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Memoirs of the author, a Pakistani diplomat.
En roman fra det moderne Pakistans priviligerede klasse - om sladderspalter, reality TV-shows, ambition, desperation, klasseforskelle, terrorisme og kvinders venskab
Selection of poems of a Panjabi Sufi poet; includes commentary and editorial introduction to his life and works.
This volume brings together key findings of the long-term research project ‘Religious Individualisation in Historical Perspective’ (Max Weber Centre for Advanced Cultural and Social Studies, Erfurt University). Combining a wide range of disciplinary approaches, methods and theories, the volume assembles over 50 contributions that explore and compare processes of religious individualisation in different religious environments and historical periods, in particular in Asia, the Mediterranean, and Europe from antiquity to the recent past. Contrary to standard theories of modernisation, which tend to regard religious individualisation as a specifically modern or early modern as well as an essentially Western or Christian phenomenon, the chapters reveal processes of religious individualisation in a large variety of non-Western and pre-modern scenarios. Furthermore, the volume challenges prevalent views that regard religions primarily as collective phenomena and provides nuanced perspectives on the appropriation of religious agency, the pluralisation of religious options, dynamics of de-traditionalisation and privatisation, the development of elaborated notions of the self, the facilitation of religious deviance, and on the notion of dividuality.
Designed to help medical students through their exams. Built around the successful 'Essential Revision Notes for MRCP', this title focuses on what is essential learning for medical undergraduates and gives readers an 'all round' knowledge of medicine at this level.
"You've given me a taste of you and now...I want more. Shayla Hart, a 27-year-old, fiercely independent, young woman with aspirations of becoming an architect lands a job at Cult Designs -- one of the world's most prestigious architectural firms in London. A wild night out with her two best friends to celebrate her new job quickly gets out of hand when she finds herself in Las Vegas, hungover, with no memory, and married to none other than Tristan Cole Hoult -- the devilishly handsome, and charming stranger she meets at the club. The meaningless, wildly passionate, one-night-stand with the irresistibly sexy stranger Shayla was hoping for, quickly becomes more than she bargained for.
This is an ambitious study of gender and politics in India, and will be of interest to scholars of women's studies, globalization, postcolonialism, geography, media studies, and cultural studies, as well as India more generally.
One utterly amazing tale that exposes the story behind the glory of being a black woman by poetically giving her pain and struggle a voice.
One of India’s best-loved film directors, Hrishikesh Mukherjee is perhaps best known today for his perennially popular creations like Anand, Chupke Chupke and Gol Maal. But Hrishi-da’s best work was provocative, wide-ranging and always aware of the complexities of people and their relationships. Often combining breezy narratives with serious ideas, his films created a distinct world with recurring themes. Jai Arjun Singh looks closely at Hrishikesh Mukherjee’s oeuvre, from well-known films like Satyakam, Guddi, Abhimaan and Khubsoorat to lesser known works such as Mem-Didi, Biwi aur Makaan and Anuradha. Combining a fan’s passion with a critic’s rigour, The World of Hrishikesh Mukherjee is a must-read for anyone who takes their filmed entertainment seriously.
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.