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Luca Selva, born 1962, graduated in architecture from ETH Zurich, where he also worked as a research and teaching assistant before establishing his own studio in Basel in 1991. Single family houses have been among Selva s chief interests from the beginning as means for research on questions of space, typology, design, and architectural phenomenology in general. Specific topics and problems are investigated for the first time with this type of building, and solutions found are picked-up again and developed further in other projects of varied kind and dimension. Since 1991 Luca Selva Architects have realized a range of highly interesting projects, including semi-detached double-family homes, a house for an art collector, a house with artist s studio, or a multi-generation home. The new book presents comprehensively and compares a large selection of these buildings. They are documented with images, floor and site plans, sections, and elevations. The essays look at the single family home as an architectural task and discuss questions of design in the context of historical and contemporary positions. "
The architectural principle of the cellular compartment floor plan is as simple as it is economical, yet it allows for spatial and combinable freedom that can be interpreted in ever-new and ever-different ways. The resulting self-contained units or spatial sequences are suited for residential purposes as much as for office buildings, museums, or schools, with the floor plans providing highly dynamic and surprising traffic patterns and views. The cellular compartment floor plan is the generating principle in many buildings, projects, and competition entries by the renowned Basel-based Luca Selva Architects, who have been continually developing this typology in their practice, modifying it and adapting it for new applications in different projects. The cellular compartment floor plan is therefore the ideal focus of this new book on the work of the prolific firm. Numerous plans and photographs are supplemented with a theoretical essay by Christoph Wieser and a conversation between Luca Selva and Patrick Gmür. Shedding light for the first time on this surprisingly sparsely researched topic, this comprehensive book will have significance for the discourse reaching well beyond the exemplary designs by Luca Selva Architects.
From the years 2004 to 2008, Beijing and Shanghai witnessed the construction of an extraordinary number of new buildings, many of which were designed by architectural firms overseas. Combining ethnographic fieldwork, historical research, and network analysis, Building Globalization closely scrutinizes the growing phenomenon of transnational architecture and its profound effect on the development of urban space. Roaming from construction sites in Shanghai to architects’ offices in Paris, Xuefei Ren interviews hundreds of architects, developers, politicians, residents, and activists to explore this issue. She finds that in the rapidly transforming cities of modern China, iconic designs from prestigious international architects help private developers to distinguish their projects, government officials to advance their careers, and the Chinese state to announce the arrival of modern China on the world stage. China leads the way in the globalization of architecture, a process whose ramifications can be felt from Beijing to Dubai to Basel. Connecting the dots between real estate speculation, megaproject construction, residential displacement, historical preservation, housing rights, and urban activism, Building Globalization reveals the contradictions and consequences of this new, global urban frontier.
Contemporary interior design is largely defined by the creation of diverse spaces that can be experienced with all of the senses. One aspect in this regard is the original use of materials. This also serves as the conceptual base of the two complementary volumes Inside that are part of the series Architecture in Focus. The two books show how varied, and sometimes quite unusual, the range of applications and combination is, done by wellknown and (still) unknown architects, designers and artists. Inside can be used as a real reference guide and a source of ideas: because materiality is the guiding principle of this book, every picture has captions with a detailed listing of the applied materials and design elements. While the sixty projects of this title are all made from the softer, diaphanous materials colour, fabric, glass and light the complementary volume Inside. Interiors of Concrete Stone Wood is devoted to the more classical and durable materials.
Reichtum und Originalität des Raumes, der Materialien und der Formen sind bis heute Leitthemen des Basler Architektenteams um Luca Selva. Sie begegnen uns bei verschiedenen Wohnanlagen rund um Basel. Alle sind mit einem aussergewöhnlichen experimentellen Impetus und einem Reichtum des Raumes entworfen und resultieren so in Klarheit und Grundsätzlichkeit. (Quelle: quart.ch).
This book is a collection of illustrated papers by British architects Jonathan Sergison and Stephen Bates written between 2002 and 2007. Writing, like drawing and talking together, supports their collaborative and creative work, providing as it does a tangible reference point for communication and in the search for shared objectives. Although each of the papers included in this volume was written by one of the architects, they acknowledge shared authorship of their content and objective. In the preparation of each paper, the observer acts as a friendly critic to the write, integral to the process and supportive of the exploration of personal and shared experience. Some of theses papers wrere written as a result of self-imposed discipline, others were prepared as lectures, to support their teaching practice, to highlight a particular theme or encourage a way of looking at something. Others were written as contributions towards symposia, conferences and publications, or in response to invitations to speak publicly about their work. In some cases, a lecture based on notes and images has been subsuquently developed for publication. This results in a rich mix in terms of contet, lenght, structure and character. The twenty papers are organised thematically and chronologically within each section, addressing reflections on their own position within architectural discourse, on the process of making buildings, on some of the ideas that recur in their work and on aspects of place.