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This beautiful book combines the author's extensive ecological knowledge with art, and her passion for drawing with ink. It is packed with clear instruction and inspirational illustrations, and will be treasured by artists, illustrators, scientists and ecologists alike. Practical advice is given on using a range of materials and equipment for illustrating in pen and ink, as well as the collection and preservation of subject matter and reference material. Detailed instruction is given on how to create essential mark-making techniques that will enhance your illustrations through accurate depiction of shape, form, texture and pattern, and in the principles and elements of design. Subject-themed chapters include plants, strandline and marine specimens, fossils, invertebrates, and mammals. There are step-by-step exercises suitable for all skill levels, and case studies describing working practice as a professional illustrator.
At a very young age, Lucy Smith's mood dropped so low it went underground and died. Clinical major depression had taken its toll. Throughout her adolescence, Lucy struggled with painful social interactions and suicidal thoughts, learning to fantasize about living in a different world. When no one else was around, her inner world came alive, and she could dance, dream, act, sing, draw, and write her way into relief from reality. In the illustrated journal "The Dirt: An Illustrated, 100% Uncensored Memoir of a Girl with Mental Illness," Lucy acknowledges her struggles with mental illness and channels her internal dialogue into an outer dialogue that simultaneously informs and helps others. "The Dirt" offers snapshots of Lucy's thoughts about her depression, anxiety, and bipolar mania as she navigates through difficult circumstances such as unrequited love and familial abuse. The journal entries are sorted into themed sections: "Anxiety," for situations where she second-guesses everyone in her social life and their motives towards her; "Body," for struggles relating to her body dysmorphia and eating disorder; "Depression," the biggest section, detailing her suicidal thoughts and how they affect her life; "Family," where she discusses the abuse from her family, especially her parents; "Love," where she ruminates on such topics as living and dying alone; "Metaphysics," where she discusses her metaphysical beliefs and how they help her deal with some of her issues; and "Coping," the final chapter, in which she encourages readers to fight for their own wellbeing with positive ideas. With "The Dirt," Lucy creates a new public dialogue, inspiring other girls and feminine-presenting individuals to come forward with their stories. Community is built through dialogue, and it takes courageous people to start a dialogue about challenging and controversial issues. Let's nurture a community with no stigma about mental illness, where no related subject is taboo, and where everyone can get the help they need-- and not be afraid to ask for it."The Dirt: An Illustrated, 100% Uncensored Memoir of a Girl with Mental Illness" is solid proof that despite the suffering, we are capable of thriving.
From the original "Preliminary Manuscript" dictated by Lucy Smith to her scribe, Martha Coray.
This is the story of one woman's journey from amateur painter to botanical artist, told through the sketchbooks and paintings she produced for the Distance Learning Diploma Course run by the Society of Botanical Artists. Packed with advice and tips, this book will serve as a guide and inspiration to anyone wanting to embark on life as a botanical artist. This book is both a showcase of Mary Ann Scott's work and a record of her achievements, including first-hand accounts of the joys and challenges she faced as she progressed. It contains work from every assignment she undertook, from her first attempts at drawing a tulip to the triumphant paintings she made for her diploma portfolio. Along the way are delicate floral compositions, juicy fruit and vegetables, botanical dissections, and her adventures out in the field. Margaret Stevens's comments on each assignments are also included, giving an insight into the assessment process and an all-round view of Mary Ann's successes and (very rare) failures. The book ends with a glorious selection of Mary Ann's ongoing work as a botanical artist.
Fifteen-year-old Lucy, the largest girl in her school, leaves her small Alaska town and her alcoholic father and discovers hardship -- and friendship -- posing as an adult aboard a commercial fishing boat.
The core of Mormon belief was a conviction about actual events. The test of faith was not adherence to a certain confession of faith but belief that Christ was resurrected, that Joseph Smith saw God, that the Book of Mormon was true history, and tht Peter, James, and John restored the apostleship. Mormonism was history, not philosophy. It is as history that Richard L. Bushman analyzes the emergence of Mormonism in the early nineteenth century. Bushman, however, brings to his study a unique set of credentials - he is both a prize-winning historian and a faithful member of the Latter-day Saints church. For Mormons and non-Mormons alike, then, his book provides a very special perspective on an endlessly fascinating subject. Building upon previous accounts and incorporating recently discovered contemporary sources, Bushman focuses on the first twenty-five years of Joseph Smith's life - up to his move to Kirtland, Ohio, in 1831. Bushman shows how the rural Yankee culture of New England and New York - especially evangelical revivalism, Christian rationalism, and folk magic - both influenced and hindered the formation of Smith's new religion. Mormonism, Bushman argues, must be seen not only as the product of this culture, but also as an independent creation based on the revelations of its charismatic leader. In the final analysis, it was Smith's ability to breathe new life into the ancient sacred stories and to make a sacred story out of his own life which accounted for his own extraordinary influence. By presenting Smith and his revelations as they were viewed by the early Mormons themselves, Bushman leads us to a deeper understanding of their faith.''A brilliant piece of research and writing by one of America's top historians. It is written with style and felicity, and it deals with all the difficult topics that must be probed in describing and interpreting the controversial early history of Mormonism. It is simply an outstanding work.''--Leonard J. Arrington, co-author of The Mormon Experience: A History of the Latter-day Saints''A brilliant piece of research and writing by one of America's top historians. It is written with style and felicity, and it deals with all the difficult topics that must be probed in describing and interpreting the controversial early history of Mormonism. It is simply an outstanding work.''--Leonard J. Arrington, co-author of The Mormon Experience: A History of the Latter-day Saints
Arranged alphabetically from "Alice of Dunk's Ferry" to "Jean Childs Young," this volume profiles 312 Black American women who have achieved national or international prominence.
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.