days," she says, "and I'm already talking about evil, a word I shouldn't even be using--arming myself for battle and choosing my weapons." Her quiet life of sacrifice and service has been rudely disrupted by the new hire, and she is not--despite the advice of her doctor, her neighbors, and her daughter--about to leave it at that. Instead, sabotage, alcohol, and kindness become the arsenal in a conflict fought across copy rooms and office parties. But the humor is undercut by a sadness, a sense of defeat that makes this slim novel resonate with the injustice of our increasingly impersonal, corporate world.
A middle-aged couple takes in a prurient young woman picked up from the side of the road; a single mother struggles against the hostile feelings she harbors towards her precocious son; a man has alternative fantasies of domination and submission involving a fellow commuter; a hotel room is booked by an elderly woman in search of a place to end her life. In the fourteen stories that make up A Perfect Disharmony, Sébastien Brebel explores the experiences of isolated women and sexually obsessed men while weaving together digression, daydreams, and an accumulation of detail to create a wholly unique approach to the short story form.