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James Kugel’s essential introduction and companion to the Bible combines modern scholarship with the wisdom of ancient interpreters for the entire Hebrew Bible. As soon as it appeared, How to Read the Bible was recognized as a masterwork, “awesome, thrilling” (The New York Times), “wonderfully interesting, extremely well presented” (The Washington Post), and “a tour de force...a stunning narrative” (Publishers Weekly). Now, this classic remains the clearest, most inviting and readable guide to the Hebrew Bible around—and a profound meditation on the effect that modern biblical scholarship has had on traditional belief. Moving chapter by chapter, Harvard professor James Kugel covers the Bible’s most significant stories—the Creation of the world, Adam and Eve, Cain and Abel, Noah and the flood, Abraham and Sarah, Jacob and his wives, Moses and the exodus, David’s mighty kingdom, plus the writings of Isaiah, Jeremiah, and the other prophets, and on to the Babylonian conquest and the eventual return to Zion. Throughout, Kugel contrasts the way modern scholars understand these events with the way Christians and Jews have traditionally understood them. The latter is not, Kugel shows, a naïve reading; rather, it is the product of a school of sophisticated interpreters who flourished toward the end of the biblical period. These highly ideological readers sought to put their own spin on texts that had been around for centuries, utterly transforming them in the process. Their interpretations became what the Bible meant for centuries and centuries—until modern scholarship came along. The question that this book ultimately asks is: What now? As one reviewer wrote, Kugel’s answer provides “a contemporary model of how to read Sacred Scripture amidst the oppositional pulls of modern scholarship and tradition.”
One of the most beautiful and mysterious books of the Bible is laid open for all to understand in this unparalleled work by Dr. Craig Glickman. With apparent ease, Glickman unveils the mysteries of the Song of Solomon in a popular-read format. But the surface simplicity is backed up by a lifetime of study and scholarship, three special appendices, and interpretive notes that validate his interpretation. Also included is a fresh translation of the Song published in this book for the first time. Initial readers of this book offer resounding praise. This book is "the most fascinating book I have ever read about the Song," says Dr. Henry Cloud. Old Testament scholars praise it as an academic breakthrough: "clear, cogent, and convincing," says Dr. Eugene Merrill; "a valuable contribution to our translation and understanding of the Song," says Ed Blum, general editor of the HCSB translation. Dr. Paul Meier sums it up in these words, "Craig weaves thousands of years of wisdom together to paint a vivid word picture of emotional and sexual intimacy."
In telling the story of the Bible's birth and journey from ancient East to modern West, Romer explores legendary characters of the Old and New Testaments and depicts biblical sites whose names have resounded throughout history. (A) panorama worth viewing.--New York Times Book Review. Illustrations.
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.
E. H. Gombrich's Little History of the World, though written in 1935, has become one of the treasures of historical writing since its first publication in English in 2005. The Yale edition alone has now sold over half a million copies, and the book is available worldwide in almost thirty languages. Gombrich was of course the best-known art historian of his time, and his text suggests illustrations on every page. This illustrated edition of the Little History brings together the pellucid humanity of his narrative with the images that may well have been in his mind's eye as he wrote the book. The two hundred illustrations—most of them in full color—are not simple embellishments, though they are beautiful. They emerge from the text, enrich the author's intention, and deepen the pleasure of reading this remarkable work. For this edition the text is reset in a spacious format, flowing around illustrations that range from paintings to line drawings, emblems, motifs, and symbols. The book incorporates freshly drawn maps, a revised preface, and a new index. Blending high-grade design, fine paper, and classic binding, this is both a sumptuous gift book and an enhanced edition of a timeless account of human history.
Next to Genesis, no book in the Hebrew Bible has had a stronger influence on Western literature than the Song of Songs. This attractive and exuberant edition helps to explain much of its power, while leaving its mystery intact. -- Alicia Ostriker, The New York Review of Books. Quite simply the best version in the English language. Its poetic voice, intimate, dignified, and informed by meticulous scholarship, carries us into the Eden of the original Hebrew text: a world in which the sexual awakening of two unmarried lovers is celebrated with a sensuality and a richness of music that are thrilling beyond words. -- Stephen Mitchell.