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Non è frutto di fantasia né mera biografia ma il racconto dell'odissea di una vita decisamente inconsueta ed a tratti straordinaria dettata dalla scioccante presenza del soprannaturale: 72 sogni-visioni, 13 apparizioni, 35 miracoli ...e molto altro. Leggere per credere! Booktrailer ed altri contestuali video: http: //goo.gl/pEzube Fanpage: https: //www.facebook.com/pages/Luigi-Cardillo/743192692411291 Pagina di riferimento per consultare contenuti extra: http: //goo.gl/ZRYmxR Il libro è acquistabile anche in versione eBook!
This pioneering book offers the first account of the work of the photographers, both official and freelance, who contributed to the forging of Mussolini's image. It departs from the practice of using photographs purely for illustration and places them instead at the centre of the analysis. Throughout the 1930s photographs of the Italian dictator Benito Mussolini were chosen with much care by the regime. They were deployed to highlight those physical traits - the piercing eyes, protruding jaw, shaved head - that were meant to evoke the Duce's strength, determination and innate sense of leadership in the mind of his contemporaries. The chapters in this volume explore the photographic image in the socio-political context of the time and shows how it was a significant contributor to the development of Italian mass culture between the two world wars.
This book is a complete reworking and update of Marga Cottino-Jones' popular A Student's Guide to Italian Film (1983, 1993) . This guide retains earlier editions' interest in renowned films and directors but is also attentive to the popular films which achieved box office success among the public.
In this magical novel a count from Milan stumbles upon a desolate community of lost noblemen on an uncharted island off the coast of Portugal. When he discovers, to his astonishment, that their ill-treated servant is in fact a maiden iguana, and then proceeds to fall in love with her, the reader is given a fantastic tale of tragic love and delusion that ranks among the most affecting in contemporary literature. "The reptilian servant is only the first in a series of fantastic touches that tansform the narrative into a satiric fable dense with the echoes of Shakespeare's 'Tempest' and Kafka's 'Metamorphosis.' . . . The Iguana is a superb performance.""€"New York Times Book Review
This authoritative introduction to African American English (AAE) is the first textbook to look at the grammar as a whole. Clearly organised, it describes patterns in the sentence structure, sound system, word formation and word use in AAE. The textbook examines topics such as education, speech events in the secular and religious world, and the use of language in literature and the media to create black images. It includes exercises to accompany each chapter and will be essential reading for students in linguistics, education, anthropology, African American studies and literature.
Written as a kind of historical narrative in verse, the poems in this collection depict the coming of age and sexual awareness of the great Italian writer and film director, Pier Paolo Pasolini. The time of this story is World War II; the place is German-occupied northern Italy. Unlike his younger brother, Guido, who took up arms to fight in the resistance, Pasolini chose to help his mother set up a school for the boys too young to fight or be conscripted. The situation ignited an internal war for the young Pasolini that nearly eclipsed the historical moment: a battle within between his desire for boys and his Catholic faith and culture. In addition to the poems that juxtapose Pasolini’s struggle against the backdrop of political and cultural fascism, the book also includes a prologue and an epilogue that details the author’s pilgrimage to the site and her research into the time that shaped Pasolini as a man and as an artist.
Morna works as a cleaner in Edinburgh. She spends her time drinking, attempting affairs and trying to work out the mind of the twenty-year-old son with whom she shares her flat. Her elder brother, Athol, lives near Glasgow airport with his wife. The owner of a floor-tiling company, with two grown-up children, he's proud of his hard-won achievements since moving west. Between them, they have differing memories of their upbringing and their parents and definite opinions about each other. But these are left unsaid because Morna and Athol haven't spoken a word to each other in fourteen years . . . When Morna's son Joshua travels to see his uncle, he sets off a remarkable and life-changing series of events. A Slow Air by David Harrower premiered at the Tron Theatre, Glasgow, in April 2011, and transferred to the Traverse Theatre as part of the Edinburgh Fringe Festival.
Questa raccolta di poesie e di racconti popolari anonimi in dialetto molisano tracciano il percorso di due storie che, pur diversificate, si compenetrano e si completano a vicenda: la storia individuale dell' autore e la storia collettiva della società di un paese del Sud. Le immagini di un mondo apparentemente immobile e arcaico si alternano alle vicende di una realtà storica complessa e tormentata, nel cui magma vecchio e nuovo si scontrano e si fondono. This collection of poems and anonymous folktales in the Molisan dialect traces the unfolding of two stories which, although distinct, interweave and complete each other: the author's individual story and the story of a town in the South of Italy. The images of an apparently immobile and archaic world alternate with the events of a complex and tormented historical reality, in whose magma the new and the old clash and fuse.
Since publication over ten years ago, The Translator’s Invisibility has provoked debate and controversy within the field of translation and become a classic text. Providing a fascinating account of the history of translation from the seventeenth century to the present day, Venuti shows how fluency prevailed over other translation strategies to shape the canon of foreign literatures in English and investigates the cultural consequences of the receptor values which were simultaneously inscribed and masked in foreign texts during this period. The author locates alternative translation theories and practices in British, American and European cultures which aim to communicate linguistic and cultural differences instead of removing them. In this second edition of his work, Venuti: clarifies and further develops key terms and arguments responds to critical commentary on his argument incorporates new case studies that include: an eighteenth century translation of a French novel by a working class woman; Richard Burton's controversial translation of the Arabian Nights; modernist poetry translation; translations of Dostoevsky by the bestselling translators Richard Pevear and Larissa Volokhonsky; and translated crime fiction updates data on the current state of translation, including publishing statistics and translators’ rates. The Translator’s Invisibility will be essential reading for students of translation studies at all levels. Lawrence Venuti is Professor of English at Temple University, Philadelphia. He is a translation theorist and historian as well as a translator and his recent publications include: The Scandals of Translation: Towards an Ethics of Difference and The Translation Studies Reader, both published by Routledge.
I, Cinna (The Poet) has one short scene in Shakespeare’s Julius Caesar where he is mistaken for someone else and killed by the mob. Now, in a new play by Tim Crouch, this unlucky man is given a chance to tell his story. Written for ages 11+, I, Cinna (The Poet) is a fusion of theatre, multimedia and creative writing tasks. Cinna asks his young audience to consider the relationship between words and actions, art and politics, self and society. During the performance he asks us to write alongside him: a small poem on a big theme. Originally commissioned for the World Shakespeare Festival which is produced by the Royal Shakespeare Company for London 2012 Festival. Shortlisted for the Writers' Guild Award for Theatre Play for Young People 2013.