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Enthralling, heart-rending, poignant and engrossing stories of immortal love, unfettered emotions and everlasting appeal that have stood the test of time This volume comprises a collection of mystical stories from Punjab that forces the now ordinary and practical meaning of love to change into its illogical and irrational self it once used to be. An exposition of Sufi philosophy, each story possesses both the calm and the storm of true love – a love that consumes the body and the heart; a love that goes beyond all common sense; a love better known as junoon (intense passion), that finally culminates in ibaadat (worship) and the love of God. From Sohni-Mahiwal to Heer-Ranjha, Sassi-Punnu to Mirza-Sahiban, Harish Dhillon succinctly encapsulates the rich cultural and literary heritage Punjab is so famously synonymous with. Love Stories from Punjab brings alive the forgotten magic of folklore that will tug at all the right strings of the heart, once again. Drama, romance, tragedy and history are interwoven in the form of an exquisite tapestry.
A Reese Witherspoon Book Club Pick! ‘Big-hearted, earthy and funny... A rattlingly good story’ Deborah Moggach, The Best Exotic Marigold Hotel Every woman has a secret life...
“An interesting literary journey back in time, capturing — within the breathtaking stories — the joys and sorrows, thrills and disappointments of growing up in rural Punjab.” “Bhupendra’s stories bring out the simplicity, sensibilities, vibrancy, languor, humour and irony in lives from the Punjab countryside.” “Countryside Tales is the closest you can get to the Malgudi Days of Punjab.” “Bhupendra’s powerful narratives transport the readers back in time to that place and situation, where they become a part of the action and emotion. One can visualise the scenes so clearly that the feeling is of actually being present there.” “Great memories narrated with utter simplicity. Bhupendra really has an amazing talent for bringing alive the people he writes about — and that too with crystal clear precision.” “Bhupendra Dogra exhibits a great skill of transmuting personal memories into an impersonal and universal art. While reading the stories, I felt like a toddler once again in the company of my young and muscular dad, working in the fields in the village.” “Bhupendra’s stories capture the mood and aura of a bygone era perfectly. They remind me of R.K. Narayan’s short stories especially Swami & his Friends!” “Bhupendra is an amazingly gifted writer… a master story teller who is unbeatable in narrating and converting simple incidents into interesting stories.” “A raconteur par excellence.” “Bhupendra’s relationship with his father must have been very very special. His abiding love for his father peeps through every word he writes about him.” “Intensely engaging, some of the best short stories that I have ever read in my life.” “Bhupendra Dogra’s stories are fine examples of creating interesting artistic constructs out of some banal or commonplace experiences, interspersed with a subtle sense of humour and a mild critique of typical middle class Hindu family ethos and ethics.”
A compilation of love stories and poems from the classical literature and folklore of India Set in regions of great natural beauty where Kamadeva, the god of love, picks his victims with consummate ease, these stories and lyrics celebrate the myriad aspects of love. In addition to relatively well-known works like Kalidasa's Meghadutam and Prince Ilango Adigal's Shilappadikaram, the collection features lesser-known writers of ancient India like Damodaragupta (eighth century AD), whose 'Loves of Haralata and Dundarasena' is about a high-born man's doomed affair with a courtesan; Janna (twelfth century), whose Tale of the Glory-Bearer is extracted here for the story of a queen who betrays her handsome husband for a mahout, reputed to be the ugliest man in the kingdom; and the Sanskrit poets Amaru and Mayaru (seventh century), whose lyrics display an astonishing perspective on the tenderness, the fierce passion and the playful savagery of physical love. Also featured are charming stories of Hindu gods and goddesses in love, and nineteenth-century retellings of folk tales from different regions of the country like Kashmir, Punjab, Maharashtra and Rajasthan. Both passionate and sensuous in its content, this book is sure to appeal to the romantic in all of us.
Kaka, the wicked crow, wants to eat Munni's eggs. But Munni is a very clever sparrow. And so are all the characters in this popular folktale from Punjab.
Who's Loving You is a collection of short stories celebrating desire and love in all its guises, written by and reflecting the experiences of women of colour in an authentic way. The stories are authored by some of the best storytellers working in the UK today, with the full line-up of contributors to be announced shortly. WHO'S LOVING US? LET US SHOW YOU...
When I Wrapped Myself With Your Being Our Bodies Turned Inwards In Contemplation Our Limbs Intertwined Like Blossoms In A Garland Like An Offering At The Altar Of The Spirit Our Names, Slipping Out Of Our Lips, Became A Sacred Hymn . . . (From Adi Dharam By Amrita Pritam) Acclaimed As The Doyenne Of Punjabi Literature, Amrita Pritam Received Many Awards, Including India S Highest Literary Award, The Jnanpith, In 1981. Born In Gujranwala, Now In Pakistan, In 1919, She Came To India After The Partition Of The Subcontinent In 1947. Her Best-Known Work Is A Classic Poem, Addressed To The Great Eighteenth-Century Sufi Poet Waris Shah, In Which She Laments The Carnage Of Partition And Calls On Him To Give Voice From His Grave. Amrita Met Imroz, A Well-Known Artist, In The 1960S And They Became Lifelong Companions. They Stayed Together For More Than Forty Years, Till Her Death, After A Long Illness, In October 2005. Amrita Imroz: A Love Story Offers Living Glimpses Of The Sacred Hymn Of Amrita Pritam And Imroz S Life Together. Uma Trilok Had The Rare Opportunity To Witness Their Remarkable Love Story And The Passionate Bond That They Shared For So Many Years. In This Moving Tribute She Communicates Her Sense Of Deep Wonder At Their Unique And Unconventional Relationship, As Also Her Profound Admiration For The Creative Energy Of These Two Extraordinary Individuals.
"Lavanya Gogoi is from the scenic hills of Shillong while Rajveer Saini belongs to the shahi city of Patiala. Worlds apart from one another, the two land up next to each other on a flight from Mumbai to Chandigarh. It's love at first flight, at least for one of them. For the other ... well, it's going to take more than a plane ride! And when love does finally happen, there are more obstacles to overcome. Rajveer has to stand up against his own if he and Lavanya are to be together."--Page 4 of cover.
Pin must not become like her mother, but nobody will tell her why. She seeks clues in Ma’s cooking when she’s not fighting other battles—being a bursary girl at an elite school and facing racial taunts from the bus uncle. Then her meddlesome grandmother moves in, installing a portrait of a watchful Sikh guru and a new set of house rules. Old secrets begin to surface but can Pin handle learning the truth? Reader Reviews: “This novel is sensitively written, and raises important issues subtly: racism and racialisation; religiosity and its relation to identity; patriarchal values; class; and the intersection of Christianity and capitalism in the wonderful speech about 'spiritual bank accounts'. All the characters have depth and complexity and the two layers of the narrative (the experiences of Pin and of her mother Jini) are skilfully blended. There are some beautiful descriptive passages, and I like the way in which metaphors are used sparingly, but to good effect.” —Philip Holden, editor of Writing Singapore and Epigram Books Fiction Prize 2015 judge “Pin is an earnest and enchanting child, through whose curious and clear-sighted eyes we see family life and complications and childhood cliques and racism. But this entertaining book also has touching insights into love, hope and wisdom, and characters that will stay with you long after you finish it.” —Ovidia Yu, author of Aunty Lee’s Chilled Revenge “This is the most glorious mic drop moment in Singaporean Literature. Sugarbread is such a tender and powerful response to the many celebrated voices in Singapore that represent minority experiences through tokenism or ignore them altogether. Balli Kaur Jaswal has made me feel like my ten-year-old self could be someone’s protagonist, like my skin belongs in the pages of books in my country. She’s turned the mirrors on Singapore and our conversations about identity in a spectacular fashion. Her prose is delicate, precise and aching. Her storytelling lingers with you for days. This novel is triumphant and absolutely essential reading for anyone who cares about living in this city.” —Pooja Nansi, author of Love is an Empty Barstool