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Jack Mustaine discovers Grail, Louisiana, when the BMW he "borrowed" to leave L.A. breaks down outside the town. The sheriff nearly scams him out of the car before Grail's top dog, Joe Dill, comes to the rescue. Then Dill brings Jack to Le Bon Chance saloon, where Jack starts wondering whether he was rescued. After luscious Vida Dumars takes him home, he starts doubting his sanity. Vida's a prodigious lay, and Jack thinks he's in love, but tomorrow is St. John's Eve, when the new Midsummer Queen will be chosen by the Good Gray Man, and outgoing MQ Vida has to pass the scepter to a 10-year-old. Plenty of people tell Jack to get Vida out of town beforehand, and he wants to, but . . .
Welcome to Grail, Louisiana -- next to nothing and just beyond reality -- where hoodoo meets Jesus, and townsfolk pray to both. This dark fantasy delves into the psychological and motivational depths of Grail and its residents. Miss Sedele mixes up green cocktails called 'cryptoverdes' at Le Bon Chance. Vida Dumars, owner of the Moonlight Diner, peers into the deepest realms of her customers' hearts as though they were picture windows. Town spirit Good Gray Man has promised good fortune to the town as long as it hangs onto tradition. A quirky, fantastical town's heart and soul are slowly, often painfully revealed in this dark and captivating novella.
A variety of Louisiana animals pursuing their daily activities introduce the numbers one through ten. Includes a page of music.
Paul writes a letter home each of the twelve days he spends exploring Louisiana at Christmastime, as his cousin Rosalie shows him everything from a pelican in a cypress tree to twelve sparkly strands of Mardi Gras beads. Includes facts about Louisiana.
With Clifton Chenier's amazing life and career as the centerpiece, this collection of profiles gathered across two decades unites some of the world's most innovative creative forces.
A favorite novel by “a generous and lyric storyteller” (San Francisco Chronicle) known for his tragicomic voice and unforgettable characters. Billy Wayne is the sole survivor of his oddball line of marginal folk. When he acquires a priestly vocation it seems likely he will be the last Fontana, until hearing a young woman’s confession propels him into an impulsive marriage.
"Fish Town preserves, through photography and oral history recordings, the cultural and environmental life of southeastern Louisiana's fishing communities. Because of the vanishing coastline, people who are multi-generaltions deep in their fishing traditions have watched their towns quietly slip toward extinction for decades, with few means of historic preservation. .. " -- Dust jacket flap.
From Aansel to Zwolle, with Mardi Gras Bayou in between, avid writer Clare D Artois Leeper offers her own alphabet of places in Louisiana, both past and present. Louisiana Place Names includes 893 entries that reveal Leeper s distinct view of the state s history. Her unique blend of documented fact and traditional wisdom result in an entertaining guide to Louisiana s place name lore.
Sothern, a death penalty lawyer who with his wife, photographer Nikki Page, arrived in New Orleans four years ahead of Katrina, delivers a haunting, personal, and quintessentially American story.
In 1946, Harry Choates, a Cajun fiddle virtuoso, changed the course of American musical history when his recording of the so-called Cajun national anthem "Jole Blon" reached number four on the national Billboard charts. Cajun music became part of the American consciousness for the first time thanks to the unprecedented success of this issue, as the French tune crossed cultural, ethnic, racial, and socio-economic boundaries. Country music stars Moon Mullican, Roy Acuff, Bob Wills, and Hank Snow rushed into the studio to record their own interpretations of the waltz-followed years later by Waylon Jennings and Bruce Springsteen. The cross-cultural musical legacy of this plaintive waltz also paved the way for Hank Williams Sr.'s Cajun-influenced hit "Jamabalaya." Choates' "Jole Blon" represents the culmination of a centuries-old dialogue between the Cajun community and the rest of America. Joining into this dialogue is the most thoroughly researched and broadly conceived history of Cajun music yet published, Cajun Breakdown. Furthermore, the book examines the social and cultural roots of Cajun music's development through 1950 by raising broad questions about the ethnic experience in America and nature of indigenous American music. Since its inception, the Cajun community constantly refashioned influences from the American musical landscape despite the pressures of marginalization, denigration, and poverty. European and North American French songs, minstrel tunes, blues, jazz, hillbilly, Tin Pan Alley melodies, and western swing all became part of the Cajun musical equation. The idiom's synthetic nature suggests an extensive and intensive dialogue with popular culture, extinguishing the myth that Cajuns were an isolated folk group astray in the American South. Ryan André Brasseaux's work constitutes a bold and innovative exploration of a forgotten chapter in America's musical odyssey.