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Dr. Bryant K. Owens presents the argument of the value of the Christian tradition of caritas (or love) from the philosophy and the subsequent hermeneutic of Saint Augustine of Hippo (354–430) within contemporary philosophical scholarship. Dr. Owens’s study of Augustine’s investigations into biblical interpretation will reveal that he sought the beauty of understanding as evidenced through caritas. The shift in the Western philosophical tradition during the Enlightenment period resulted in a solid break from authority-based hermeneutics to the autonomy of the mind. The result was a greater emphasis on the literal meaning of a text, as gleaned from the subjective mind of the reader and through grammatical and historical criticism, over the spiritual meaning of the text, or application of the greater meaning to Christian living. Dr. Owens proposes that the benefits of Augustine’s caritas as the a priori spirit of the biblical text and the proper application of that spirit in contemporary scholarship, should be the epistemological focus of hermeneutics rather than the emphasis on method prevalent from Spinoza to Dilthey. The concluding value from Augustine’s hermeneutic is that caritas is a product of understanding while at the same time is the method, or means, by which caritas is produced. Therefore, Augustine’s hermeneutic argues that the sense, or spirit, of Scripture is caritas and is the truth to which all Christian philosophy must cohere.
"Jonathan Lear has shown us both Freud`s texts and his subject matter from a new angle of vision, one that renders much recent controversy about psychoanalytic theory irrelevant. For any student of those texts this book is indispensable."--Alasdair MacIntyre "Lear makes one understand how psychoanalysis works not only on the therapist`s couch but also as a condition of being alive. . . . Love and Its Place in Nature not only offers a form of spiritual nutriment for the self, it also defines that self with a clear profundity that few readers will have encountered before."--Christopher Lehmann-Haupt, New York Times "A brief and engaging philosophical perspective on Freudian psychoanalysis. The book is simply written, but important themes are profoundly investigated. . . . An important philosophic reading of Freud."--Don Browning, Christian Century In this brilliant book, Jonathan Lear argues that Freud posits love as a basic force in nature, one that makes individuation--the condition for psychological health and development--possible. Love is active not just in the development of the individual but also in individual analysis and indeed in the development of psychoanalysis itself, says Lear. Expanding on philosophical conceptions of love, nature, and mind, Lear shows that love can cure because it is the force that makes us human.
The brilliant thinker who taught us about the banality of evil explores another brilliant thinker and his concept of love. Hannah Arendt, the author of The Origins of Totalitarianism and The Human Condition, began her scholarly career with an exploration of Saint Augustine’s concept of caritas, or neighborly love, written under the direction of Karl Jaspers and the influence of Martin Heidegger. After her German academic life came to a halt in 1933, Arendt carried her dissertation into exile in France, and years later took the same battered and stained copy to New York. During the late 1950s and early 1960s, as she was completing or reworking her most influential studies of political life, Arendt was simultaneously annotating and revising her dissertation on Augustine, amplifying its argument with terms and concepts she was using in her political works of the same period. The dissertation became a bridge over which Arendt traveled back and forth between 1929 Heidelberg and 1960s New York, carrying with her Augustine's question about the possibility of social life in an age of rapid political and moral change. In Love and Saint Augustine, political science professor Joanna Vecchiarelli Scott and philosophy professor Judith Chelius Stark make this important early work accessible for the first time. Here is a completely corrected and revised English translation that incorporates Arendt’s own substantial revisions and provides additional notes based on letters, contracts, and other documents as well as the recollections of Arendt's friends and colleagues during her later years. “Both the dissertation and the accompanying essay are accessible to informed lay readers. Scott and Stark's conclusions about the cohesive evolution of Arendt’s thought are compelling but leave room for continuing discussion.”—Library Journal “A revelation.”—Kirkus Reviews
Bob Shacochis, author of the critically acclaimed novel The Woman Who Lost Her Soul, and National Book Award winning-author of such books as Swimming in the Volcano, Easy in the Islands, and The Next New World, hones his nonfiction skills in this tour de force romp through the worlds of eating and eroticism. Domesticity is an irreverent exploration of the sweet and sour evolution of the enduring romance between author and lover. In this relationship, Shacochis stays at home and cooks, all the while reflecting on the ups and downs of a romantic partnership, the connection between heart and stomach, and how the crazed lust of youth evolves into inevitably settling down and, well, simply making dinner. Shacochis's delectable musings on monogamy, emotional and physical separations, dogs, career changes, the stress of the holidays, the aesthetics of food, moving, sex and seafood, friendships, writings and the angst over who is going to do the dishes are deftly folded into seventy-five recipes, half of them of the author's own creation. Guilelessly hilarious, and ever entertaining, Domesticity is Shacochis's celebration of a life spent in proximity to the boiling point. Guilelessly hilarious, and ever entertaining, Domesticity is a celebration of a life spent in proximity to the boiling point, a "prose stew" of audacious candor, a culinary valentine for lovers of literature.
Stanley Rosen completed The Language of Love in the early 1970s, but the manuscript was put aside and only rediscovered in 2013, the year before his death. The Language of Love is an interpretation of the Phaedrus that was meant to follow and complete Rosen's Symposium commentary. Only two articles have been previously published. Rosen's frequent references to the central passages and second half of the Phaedrus were more important in pointing up the importance of his absent full interpretation of the dialogue. Here Rosen's argue for the possibility of philosophy or the retrieval of human self-knowledge on the basis of a renewed argument for the partial intelligibility of ordinary experience or, in other words, for the Platonic Ideas. His book on the Symposium was an important contribution to the subsequent sea change in Plato scholarship that returned attention to the dialogue form and to the poetic side of philosophy even in its quarrel with philosophy. That change allowed us search for understanding in the light of the whole, a whole which is otherwise, as Rosen has shown elsewhere, fragmented by the scientism of analytical philosophy or the historicism of "Continental" philosophy. The Language of Love represents a missing key to Stanley Rosen's work and, much more significantly, to the rediscovery of philosophy in our time. The title of the book is not merely a play on words. It points to the incommensurability between the constructed or historical nature of language or culture and the pre-discursive apprehension of things that is necessary if speech is to make sense and be understood, as opposed to being mere nonsense. Among many valuable insights along the way, Rosen unites the dialogue in two parts, treating both eros and rhetoric, showing the linkage between eros and writing, as between myth and analysis. He connects the comic attempt to subject eros to diaeresis in the Phaedrus with the attempt to understand non-being as an eidos in the Sophist. In both cases, the inadequacy of a technical understanding of philosophy returns us to the pre-technical world of ordinary experience. Rosen's interpretation is an expression of the Socratic claim that we can't speak beautifully without knowing the truth and that whatever truth we speak or write is a reflection of the silent invisibility of beauty as the unity of form. However, "Like every good teacher, it does not simply state that link for us to memorize. Instead, we must recollect it."
An introduction to a clear method of biblical interpretation For the Love of God’s Word is an abridged, less technical version of Köstenberger and Patterson’s acclaimed Invitation to Biblical Interpretation. Students, teachers, and pastors alike will find this introduction to biblical hermeneutics to be an accessible resource with both breadth and substance. Built on the premise that every passage requires careful scrutiny of its historical setting, literary dimension, and theological message, this volume teaches a simple threefold method that is applicable to every passage of Scripture regardless of genre. In addition, the book sets forth specific strategies for interpreting the various genres of Scripture, from poetry to epistle to prophecy. A final chapter is devoted to helpful Bible study resources that will equip the reader to apply Scripture to life. This book will serve as a standard text for interpreting Scripture that is both academically responsible and accessible for pastors, teachers, and college students. This volume will enable students of Scripture to grow in love for God’s Word as they grow in the disciplines of study and discernment.
NATIONAL BESTSELLER Soon to be a major motion picture "Jon Swift + Witches of Eastwick + Kelly 'Get In Trouble' Link + Mean Girls + Creative Writing Degree Hell! No punches pulled, no hilarities dodged, no meme unmangled! O Bunny you are sooo genius!" —Margaret Atwood, via Twitter "A wild, audacious and ultimately unforgettable novel." —Michael Schaub, Los Angeles Times "Awad is a stone-cold genius." —Ann Bauer, The Washington Post The Vegetarian meets Heathers in this darkly funny, seductively strange novel from the acclaimed author of 13 Ways of Looking at a Fat Girl and Rouge "We were just these innocent girls in the night trying to make something beautiful. We nearly died. We very nearly did, didn't we?" Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination. Named a Best Book of 2019 by TIME, Vogue, Electric Literature, and The New York Public Library
A thought-provoking, sustained meditation on sex, love, power, and poetry.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.