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The third and final book in the Walker Security: Lucifer's Trilogy... In the mind-blowing and stunning finale, all will be revealed as Lucifer's forever with the woman he loves hangs in the balance.
His mother called him Lucas. His brothers in the military and Walker Security call him Lucifer for his wild side. She called him the man she loved, she called him Luke. But then he proved he really is worthy of his nickname. Or so she thought. Nothing is as it seemed back then. A man with a past. The only woman he has ever loved. Someone wants her dead. That someone is about to find out that yes, he is Lucifer when you dare to threaten his woman. Even if she doesn't call herself that now. He does. But all he ever really wanted to be was Luke—the man worthy of her love. Book one in the Lucifer Trilogy.
Ava Barlow hates men. She has reason and she's vowed not only never to get involved with another one again, but also to exact vengeance on her best friend's lying, cheating, rat-bastard husband. Since Luke Stark, Ava's childhood crush, is now a badass mother, she thinks to enlist him, but changes her mind at the last second. Too late. Luke knows she's up to something and he's already seen many a Rock Chick try to fight her own battles without the Hot Bunch stepping in. He's having none of it. She's having none of him. The clash of the Rock Chick and Hot Guy begins, but Luke's got the advantage. He has handcuffs and he's not afraid to use them.
She believes he betrayed her. To him, her lack of trust is her betrayal. But now someone wants her dead. He won't ever let anything happen to her. Now he plans to show her enemies he can live up to his name, he is the devil. She already believes it. They will, too. A sexy eight-chapter sneak peek into Luke's Sin, book one in the Lucifer Trilogy.
A Fish & Wildlife officer, his FBI agent girlfriend and their Labrador investigate a series of shootings in illegal marijuana fields in the Cascade Mountains of Eastern Washington.
The twelfth book in the beloved, bestselling Redwall saga - soon to be a major Netflix movie! Martin the Warrior leaves Redwall Abbey on a journey to discover the truth about Luke, the father he barely knew. His voyage takes him home to the northland shore where, from a dusty old book, he learns of Luke's dramatic pursuit of the evil pirate stoat, Vilu Daskar.
The second book in the Walker Security: Lucifer (Luke) Trilogy... She loved him. He betrayed her. Nothing is what it seems. ​ One touch can change everything though, and it did. The minute he showed back up in her life, all deals were off. He touched her and she melted. He promised her everything, and she wanted everything. The question is: is he her salvation or her destruction? Love. Hate. Passion. Danger. It's about to get hot in here...
We know Jesus the Savior, but have we met Jesus, Prince of Peace? When did we accept vengeance as an acceptable part of the Christian life? How did violence and power seep into our understanding of faith and grace? For those troubled by this trend toward the sword, perhaps there is a better way. What if the message of Jesus differs radically differs from the drumbeats of war we hear all around us? Using his own journey from war crier to peacemaker and his in-depth study of peace in the scriptures, author and pastor Brian Zahnd reintroduces us to the gospel of Peace.
What drives a person to take his or her own life? Why would an individual be willing to strap a bomb to himself and walk into a crowded marketplace, blowing himself up at the same time as he kills and maims the people around him? Does suicide or ‘voluntary death’ have the same meaning today as it had in earlier centuries, and does it have the same significance in China, India and the Middle East as it has in the West? How should we understand this distressing, often puzzling phenomenon and how can we explain its patterns and variations over time? In this wide-ranging comparative study, Barbagli examines suicide as a socio-cultural, religious and political phenomenon, exploring the reasons that underlie it and the meanings it has acquired in different cultures throughout the world. Drawing on a vast body of research carried out by historians, anthropologists, sociologists, political scientists and psychologists, Barbagli shows that a satisfactory theory of suicide cannot limit itself to considering the two causes that were highlighted by the great French sociologist Émile Durkheim – namely, social integration and regulation. Barbagli proposes a new account of suicide that links the motives for and significance attributed to individual actions with the people for whom and against whom individuals take their lives. This new study of suicide sheds fresh light on the cultural differences between East and West and greatly increases our understanding of an often-misunderstood act. It will be the definitive history of suicide for many years to come.
Biblical narratives are not simply sacred stories for religious communities: They are stories that provide transformative insight into cultural biases. By putting historical criticism and reception history into dialogue with womanist biblical hermeneutics, Luke, Widows, Judges, and Stereotypes offers a provocative reading of Jesus’ parable about a widow who confronts a judge and obtains what she seeks by means of physical threat. Rather than simply reading the widow as the model for “one who prays always and does not lose heart” (Luke 18:1), Dickerson shows that read in the context of Luke’s wider narrative, the widow, domesticated and robbed both of her agency and moral ambiguity, is more likely demanding vengeance instead of justice. Likewise, rather than simply reading the judge as one "who neither feared God nor had respect for people" (Luke 18:2), Dickerson argues that the judge is both an ideal man and one who compromises standards of ancient masculinity. Then, reading both the widow and judge through African American stereotypes (Mammy, Jezebel, Sapphire, Cool Black Male, Master-Pastor, and Foolish Judge) that are used to degrade, debase, and control, and reading them into and in light of the parable, Dickerson demonstrates how the parable calls into question these stereotypes thereby producing new liberative readings.