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It’s raining in Shillong. Eight-year-old Sophie Das has just realised she is adopted, but there is also the baby kicking inside her mother’s stomach whom she’s dying to meet. IAS aspirant Aman Moondy is planning a fi rst-of-its-kind Happening and praying the lovely Concordella will come. College lecturer Firdaus Ansari is going to fi nish her thesis, have a hard talk with her boyfriend, and then get the hell out. Poetic, funny, tender, Lunatic in My Head is an unforgettable portrait of a small town and of three people joined to each other in an intricate web, determined to break out of their destinies.
A dazzling and devastating memoir exploring breakdown and obsessive love, in a voice unlike any other
Anjum Hasan is the author of two novels, The Cosmopolitans and Lunatic in my Head (shortlisted for the Crossword Book Award), a collection of short stories, Difficult Pleasures (shortlisted for the Hindu Literary Prize and the Crossword Book Award), and a book of poetry, Street on the Hill. She lives in Bangalore.
In 1895, George Whitehouse arrived at the east African post of Mombasa to perform an engineering miracle: the building of the Mombasa-Nairobi-Lake Victoria Railway – a 600-mile route that was largely unmapped and barely explored. Behind Mombasa lay a scorched, waterless desert. Beyond, a horizonless scrub country climbed toward a jagged volcanic region bisected by the Great Rift Valley. A hundred miles of sponge-like quagmire marked the railway's last lap. The entire right of way bristled with hostile tribes, teemed with lions and breathed malaria. What was the purpose of this 'giant folly' and whom would it benefit? Was it to exploit the rumoured wealth of little-known central African kingdoms? Was it to destroy the slave trade? To encourage commerce and settlement? THE LUNATIC EXPRESS explores the building of this great railway in an earlier Africa of slave and ivory empires, of tribal monarchs and the vast lands that they ruled. Above all, it is the story of the white intruders whose combination of avarice, honour and tenacious courage made them a breed apart.
Philip Horkman is a happy man, the owner of a pet store called The Wine Shop, and on Sundays a referee for a local kids’ soccer league. Jeffrey Peckerman is the proud and loving father of a star athlete in the girls’ ten-and-under soccer league, and he’s not exactly happy with the ref. The two of them are about to collide in a swiftly escalating series of events that will send them running for their lives, pursued by the police, soldiers, subversives, bears, revolutionaries, pirates, and a black ops team that does not exist. Where all that takes them you can’t even begin to guess, but the literary journey there is a masterpiece of inspiration, chaos, and unadulterated, well, lunacy. And they might even learn a lesson or two along the way.
“Reveals the grisly conditions in which the mentally ill were kept . . . [and] harrowing details of the inhumane and gruesome treatment of these patients.”—Daily Mail In the first half of the nineteenth century, treatment of the mentally ill in Britain and Ireland underwent radical change. No longer manacled, chained and treated like wild animals, patient care was defined in law and medical understanding, and treatment of insanity developed. Focusing on selected cases, this new study enables the reader to understand how progressively advancing attitudes and expectations affected decisions, leading to better legislation and medical practice throughout the century. Specific mental health conditions are discussed in detail and the treatments patients received are analyzed in an expert way. A clear view of why institutional asylums were established, their ethos for the treatment of patients, and how they were run as palaces rather than prisons giving moral therapy to those affected becomes apparent. The changing ways in which patients were treated, and altered societal views to the incarceration of the mentally ill, are explored. The book is thoroughly illustrated and contains images of patients and asylum staff never previously published, as well as first-hand accounts of life in a nineteenth-century asylum from a patient’s perspective. Written for genealogists as well as historians, this book contains clear information concerning access to asylum records and other relevant primary sources and how to interpret their contents in a meaningful way. “Through the use of case studies, this book adds a personal note to the historiography in a way that is often missing from scholarly works.”—Federation of Family History Societies
This is an enlightening memoir by Herman Merivale, where he narrated his time in one of England's countryside asylums in the 1860s. He was suffering from depression and was taken into care for treatment. Throughout the work, Merivale attacked over-treatment and suggested that being in the asylum during that period could drive someone into insanity even if they were completely normal.
Dark, comic, raw, disturbing, and often redemptive, these fifteen tales will take you from the 1950s to the present, along with a repeating cast of heroes and lunatics. The characters span the breadth and the depths of human qualities and capacities. The same person, in one story, may materialize as a hero and a god, and in another, as a lunatic and a demon. While the author roughs up the people in his stories with the hand of terror, he simultaneously views them with the eyes of love. Martignetti spares no one, and to his credit, particularly not himself. For one who confesses so much fear, he is fearlessly self-revealing. After reading this memoir collection, you will come to know these characters, and the author, intimately. Not that you d necessarily want to, it s just the way things will turn out. About the author: C. Anthony Martignetti, Ph.D., is a writer and psychotherapist in Lexington, Massachusetts, where he lives with his wife, Laura, and their Border Terrier, Piper. In the late 1960s, as a high school graduation gift, his mother tried to nominate him for a Pulitzer Prize, but the panel refused to accept her recommendation since nobody had heard of either him or her... and all he had ever written were assignments for an English class in which he received a solid B. He got a set of Samsonite luggage as a graduation gift instead. As a result of that event he has remained, to this day, defiantly unpublished. "
Called by readers "blazingly funny, divinely inspired, breathtaking, sophisticated, original, deranged, a brilliant intellect wasted, and a comedic genius," if one could stew Dave Barry, Hunter Thompson, Al Franken and David Sedaris down into a thick, tasty ragout which might then be served over noodles, that might begin to approximate the unexpectedly hilarious experience of reading Patrick Carlisle. In a thoroughly questionable and highly refutable manner, with wildly fluctuating amounts of insight and sensitivity, Mr. Carlisle examines such irrational topics of modern identity as internet dating, the fanatic right wing, the dark, dangerous appeal of Meg Ryan, the unfathomable motivations behind the comb-over, the mysterious banana test, first love, antidepressants and the heartbreaking challenge of being a Yum! Brands Man. Pessimistic but full of longing, immersed in popular culture but oddly erudite, manic and depressive in turn, deeply and absurdly tangential, profoundly deluded and yet uncomfortably honest, liberal but utterly politically incorrect . most importantly, in the words of one reviewer, Patrick Carlisle is "so horribly, mind-bogglingly funny."
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.