Download Free Lucas Fernandez A Bibliography Book in PDF and EPUB Free Download. You can read online Lucas Fernandez A Bibliography and write the review.

Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.
Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.
Contributions of Iberian-born writers have gone largely unrecognized by most European and American readers. The rich history of literary achievements in the Iberian Penninsula is now available in this unprecedented dictionary. Defining literature in the broad sense, the Dictionary includes historical, religious, cultural and philosophical writings as well as prose, poetry, and drama from the Iberian Peninsula. Virtually all entries have been composed by noted scholars and are complemented wherever possible by bibliographies of primary texts and selected critical studies as well as existing English translations of primary texts. This two-volume work generally includes literature from the tenth century to the mid-1980s and--with a few exceptions--is limited to writers born in the Iberian Peninsula. A guide to determining the format of the Dictionary was the classic Diccionario de Literatura Espanola by German Bleiberg and Julian Marias. But this updated and reworked version devotes more attention to writings by formerly neglected or forgotten works by female authors and to writers in major languages other than Spanish in the peninsula, including Portuguese, Catalan and Galician. There are also entries on major time periods, movements, and other topics. Titles of works discussed are translated to English. Wherever possible, the text of each entry is followed by a three part bibliography; and some cross-referencing. The Dictionary will appeal to English-speaking non-specialists as well as scholars of Iberian literature.
First published in 2003, Medieval Iberia: An Encyclopedia, is the first comprehensive reference to the vital world of medieval Spain. This unique volume focuses on the Iberian kingdoms from the fall of the Roman Empire to the aftermath of the Reconquista and encompass topics of key relevance to medieval Iberia, including people, events, works, and institutions, as well as interdisciplinary coverage of literature, language, history, arts, folklore, religion, and science. It also provides in-depth discussions of the rich contributions of Muslim and Jewish cultures, and offers useful insights into their interactions with Catholic Spain. With nearly 1,000 signed A-Z entries and written by renowned specialists in the field, this comprehensive work is an invaluable tool for students, scholars, and general readers alike.
This is a history of precious-metals extractivism as lived in Cerro de San Pedro, a small gold- and silver-mining district in Mexico. Chronicling Cerro de San Pedro's operations from the time of the Spanish conquest to the present, Daviken Studnicki-Gizbert transcends standard narratives of boom and bust to envision a multicentury series of mining cycles, first operated under Spanish rule, then by North American industry, and today in the post-NAFTA world of transnational capitalism. The depletion of a mine did not mark the end of its life, it turns out. Evolving technology accelerated the flow of matter and energy moving through the extractive systems of exhausted mines and revived profitability over and over again in Mexico's mining districts. Studnicki-Gizbert demonstrates how this serial reanimation of a non-renewable resource was catalyzed by capital and supported by state policy and ideology and how each new cycle imposed ever more harmful consequences on both laborers and natural ecologies. At the same time, however, miners and their communities pursued a contending vision—a moral ecology—that defended the healthy reproduction of life and land. This book's breathtakingly long view brings important perspective to environmental justice conflicts around extraction in Latin America today.
Includes entries for maps and atlases.