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Lubavitcher Women in America offers a rare look at the world of Hasidic women activists since World War II. The revival of ultra-Orthodox Judaism in the second half of the twentieth century has baffled many assimilated American Jews, especially those Jewish feminists hostile to Orthodox interpretations of women's roles. This text gives voice to the lives of those Hasidic women who served the late Lubavitcher Rebbe as educators and outreach activists, and examines their often successful efforts to recruit other Jewish women to the Lubavitcher community in Crown Heights, Brooklyn. Central to this book is how Lubavitcher women have "talked back" to American feminist thought. Arguing that American feminism cannot liberate Jewish women—that a specifically Jewish spirituality is more appropriate and fulfilling—Lubavitcher women have helped to swell the ranks of their Rebbe's followers by aggressively promoting the appeal of traditional, structured Jewish observance. The book thus offers a unique look at female anti-feminist religious rhetoric, articulately presented by Jewish "fundamentalists."
This bibliography sets out a list of all academic studies of Chabad-Lubavich women. This list will assist future research efforts to study the women of this mystical movement.
Music in Lubavitcher Life illuminates the world of the Lubavitcher Hasidim, a community of ultra-orthodox Jews centered in the Crown Heights section of Brooklyn, New York. Drawing primarily on twenty years of close study of the Lubavitcher community, Ellen Koskoff combines lively anecdotes with historical background and musical analysis to reveal music making among the Lubavitchers as a gateway to their ideas about the nature of human spirituality, human social interaction, and God._x000B_Lubavitcher music centers on the nigunim, a body of paraliturgical, folk, and popular melodies that Lubavitchers regard as a primary form of spiritual communication with the divine. For a song to be included in the repertory of nigunim, it must conform to Hasidic religious and aesthetic principles. If brought in from the outside, it must be purified: stripped of its coarse outer shell (usually the text) and recomposed in accordance with coded musical structures (including certain melody types, ornamentation, and formal organization). Performance of nigunim adheres, among other things, to a process associated with the spirituality of the great Hasidic leaders of the past._x000B_Along with vivid descriptions of musical performance in religious contexts and private gatherings, Koskoff details the musical sounds and structures that symbolize Lubavitcher social relations. In particular, she examines the differences between Lubavitcher women's and men's music making and the underlying beliefs and assumptions that give rise to gendered musical behaviors, such as the dictum that prohibits men from hearing a woman sing._x000B_An insightful portrait of a distinctive community's musical and religious life, Music in Lubavitcher Life is also a candid view of ethnographic research and of fieldwork's illusory objectivity._x000B__x000B_
A fundamental and well-illustrated reference collection for anyone interested in the role of women in North American religious life.
Includes material on African-Americans, Welsh-Americans, Irish-Americans, Ukrainian-Americans, Jewish-Americans, Greek-Americans, Puerto Rican-Americans, and Cambodian-Americans.
A look at young Jewish women who are typecast as pious and reserved but have as much imagination and similar desires as other young women.
A comprehensive survey of historical and contemporary Jewish dance. In Seeing Israeli and Jewish Dance, choreographer, dancer, and dance scholar Judith Brin Ingber collects wide-ranging essays and many remarkable photographs to explore the evolution of Jewish dance through two thousand years of Diaspora, in communities of amazing variety and amid changing traditions. Ingber and other eminent scholars consider dancers individually and in community, defining Jewish dance broadly to encompass religious ritual, community folk dance, and choreographed performance. Taken together, this wide range of expression illustrates the vitality, necessity, and continuity of dance in Judaism. This volume combines dancers' own views of their art with scholarly examinations of Jewish dance conducted in Europe, Israel, other Middle East areas, Africa, and the Americas. In seven parts, Seeing Israeli and Jewish Dance considers Jewish dance artists of the twentieth and twenty-first centuries; the dance of different Jewish communities, including Hasidic, Yemenite, Kurdish, Ethiopian, and European Jews in many epochs; historical and current Israeli folk dance; and the contrast between Israeli and American modern and post-modern theater dance. Along the way, contributors see dance in ancient texts like the Song of Songs, the Talmud, and Renaissance-era illuminated manuscripts, and plumb oral histories, Holocaust sources, and their own unique views of the subject. A selection of 182 illustrations, including photos, paintings, and film stills, round out this lively volume. Many of the illustrations come from private collections and have never before been published, and they represent such varied sources as a program booklet from the 1893 Chicago World's Fair and archival photos from the Israel Government Press Office. Seeing Israeli and Jewish Dance threads together unique source material and scholarly examinations by authors from Europe, Israel, and America trained in sociology, anthropology, history, cultural studies, Jewish studies, dance studies, as well as art, theater, and dance criticism. Enthusiasts of dance and performance art and a wide range of university students will enjoy this significant volume.
Hasidim has long been the subject of historical, philosophical, and literary accounts, but it is only in recent years that it has begun to attract the close attention of social scientists. This book highlights contemporary ethnographic perspectives that convey the richness and complexity of Hasidic life. Political engagement, gender roles, ritual life, proselytizing activities, and community revitalization are just some of the topics covered in this study that casts light on one of the more enigmatic religious communities of contemporary America.
The rise of Jewish feminism, a branch of both second-wave feminism and the American counterculture, in the late 1960s had an extraordinary impact on the leadership, practice, and beliefs of American Jews. Women Remaking American Judaism is the first book to fully examine the changes in American Judaism as women fought to practice their religion fully and to ensure that its rituals, texts, and liturgies reflected their lives. In addition to identifying the changes that took place, this volume aims to understand the process of change in ritual, theology, and clergy across the denominations. The essays in Women Remaking American Judaism offer a paradoxical understanding of Jewish feminism as both radical, in the transformational sense, and accomodationist, in the sense that it was thoroughly compatible with liberal Judaism. Essays in the first section, Reenvisioning Judaism, investigate the feminist challenges to traditional understanding of Jewish law, texts, and theology. In Redefining Judaism, the second section, contributors recognize that the changes in American Judaism were ultimately put into place by each denomination, their law committees, seminaries, rabbinic courts, rabbis, and synagogues, and examine the distinct evolution of women’s issues in the Orthodox, Conservative, Reform, and Reconstructionist movements. Finally, in the third section, Re-Framing Judaism, essays address feminist innovations that, in some cases, took place outside of the synagogue. An introduction by Riv-Ellen Prell situates the essays in both American and modern Jewish history and offers an analysis of why Jewish feminism was revolutionary. Women Remaking American Judaism raises provocative questions about the changes to Judaism following the feminist movement, at every turn asking what change means in Judaism and other American religions and how the fight for equality between men and women parallels and differs from other changes in Judaism. Women Remaking American Judaism will be of interest to both scholars of Jewish history and women’s studies.
“One of the greatest religious biographies ever written.” – Dennis Prager In this enlightening biography, Joseph Telushkin offers a captivating portrait of the late Rabbi Menachem Mendel Schneerson, a towering figure who saw beyond conventional boundaries to turn his movement, Chabad-Lubavitch, into one of the most dynamic and widespread organizations ever seen in the Jewish world. At once an incisive work of history and a compendium of Rabbi Schneerson's teachings, Rebbe is the definitive guide to understanding one of the most vital, intriguing figures of the last centuries. From his modest headquarters in Crown Heights, Brooklyn, the Rebbe advised some of the world's greatest leaders and shaped matters of state and society. Statesmen and artists as diverse as Ronald Reagan, Robert F. Kennedy, Yitzchak Rabin, Menachem Begin, Elie Wiesel, and Bob Dylan span the spectrum of those who sought his counsel. Rebbe explores Schneerson's overarching philosophies against the backdrop of treacherous history, revealing his clandestine operations to rescue and sustain Jews in the Soviet Union, and his critical role in the expansion of the food stamp program throughout the United States. More broadly, it examines how he became in effect an ambassador for Jews globally, and how he came to be viewed by many as not only a spiritual archetype but a savior. Telushkin also delves deep into the more controversial aspects of the Rebbe's leadership, analyzing his views on modern science and territorial compromise in Israel, and how in the last years of his life, many of his followers believed that he would soon be revealed as the Messiah, a source of contention until this day.