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by Gilbert Hernandez In his first graphic novel in two years, Hernandez's The Book of Ofelia begins with Luba, Ofelia and company trying to acclimate to life in America. When Ofelia decides to chronicle her life with Luba in a tell-all book, she discovers inspiration in Luba's young children - the one-armed Casimira, Socorro with the photographic memory, the loner Joselito and the silent Conchita. See Latino soap opera and soft-core porn, with touches of magic-realism, all in one!
Presents an illustrated biography of the Jewish heroine, Luba Tryszynska, who saved the lives of more than fifty Jewish children in the Bergen-Belsen concentration camp during the winter of 1944/45.
Gilbert Hernandez’s sprawling family saga focuses on the United States, where newly immigrated Luba and her sisters, body-builder Petra and therapist/film star Fritz, find their families’ and friends’ lives becoming more and more intertwined. As the three sisters have “memories of sweet youth,” the next generation finds the spotlight: Luba’s adult daughter Doralís emcees the proceedings in her role as mischievous host of a children’s TV show, while Petra’s little girl, Venus, has adventures with her aunt Fritz and her best friend Yoshio. At her mother’s urging, Venus also writes missives to her fierce, one-armed cousin Casimira, who’s back in Palomar. In these stories ― never before collected together ― Venus tells it like it is!
Surveys the history, culture, and contemporary life of the Luba people of Zaire.
For use in schools and libraries only. In this variation on the story of The Fisherman And His Wife, a young Ukrainian girl must repeatedly return to the wren she has rescued to relay her parents' increasingly greedy demands.
Finalist for the 2009 Los Angeles Times Book Prize in Graphic Novels: the sequel to the 2003 perennial classic, Palomar.
...In conjunction with an exhibition ... presented by the Museum for African Art, New York (2 february - 8 september 1996)
Gilbert & Jaime Hernandez's 'Love & Rockets' virtually defined alternative comics in the 80s. Now, more popular than ever thanks to the re-launch of his seminal comic book series earlier this year, Gilbert releases his first graphic novel since the re-launch, which spotlights the artist's most beloved character in a year when her creator is appearing on the pages of Time, Vibe and the L.A. Times. This collection is an awesome blend of political intrigue, sexuality and Gilbert's characteristically human portrayal of his characters. Illustrated in b/w throughout.
In the 1980s, a sea change occurred in comics. Fueled by Art Spiegel- man and Françoise Mouly's avant-garde anthology Raw and the launch of the Love & Rockets series by Gilbert, Jaime, and Mario Hernandez, the decade saw a deluge of comics that were more autobiographical, emotionally realistic, and experimental than anything seen before. These alternative comics were not the scatological satires of the 1960s underground, nor were they brightly colored newspaper strips or superhero comic books. In Alternative Comics: An Emerging Literature, Charles Hatfield establishes the parameters of alternative comics by closely examining long-form comics, in particular the graphic novel. He argues that these are fundamentally a literary form and offers an extensive critical study of them both as a literary genre and as a cultural phenomenon. Combining sharp-eyed readings and illustrations from particular texts with a larger understanding of the comics as an art form, this book discusses the development of specific genres, such as autobiography and history. Alternative Comics analyzes such seminal works as Spiegelman's Maus, Gilbert Hernandez's Palomar: The Heartbreak Soup Stories, and Justin Green's Binky Brown Meets the Holy Virgin Mary. Hatfield explores how issues outside of cartooning-the marketplace, production demands, work schedules-can affect the final work. Using Hernandez's Palomar as an example, he shows how serialization may determine the way a cartoonist structures a narrative. In a close look at Maus, Binky Brown, and Harvey Pekar's American Splendor, Hatfield teases out the complications of creating biography and autobiography in a substantially visual medium, and shows how creators approach these issues in radically different ways.