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Ever wonder why bitches don't get abused? Perhaps they know something that non-bitches don't know. RELEASE YOUR INNER BITCH offers a chance for women of all ages, races, religions and occupations to come forward and change the concept of the word bitch. It is one of the most flexible words in the English language. It can be a noun, verb, adjective, description or a state of mind. This is a word that works overtime, has a zoom lens and is generally misunderstood by humanity. Becoming a bitch is a process of growth, development and self determination, hardly a derogatory definition. Here you will meet the robo bitch, supreme bitch, PMS bitch and just about every other bitch you can name. This is a perfect book for every woman in your life - - including yourself.
Revolutionary, reflective and romantic, I Am Nobody's Nigger is the powerful debut collection by one of the UK's finest emerging poets. Exploring race, identity and sexuality, Dean Atta shares his perspective on family, friendship, relationships and London life, from riots to one-night stands. Longlisted for the Polari First Book Prize 2014'Go Dean Atta. Speak the truth. Tweet the truth. Upload it. Let it ring out over the digital domain and strike at the heart of the offline wireless and disconnected.' Lemn Sissay 'Dean Atta's poetry is as honest as truth itself. He follows no trend; he seeks no favours ... Beyond black, beyond white, beyond straight, beyond gay, so I say. Love your eyes over these words of truth. You will be uplifted.' Benjamin Zephaniah 'Righteous and forceful' Peter Tatchell'I can do nothing but take my hat off to Dean Atta for speaking out, saying what he believed, and doing it so effectively and powerfully that countless people heard it who would never normally have done so. Poetry is a powerful tool, and I Am Nobody's Nigger is a perfect example of when that tool shows its full strength.' Huffington Post' Huffington Post 'Raconteur Dean Atta doing what he does best; articulating London's dark, deep-rooted social cancers through a beautiful and intricately personal narrative.' Clash
Best friendship blossoms into something more in this gorgeously written queer literary romance. "The heartache and longing of witnessing a beloved character pine hopelessly over her best friend has never brought me this much unadulterated joy." –National Book Award Finalist Sonora Reyes, author of The Lesbiana’s Guide to Catholic School Over the past five years, Mitra Esfahani has known two constants: her best friend Bea Ortega and The Book—a dogeared moleskin she and Bea have been filling with the stanzas of an epic, never-ending poem since they were 13. For introverted Mitra, The Book is one of the few places she can open herself completely and where she gets to see all sides of brilliant and ebullient Bea. There, they can share everything—Mitra’s complicated feelings about her absent mother, Bea’s heartache over her most recent breakup—nothing too messy or complicated for The Book. Nothing except the one thing with the power to change their entire friendship: the fact that Mitra is helplessly in love with Bea. Told in lyrical, confessional prose and snippets of poetry Just Another Epic Love Poem takes readers on a journey that is equal parts joyful, heartbreaking, and funny as Mitra and Bea navigate the changing nature of I love you.
Do you think Career is the most important thing of everyone's life? Do you think love has boundaries and restrictions? Would you go on to an unknown place for someone you hardly know? Do you think you can chase your dreams and your love together? Can love make you forget things you thought were the most important in your life? Yes, Love can change your life. In today’s modern world, Yes: You can forget your dreams and fall in love. He is a guy who wants to go beyond his limits to crack IIT, away from his parents away from the world. But he falls in love. Can his friends save his ship from sinking or has it already sunk? Can he achieve his dreams or does love become his new goal?
How To Write Everything is the ultimate writer's handbook. It tells you about every aspect of writing, from having an idea to getting the idea out into the world and getting paid for it, too. It covers everything from journalism to screen-writing, from speeches to sketches, from sitcoms to novels. With thirty years' experience as an award-winning script-writer, journalist, author and broadcaster David Quantick is ideally suited, as a writer, to write this definitive writer's guide to writing... everything. David Quantick is part of the writing team for HBO's multi-award winning show Veep. He has recently won the 2015 Emmy Awards for Outstanding Comedy Series and Outstanding Writing for a Comedy Series.
For more than fifty years, The Paris Review has brought us revelatory and revealing interviews with the literary lights of our age. This critically acclaimed series continues with another eclectic lineup, including Philip Roth, Ezra Pound, Haruki Murakami, Marilynne Robinson, Stephen Sondheim, E. B. White, Maya Angelou, William Styron and more. In each of these remarkable extended conversations, the authors touch every corner of the writing life, sharing their ambitions, obsessions, inspirations, disappointments, and the most idiosyncratic details of their writing habits. The collected interviews of The Paris Reviews are, as Gary Shteyngart put it, "a colossal literary event."
In Broken Ground, William Logan explores the works of canonical and contemporary poets, rediscovering the lushness of imagination and depth of feeling that distinguish poetry as a literary art. The book includes long essays on Emily Dickinson’s envelopes, Ezra Pound’s wrestling with Chinese, Robert Frost’s letters, Philip Larkin’s train station, and Mrs. Custer’s volume of Tennyson, each teasing out the depths beneath the surface of the page. Broken Ground also presents the latest run of Logan’s infamous poetry chronicles and reviews, which for twenty-five years have bedeviled American verse. Logan believes that poetry criticism must be both adventurous and forthright—and that no reader should settle for being told that every poet is a genius. Among the poets under review by the “preeminent poet-critic of his generation” and “most hated man in American poetry” are Anne Carson, Jorie Graham, Paul Muldoon, John Ashbery, Geoffrey Hill, Louise Glück, John Berryman, Marianne Moore, Frederick Seidel, Les Murray, Yusef Komunyakaa, Sharon Olds, Johnny Cash, James Franco, and the former archbishop of Canterbury. Logan’s criticism stands on the broken ground of poetry, soaked in history and soiled by it. These essays and reviews work in the deep undercurrents of our poetry, judging the weak and the strong but finding in weakness and strength what endures.
This book of warm, enjoyable stories and practical tips and ideas for parents includes many "Lunchbox Tips" to help parents personalize encouragement for children on a daily basis.
The Essential Reference Guide to America’s Most Popular Songs and Artists Spanning More than Fifty Years of Music Beginning with Bill Haley & His Comets’ seminal “Rock Around the Clock” all the way up to Lady Gaga and her glammed-out “Poker face,” this updated and unparalleled resource contains the most complete chart information on every artist and song to hit Billboard’s Top 40 pop singles chart all the way back to 1955. Inside, you’ll find all of the biggest-selling, most-played hits for the past six decades. Each alphabetized artist entry includes biographical info, the date their single reached the Top 40, the song’s highest position, and the number of weeks on the charts, as well as the original record label and catalog number. Other sections—such as “Record Holders,” “Top Artists by Decade,” and “#1 Singles 1955-2009”—make The Billboard Book of Top 40 Hits the handiest and most indispensable music reference for record collectors, trivia enthusiasts, industry professionals and pop music fans alike. Did you know? • Beyoncé’s 2003 hit “Crazy in Love” spent 24 weeks in the Top 40 and eight of them in the #1 spot. • Billy Idol has had a total of nine Top 40 hits over his career, the last being “Cradle of Love” in 1990. • Of Madonna’s twelve #1 hits, her 1994 single “Take a Bow” held the spot the longest, for seven weeks—one week longer than her 1984 smash “Like a Virgin.” • Marvin Gaye’s song “Sexual Healing” spent 15 weeks at #3 in 1982, while the same song was #1 on the R&B chart for 10 weeks. • Male vocal group Boyz II Men had three of the biggest chart hits of all time during the 1990s. • The Grateful Dead finally enjoyed a Top 10 single in 1987 after 20 years of touring. • Janet Jackson has scored an impressive 39 Top 40 hits—one more than her megastar brother Michael!