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What does it mean to be working-class in a middle-class world? Cynthia Cruz shows us how class affects culture and our mental health and what we can do about it -- calling not for assimilation, but for annihilation. To be working-class in a middle-class world is to be a ghost. Excluded, marginalised, and subjected to violence, the working class is also deemed by those in power to not exist. We are left with a choice between assimilation into middle-class values and culture, leaving our working-class origins behind, or total annihilation. In The Melancholia of Class, Cynthia Cruz analyses how this choice between assimilation or annihilation has played out in the lives of working-class musicians, artists, writers, and filmmakers — including Amy Winehouse, Ian Curtis, Jason Molina, Barbara Loden, and many more — and the resultant Freudian melancholia that ensues when the working-class subject leaves their origins to “become someone,” only to find that they lose themselves in the process. Part memoir, part cultural theory, and part polemic, The Melancholia of Class shows us how we can resist assimilation, uplifting and carrying our working-class origins and communities with us, as we break the barriers of the middle-class world. There are so many of us, all of us waiting. If we came together, who knows what we could do.
Listen to Punk Rock! Exploring a Musical Genre discusses the evolution of punk from its inception in 1975 to the present, delving into the lasting impact of the genre throughout society today. Listen to Punk Rock! provides readers with a fuller picture of punk rock as an inclusive genre with continuing relevance. Organized in a roughly chronological manner, it starts with an introduction that explains the musical and cultural forces that shaped the punk genre. Next, 50 entries cover important punk bands and subgenres, noting female punk bands as well as bands of color. The final part of the book discusses how punk has influenced other musical genres and popular culture. The book will give those new to the genre an overview of important bands and products related to the movement in music, including publications, fashion, and films about punk rock. Notably, it pays special attention to diversity within the genre, discussing bands often overlooked or mentioned only in passing in most histories of the movement, which focus mainly on The Sex Pistols, The Clash, and The Ramones as the pioneers of punk.
THE JAM WERE THE RUNTS WHO BECAME KINGS. Initially derided by New Wavers for being uncool suburbanites, Paul Weller, Bruce Foxton and Rick Buckler unexpectedly proceeded to fulfil every promise ever made by punk as they took social protest and cultural authenticity to the top of the charts. The three-piece from Woking, Surrey racked up 18 hits, among them the timeless likes of In the City, Down in the Tube Station at Midnight, Going Underground and Town Called Malice. Their classic albums included Setting Sons and Sound Affects. Yet their musical excellence was only the half of it: they prided themselves on remaining accessible to their fans, disdaining Americanisation and spurning commercial compromise. Although it was a blow to their army of followers, their split at the end of 1982 was hailed as the perfect illustration of their integrity: a bowing out at the top, regardless of financial temptation. Their story, though, was more complicated and sometimes less honourable than how it appeared from the outside, with the group's vaunted values contrasted by private recrimination and duplicity. Sean Egan has spoken to a raft of insiders to provide the definitive Jam biography. Via access to recording producers, music label staff and all three members of the Jam, he has uncovered the full truth about a remarkable band.
Throughout his career, Derrick Parker worked on some of the biggest criminal cases in rap history, from the shooting at Club New York, where Derrick personally escorted Jennifer Lopez to police headquarters, to the first shooting of Tupac Shakur. Always straddling the fence between "po-po" and NYPD outsider, Derrick threatened police tradition to try to get the cases solved. He was the first detective to interview an informant offering a detailed account of Biggie Smalls's murder. He protected one of the only surviving eyewitnesses to the Jam Master Jay murder and knows the identity of the killers as well as the motivation behind the shooting. Notorious C.O.P. reveals hip-hop crimes that never made the paper—like the robbing of Foxy Brown and the first Hot 97 shooting—and answers some lingering questions about murders that have remained unsolved. The book that both the NYPD and the hip-hop community don't want you to read, Notorious C.O.P. is the first insider look at the real links between crime and hip-hop and the inefficiencies that have left some of the most widely publicized murders in entertainment history unsolved.
There has never been a band like Pearl Jam. The Seattle quintet has recorded eleven studio albums; sold some 85 million records; played over a thousand shows, in fifty countries; and had five different albums reach number one. But Pearl Jam's story is about much more than music. Through resilience, integrity, and sheer force of will, they transcended several eras, and shaped the way a whole generation thought about art, entertainment, and commerce. Not for You: Pearl Jam and the Present Tense is the first full-length biography of America's preeminent band, from Ten to Gigaton. A study of their role in history – from Operation Desert Storm to the Dixie Chicks; "Jeremy" to Columbine; Kurt Cobain to Chris Cornell; Ticketmaster to Trump – Not for You explores the band's origins and evolution over thirty years of American culture. It starts with their founding, and the eruption of grunge, in 1991; continues through their golden age (Vs., Vitalogy, No Code, and Yield); their middle period (Binaural, Riot Act); and the more divisive recent catalog. Along the way, it considers the band's activism, idealism, and impact, from “W.M.A.” to the Battle of Seattle and Body of War. More than the first critical study, Not for You is a tribute to a famously obsessive fan base, in the spirit of Nick Hornby's Fever Pitch. It's an old-fashioned – if, at times, ambivalent – appreciation; a reflection on pleasure, fandom, and guilt; and an essay on the nature of adolescence, nostalgia, and adulthood. Partly social history, partly autobiography, and entirely outspoken, discursive, and droll, Not for You is the first full-length treatment of Pearl Jam's odyssey and importance in the culture, from the '90s to the present.
A writer's journey with the fan bases of Phish and Insane Clown Posse describes his unexpected discovery of how both groups have tapped the human need for community, a finding that coincided with his diagnosis of bipolar disorder.
Let New York Times bestselling author Judith McNaught who “is in a class by herself” (USA TODAY) sweep you off your feet and into another time with her sensual, passionate, and spellbinding historical romance classics, featuring her “unique magic” (RT Book Reviews). A saucy spitfire who has grown into a ravishing young woman, Whitney Stone returns from her triumphant time in Paris society to England. She plans on marrying her childhood sweetheart, only to discover she has been bargained away by her bankrupt father to the arrogant and alluring Clayton Westmoreland, the Duke of Claymore. Outraged, she defies her new lord. But even as his smoldering passion seduces her into a gathering storm of desire, Whitney cannot—will not—relinquish her dream of perfect love. Rich with emotion, brimming with laughter and tears, Whitney, My Love is “the ultimate love story, one you can dream about forever” (RT Book Reviews).
Set in the tumultuous late 17th Century, His Last Mistress tells the true story of the final years in the life of James Scott, the dashing but doomed Duke of Monmouth, and Lady Henrietta Wentworth. As the popular but illegitimate eldest son of King Charles II, the Duke is a spoiled, lecherous man. With both a wife and a mistress, this rakish libertine is nevertheless captivated by the innocence of young Lady Henrietta Wentworth, who has been raised to covet her virtue. Will she succumb? At the same time, the Duke begins to harbour risky political ambitions which may threaten not only his life but also that of those around him. Will the path he chooses lead him to bloody rebellion, or peace and happiness? His Last Mistress is a passionate, sometimes explicit, carefully researched and ultimately moving story of love and loss, set against a backdrop of dangerous political unrest, brutal religious tensions, and the looming question of who will be the next King.
In this “captivating saga” of the post-Reconstruction era, a black female journalist blazes her own trail—“unforgettable; gripping; an instant classic” (Elle). Ivoe Williams, the precocious daughter of a Muslim cook and a metalsmith from central-east Texas, discovers a lifelong obsession with journalism when she steals a newspaper from her mother’s white employer. Living in the segregated quarter of Little Tunis, Ivoe immerses herself in the printed word until she earns a scholarship to the prestigious Willetson Collegiate in Austin. Finally fleeing the Jim Crow South to settle in Kansas City, Ivoe and Ona, her former teacher and present lover, start the first female-run African American newspaper, Jam On the Vine. In the throes of the Red Summer—the 1919 outbreak of lynchings and race riots across the Midwest—Ivoe risks her freedom and her life to call attention to the atrocities of the American prison system. Inspired by the legacy of trailblazing black women like Ida B. Wells and Charlotta Bass, LaShonda Katrice Barnett’s Jam On the Vine is both an epic vision of the hardships that defined an era and “an ode to activism, writ[ten] with a scholar’s eye and a poet’s soul” (Tayari Jones, O The Oprah Magazine).
"Scratching around at home on an acoustic guitar, singing into my phone with these funny little rough ideas. All of a sudden, it turns into something beautiful or complete... it's a fascinating thing. It's magic." -- Paul Weller In Magic: A Journal of Song, Paul Weller gives the first and definitive account of his illustrious songwriting career, recounting a lifetime of lyrics in Weller's most candid and intimate commentary to date. As one of the most innovative and remarkable songwriters of the last fifty years, Paul Weller has proved to be the ultimate shapeshifter, moving from the Jam's punk sensibilities to the genre-defying Style Council, and later through a remarkable 30-year solo career. Alongside Lennon and McCartney, Weller is one of few artists that has attained a UK number one album over five consecutive decades, and he's also received career defining awards from the BRITs (Lifetime Achievement Award), NME Awards (Godlike Genius Award) and a GQ Award for Songwriter of the Year. The book chronicles a lifetime worth of lyrics with impressive clarity. We follow Weller through his upbringing on Stanley Road and founding the Jam in his teenage years, creating the Style Council alongside keyboardist Mick Talbot, and later into his 16-album solo career, including stories behind iconic albums such as Stanley Road and Wild Wood, as well as his latest album, Fat Pop Vol. 1. Magic presents 130 of Weller's finest lyrics to date, accompanied by an illuminating commentary which sees him give unprecedented insight into his life and lyrics, as told to GQ editor and author, Dylan Jones OBE, in their first collaboration. "Paul Weller has proved that he is not only beyond reproach, in some senses he is quite possibly without equal." -- Dylan Jones "The thing I have discovered is that music in its truest sense is beyond any trend or movement or category." -- Paul Weller