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A Best Novel of Summer (New York Times Book Review) From the acclaimed author of Mr. Dickens and His Carol, a richly-imagined reckoning with the life of another cherished literary legend: Mary Wollstonecraft – arguably the world’s first feminist August, 1797. Midwife Parthenia Blenkinsop has delivered countless babies, but nothing prepares her for the experience that unfolds when she arrives at Mary Wollstonecraft’s door. Over the eleven harrowing days that follow, as Mrs. Blenkinsop fights for the survival of both mother and newborn, Wollstonecraft recounts the life she dared to live amidst the impossible constraints and prejudices of the late 18th century, rejecting the tyranny of men and marriage, risking everything to demand equality for herself and all women. She weaves her riveting tale to give her fragile daughter a reason to live, even as her own strength wanes. Wollstonecraft’s urgent story of loss and triumph forms the heartbreakingly brief intersection between the lives of a mother and daughter who will change the arc of history and thought. In radiant prose, Samantha Silva delivers an ode to the dazzling life of Mary Wollstonecraft, one of the world's most influential thinkers and mother of the famous novelist Mary Shelley. But at its heart, Love and Fury is a story about the power of a woman reclaiming her own narrative to pass on to her daughter, and all daughters, for generations to come.
**THE SUNDAY TIMES BESTSELLER** Gypsy Queen to the Gypsy King, Tyson Fury's wife Paris reveals the magical highs and epic lows of life with the Heavyweight Boxing World Champion, as she shares their life story and what keeps them strong through the good times - and the bad. Paris Fury is Tyson's rock, the wife he thanks for all his success. Both from Traveller families, she married him at 19 and is hands-on mother to their six children, as well as at his side through every fight. Always glamorous, strong, grounded, and her own woman. When Tyson's struggles with depression, OCD and alcohol have threatened to overwhelm them, she has held them together, and helped to see Tyson through to the greatest boxing victories. With all her warmth, humour and honesty, she tells her story - from her Traveller childhood, falling in love, making a home and a family, to coming through Tyson's darkest moments. She vividly describes the anguish of their worst times, and what it's like to be at the ringside. And she shows what it takes to balance the fame, the fans and all the sporting pressures alongside everyday family life.
This classic New York Times–bestselling historical romance tells the enthralling, passionate story of a young English woman who is wrongly convicted of a crime and auctioned off to the highest bidder in the American colonies Born out of wedlock to a London barmaid, Marietta Danver yearns to live life to its fullest despite her humble origins. But her dreams of love and happiness almost die in Newgate Prison, where she is convicted of a crime she didn’t commit and deported to North America to be sold into indentured servitude. In the wild Carolinas, Marietta uses her beauty to survive. But in doing so she arouses unruly passions in the hearts of three men: Derek Hawke, the enigmatic planter who buys Marietta for an outrageous sum; brash, charming Jeff Rawlins, who sweeps her away to Louisiana; and a gentleman whose fervor may conceal a violent madness. From New Orleans’ red-light district to a fashionable estate in Natchez, from the struggles of a life of bondage to the perils of helping to transport slaves to freedom, Marietta vows to prevail and find a true and lasting love. The Marietta Danver Trilogy also includes Love Me, Marietta and When Love Commands.
A dozen women join a secret 1850s Arctic expedition—and a sensational murder trial unfolds when some of them don't come back. Eccentric Lady Jane Franklin makes an outlandish offer to adventurer Virginia Reeve: take a dozen women, trek into the Arctic, and find her husband's lost expedition. Four parties have failed to find him, and Lady Franklin wants a radical new approach: put the women in charge. A year later, Virginia stands trial for murder. Survivors of the expedition willing to publicly support her sit in the front row. There are only five. What happened out there on the ice? Set against the unforgiving backdrop of one of the world's most inhospitable locations, USA Today bestselling author Greer Macallister uses the true story of Lady Jane Franklin's tireless attempts to find her husband's lost expedition as a jumping-off point to spin a tale of bravery, intrigue, perseverance and hope.
When her stagecoach was ambushed by bandits in the middle of the Texas frontier, Ariel Leland feared for her life. But even more frightening was Jess Wilder, the dangerous bounty hunter who pulled her from the wreckage and took her prisoner. She didn't understand why he called her by another woman's name, but when she met his fiery gaze, she vowed she'd do anything to escape her arrogant captor.
Ellie is horrified to discover the pharmaceutical company she works for is doing illegal experiments. Company scientists have spliced human and animal DNA, creating exotic new species. One such “experiment” captures her heart and she’ll do anything to save him—even if he hates her for it. Fury has never known compassion or love. He’s spent his life in a cell, chained and abused by humans. The one woman he allowed himself to trust betrayed him. Now he’s free and set on vengeance. He vows to end her life but when she’s finally in his grasp, harming her is the last thing he wants to do to the sexy little human. Fury can’t resist Ellie—the touch of her hands, her mouth on his skin, her body wrapped around his. He’s obsessed with the scent of his woman. And Ellie wants Fury—always has. She craves his big, powerful body and wants to heal his desolate heart. But loving Fury is one thing…taming him is another.
Shakespeare's two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term "embarrassment" didn't enter the language until the late seventeenth century. To embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of criticism, blame, or accusation. "To embarrass" is literally to "embar": to put up a barrier or deny access. The bar of embarrassment may be raised by unpleasant experiences. It may also be raised when people are denied access to things, persons, and states of being they desire or to which they feel entitled. The Venetian plays represent embarrassment not merely as a condition but as a weapon and as the wound the weapon inflicts. Characters in The Merchant of Venice and Othello devote their energies to embarrassing one another. But even when the weapon is sheathed, it makes its presence felt, as when Desdemona means to praise Othello and express her love for him: "I saw Othello's visage in his mind" (1.3.253). This suggests, among other things, that she didn't see it in his face.
"CHARMING...I READ IT IN A COUPLE OF EBULLIENT, CHRISTMASSY GULPS." —Anthony Doerr, #1 New York Times bestselling author of All The Light We Cannot See "GRACED BY THE GHOSTLY PRESENCE OF MR. DICKENS HIMSELF...PROMISES TO PUT YOU IN THE HOLIDAY SPIRIT." —USA Today A beloved, irresistible novel that reimagines the story behind Charles Dickens' Christmas classic Charles Dickens is not feeling the Christmas spirit. His newest book is an utter flop, the critics have turned against him, relatives near and far hound him for money. While his wife plans a lavish holiday party for their ever-expanding family and circle of friends, Dickens has visions of the poor house. But when his publishers try to blackmail him into writing a Christmas book to save them all from financial ruin, he refuses. And a serious bout of writer’s block sets in. Frazzled and filled with self-doubt, Dickens seeks solace in his great palace of thinking, the city of London itself. On one of his long night walks, in a once-beloved square, he meets the mysterious Eleanor Lovejoy, who might be just the muse he needs. As Dickens’ deadlines close in, Eleanor propels him on a Scrooge-like journey that tests everything he believes about generosity, friendship, ambition, and love. The story he writes will change Christmas forever.
An acclaimed author reflects on his upbringing in a post–World War II blue-collar family and comes to terms with the racism, sexism, and other toxic values he inherited. Finalist for the 2014 New England Book Award in Non-Fiction Richard Hoffman sometimes felt as though he had two fathers: the real one who raised him and an imaginary version, one he talked to on the phone, and one he talked to in his head. Although Hoffman was always close to the man, his father remained a mystery, shrouded in a perplexing mix of tenderness and rage. When his father receives a terminal cancer diagnosis, Hoffman confronts the depths and limitations of their lifelong struggle to know each other, weighing their differences and coming to understand that their yearning and puzzlement was mutual. With familial relationships at its center, Love & Fury draws connections between past and present, from the author’s grandfather, a “breaker boy” sent down into the anthracite mines of Pennsylvania at the age of ten, to his young grandson, whose father is among the estimated one million young black men incarcerated today. In a critique of culture and of self, Hoffman grapples with the way we have absorbed and incorporated the compelling imagery of post WWII America and its values, especially regarding class, war, women, race, masculinity, violence, divinity, and wealth. A masterful memoirist, Hoffman writes not only to tell a gripping story but also to understand, through his family, the social and ethical contours of American life. At the book’s core are the author’s questions about boyhood, fatherhood, and grandfatherhood, and about the changing meaning of what it means to be a good man in America, now and into the future.