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This novel tells the story of the misalliance between Lucie, a vivacious and beautiful dancing girl from Tivoli, and Theodor Gerner, a respectable lawyer from the strait-laced middle society of nineteenth-century Norway. Having first kept her as a mistress, Gerner is so captivated by Lucie's charms that he marries her, only to discover that his project to turn her into a proper and demure housewife is continually frustrated by her irrepressible sensuality and lack of fine breeding. What had made her alluring as a mistress makes her unacceptable as a wife. His attempts to govern her behaviour develop gradually into a harsh tyranny against which she rebels in a manner which brings misery and despair to both. Amalie Skram, a contemporary of Ibsen, expresses the same criticism of repressive social mores and hypocrisy here as he does in plays like A Doll's House and Ghosts, although in a deeply personal way. In this novel from 1888, as in her other novels, she makes an impassioned statement on the double standard, contributing to the great debate about sexual morality which engaged many Scandinavian writers in the late nineteenth century. She also presents a closely observed realistic depiction of a lively cross-section of Kristiania society from the turn of the century, ranging from high society dress parties to arid country cottages to dark and dingy tenements reeking of poverty.
A woman discovers something toxic at work in the isolated village where she is apprenticing as a pharmacist, in this fable-like novel about power, surveillance, prescriptions, and cures by a captivating debut voice. On a remote mountaintop somewhere in Europe, accessible only by an ancient funicular, a small pharmacy sits on a square. As if attending confession, townspeople carry their ailments and worries through its doors, in search of healing, reassurance, and a witness to their bodies and their lives. One day, a young woman arrives in the town to apprentice under its charismatic pharmacist, August Malone. She slowly begins to lose herself in her work, lulled by stories and secrets shared by customers and colleagues. But despite her best efforts to avoid thinking and feeling altogether, as her new boss rises to the position of mayor, she begins to realize that something sinister is going on around her. The Weak Spot is a fable about our longing for cures, answers, and an audience--and the ways it will be exploited by those who silently hold power in our world.
“It will have to wait until I’m dead or Laura will shoot me,” Lucie Aldridge wrote of her autobiography, referring to Robert Graves’s long-term mistress and muse Laura Riding. A painter and rug weaver, Lucie Aldridge settled in the Essex village of Great Bardfield in 1933 with her husband, the painter John Aldridge. Also living there at that time were Eric Ravilious and his wife Tirzah Garwood who were cohabiting with Charlotte and Edward Bawden. When Tirzah and John had an affair it tarnished the Aldridge’s marriage forever, something Garwood didn’t acknowledge in her biography Long Live Great Bardfield. This is Lucie’s newly discovered autobiography, with a detailed biographical postscript by Robjn Cantus. The memoirs were written at the suggestion of the editor of Time magazine, T. S. Matthews. They describe her unorthodox childhood in Cambridgeshire, the involvement of her family in Women’s Suffrage, her marriage during the First World War, and her experiences at Art School in London in the 1920s. A beautiful woman, she posed for several artists. She also observed the post-War era of the Bright Young Things and the painters she knew, including Robert Bevan, Cedric Morris and Stanley Spencer. Through John Aldridge she came to know Robert Graves when he was living in Deià with Riding, and provides a fascinating account of her visits there while Graves was in self-imposed exile after writing Goodbye to All That. During these visits she also met and wrote about poets and artists such as Norman Cameron and Len Lye. Lucie’s memoir is illustrated by Edward Bawden. After Lucie’s death in 1974 the memoir was lost, but it recently surfaced in an American university archive. This is its first publication with Lucie’s text illustrated with linocuts by Edward Bawden. The postscript covers the other artists of Great Bardfield and their friends. Printed in a limited edition of 50 hardback copies and 250 paperbacks.
This box set includes Whacked, Cooked and Incognito. Whacked Paris. Milan. New York. Franklin, Illinois? Aspiring design mogul and reluctant mob princess Lucie Rizzo dreams of taking the fashion world by storm. As the wisest of wiseguys will tell you, to go big, you have to start small. And a local charity fashion show provides the perfect chance to shine the spotlight on Coco Barknell. Not to mention the opportunity to work with the Don Corleone of pet products, Buzzy Sneider. But she didn’t earn that rank by being nice. Buzzy expects everyone to kiss her ring. When Coco Barknell designs start appearing on Buzzy’s website, Lucie wants to wring her thieving neck. Until somebody beats her to it. A dead celebrity plus a very public feud can only add up to trouble for a girl named Rizzo. Except it’s not Lucie the cops put behind bars, but her BFF—hotheaded creative diva, Roseanne. The evidence may be stacked against Ro, but Lucie and her zany crew will never let her go down without a fight. Cooked Big business might be ruthless, but Lucie Rizzo learned to take the heat from the best: her mob boss father. Except instead of cooking the books, she’s mixing up her next moneymaking expansion. But her BFF-turned-partner isn’t sold on the idea. Ro is the creative genius—not to mention the boobs—of their operation, but Lucie has the discerning business palate. And this venture smells like sweet success. All they need is the right investor. French chef Antoine Durand made casseroles sexy again. His closely guarded secret recipe built a billion-dollar empire. He’s got the cred and the cash to turn Lucie’s dream into a reality. She gives him a taste of her proposal and Antoine’s about to bite, when a fire breaks out in his restaurant. And in the chaos, his priceless recipe is stolen. The number one suspect? Lucie. Because a girl can’t shake her criminal connections in this town. She might be a mob princess, but she’s no thief. And she’s certainly no blackmailer. Someone has beef with the chef. The Rizzo crew needs to find out who, before Antoine puts Coco Barknell out of business…and Lucie behind bars. Incognito Mob princess Lucie Rizzo can’t catch a break. Or take one. Building a business empire is hard work, even without her family’s notoriety. Staying out of trouble isn’t exactly her forte. Still, Lucie could use a vacation from Chicago winters and the town where everybody knows her father’s name. So when a certain Irish cop promises warmer days—and hotter nights—Lucie sees an offer she can’t refuse. Detective O’Hottie sweeps her away to the land of sun, sand, and…retirees? Before the real romantic getaway begins, Tim wants to visit his Uncle Henry. Or, to be exact, Tim’s mom wants the goods on Henry’s new girlfriend. Ha! Family drama without a Rizzo involved. What could a sweet, 50-something woman be hiding? Not a lot, judging by the amount of cleavage on display. Holy cannoli, Henry’s Mattie could give Lucie’s bombshell BFF a run for her money. It’s more than just the skintight leopard print making Tim do a double take. The details don’t add up. Mattie’s not being completely honest—and Lucie smells a rat. Uncle Henry’s gal pal isn’t who she claims to be. But is Mattie playing a long con, or is she the victim? Either way, Lucie is getting caught in a dangerous game.
Alfred Dreyfus saw himself caught in a phantasmagoria, a great complex enigma that needed to be solved, but all the clues seemed to be an hallucination, a will-o’-th’-wisp, or what George Sand called “orblutes”. This book examines how Dreyfus and his wife found a powerful new kind of love through Jewish themes at the same time as they were forced to conceal their true identities. To see how Jewish Dreyfus was, the book explores his background in Alsatian culture, in the cosmopolitan Judaism of Paris, and in the customs of Mediterranean Jewry. A close reading of the Court Martial in Rennes shows Dreyfus as more than the “zinc puppet” he was called; the scenario emerging as a variation of horror fantasies popular in the fin de siècle. The book asks two questions: why did Dreyfus prefer Meissonier’s paintings to the Impressionists and Post-Impressionists we admire so much; and, why, although he appreciated Zola’s efforts on his behalf, did he not refer to his novels?
This box set includes Dog Collar Crime, Knocked Off, Limbo and Boosted. Dog Collar Crime Out of work and down on her luck, Lucie Rizzo is forced to do the one thing she’s long avoided—come home to her nutty, mob-infested family. A move that brings her back into the tempting arms of Frankie Falcone, the smoldering Italian ex who’s no stranger to living with the mob. When Lucie parlays her temporary dog-walking gig into a legit career, Frankie becomes her number one supporter. Suddenly, shaking her mob princess reputation doesn’t seem so crazy…until three of her clients are dogjacked. Despite help from the on-again, off-again Mr. Fix-It in her life, Lucie is thrown into a criminal conspiracy straight out of a gangster movie. One that, if she’s not careful, could leave her sleeping with the fishes. Knocked Off Being stuck in the old neighborhood is the last thing reluctant mob princess Lucie Rizzo wants. With her new business on the verge of success—bada bing!—she’s ready to go from unemployed to entrepreneur. Lucie’s determined to make a name for herself. One not tarnished by her dad’s mobster rep. So when an art deal she brokered between clients turns suspicious, it’s up to Lucie to uncover the truth. She might not know the difference between Monet and Manet, but Rizzos are no strangers to jail time—and Lucie refuses to be someone’s prison bitch. Unless that someone is a tall, blond and Irish cop. Detective Tim O’Brien might be on the wrong side of the law by Rizzo standards, but everything about him is oh-so-right. He’s not shy about making Lucie feel wanted, mafia ties and all. Even joining her crack—or crackpot—team on the trail of two paintings with equally shady origins. Limbo Lucie Rizzo’s life is...complicated. She’s worked hard to grow a legit business and leave behind the mob princess reputation. Now her mobster father is on parole, making things awkward at home—especially with her detective boyfriend. And thanks to an inescapable penchant for trouble, Lucie keeps stumbling into the wrong crime at the wrong time. But what could go wrong at a dog show? It’s the perfect venue for Lucie to score visibility for her brand—and some quality time with sexy Irish cop, Tim O’Brien. Until her favorite client is snatched by a mystery woman. This broad messed with the wrong hot-blooded family! No one steals from a Rizzo, and Lucie and her zany sidekicks will do anything to take back what’s theirs. Boosted Mob princess turned entrepreneur Lucie Rizzo knows that when you hit rock bottom, the only way to go is up. Despite her family’s unshakable criminal reputation, Lucie’s new business is booming. And for once her love life isn’t far behind. Lucie devotes her days to building the Coco Barknell brand, but her nights are all about roguishly sexy Tim O’Brien. At least they will be if she and Detective O’Hottie finally take their relationship to the next level. But bring an Irish cop home to her mobster father? Fuggetaboutit. Then Lucie’s knack for finding trouble lands her in hot water—and the six o’clock news. Someone’s absconded with a million-dollar piece of cinematic costume history, with Lucie the only witness to the crime. Not to mention the prime suspect. To clear her name, she’ll need an assist from her entire wacky crew: friends, family…and future (hopefully) lover.
An incredible story of a legacy set in south-west France. THE STORY: Aunt Lucie is a real pain in the neck. While she wasn’t exactly a saint when alive, now that she’s dead, she’s making life even more miserable for her family. Her will is crystal clear: to collect the inheritance, nephews and their families have to move into her ramshackle house! But Aunt Lucie has another surprise up her sleeve: a mad treasure hunt, ankle-deep in muck. Welcome to rural France! Things heat up for her darling nephews as they get caught up in this unforgettable adventure. How far will they go to get their hands on the jackpot? Comical situations, funny dialog and dramatic turns of events come fast and furious, masterfully orchestrated by dear Aunt Lucie. Thrilling to the last, unexpected climax! “Aunt Lucie’s legacy” has won acclaim from France Loisirs, France’s number one book club, was selected a jury favorite at the Livre d’Orthez book fair in 2010, named a “digital gem” in March 2014 by the famous Fnac bookstore, and remained for months in the Top 100 best-sellers in Amazon, Kobo and the Fnac on the French market.
An ambitious career woman signs up for a co-parenting website only to find a match she never expected, in this unflinchingly funny and honest novel from the author of Last Tang Standing. Management consultant Lucie Yi is done waiting for Mr. Right. After a harrowing breakup foiled her plans for children—and drove her to a meltdown in a Tribeca baby store—she’s ready to take matters into her own hands. She signs up for an elective co-parenting website to find a suitable partner with whom to procreate—as platonic as family planning can be. Collin Read checks all of Lucie’s boxes; he shares a similar cultural background, he’s honest, and most important, he’s ready to become a father. When they match, it doesn’t take long for Lucie to take a leap of faith for her future. So what if her conservative family might not approve? When Lucie becomes pregnant, the pair return to Singapore and, sure enough, her parents refuse to look on the bright side. Even more complicated, Lucie’s ex-fiancé reappears, sparking unresolved feelings and compounding work pressures and the baffling ways her body is changing. Suddenly her straightforward arrangement is falling apart before her very eyes, and Lucie will have to decide how to juggle the demands of the people she loves while pursuing the life she really wants.