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The first phase of the Civil War was fought west of the Mississippi River at least six years before the attack on Fort Sumter. Starting with the passage of the Kansas-Nebraska Act in 1854, Jay Monaghan traces the development of the conflict between the pro-slavery elements from Missouri and the New England abolitionists who migrated to Kansas. "Bleeding Kansas" provided a preview of the greater national struggle to come. The author allows a new look at Quantrill's sacking of Lawrence, organized bushwhackery, and border battles that cost thousands of lives. Not the least valuable are chapters on the American Indians’ part in the conflict. The record becomes devastatingly clear: the fighting in the West was the cruelest and most useless of the whole affair, and if men of vision had been in Washington in the 1850s it might have been avoided.
The result of meticulous scholarship and decades of careful collecting to create a body of reliable information, this definitive, full-length biography of the enigmatic Confederate poet presents a close examination of the man behind the myth and separates Lost Cause legend from fact."--Jacket.
To early European colonists the swamp was a place linked with sin and impurity; to the plantation elite, it was a practical obstacle to agricultural development. For the many excluded from the white southern aristocracy—African Americans, Native Americans, Acadians, and poor, rural whites—the swamp meant something very different, providing shelter and sustenance and offering separation and protection from the dominant plantation culture. Shadow and Shelter: The Swamp in Southern Culture explores the interplay of contradictory but equally prevailing metaphors: first, the swamp as the underside of the myth of pastoral Eden that defined the antebellum South; and second, the swamp as the last pure vestige of undominated southern ecoculture. As the South gives in to strip malls and suburban sprawl, its wooded wetlands have come to embody the last part of the region that will always be beyond cultural domination. Examining the southern swamp from a perspective informed by ecocriticism, literary studies, and ecological history, Shadow and Shelter considers the many representations of the swamp and its evolving role in an increasingly multicultural South.
For the newspaper profession the problems confronted in reporting the Civil War were as catalytic as the war itself was for American society. Many of the problems encountered in reporting later wars were present in the Civil War, but they were new problems then: communications, transportation, Federal confiscation of printing presses, censorship, military personalities, and, after mid-1863, how to tell a proud people that it was losing the war. Professor Andrews, author of The North Reports the Civil War (1955), now turns his attention to the South. He shows that Southern war reporting at its best was comparable in quality to that of the leading Northern war correspondents, that the reporting of news by the Southern press was an essential ingredient not simply of journalism but also of the Confederate propaganda effort, and that the South's newsmen contributed to the revolution of a profession, an industry, and a form of human communication. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Includes index and appendices.
From 1837 to 1912, Charles Dickens was by far the most popular writer for American readers. Through several sources including statistics, literary biography, newspapers, memoirs, diaries, letters, and interviews, Robert McParland examines a historical time and an emerging national consciousness that defined the American identity before and after the Civil War. American voices present their views, tastes, emotional reactions and identifications, and deep attachment and love for Dickens's characters, stories, themes, and sensibilities as well as for the man himself. Bringing together contemporary reactions to Dickens and his works, this book paints a portrait of the American people and of American society and culture from 1837 to the turn of the twentieth century. It is in this view of nineteenth-century America--its people and their values, their reading habits and cultural views, the scenarios of their everyday lives even in the face of the drastic changes of the emerging nation--that Charles Dickens's American Audience makes its greatest impact.
As the Civil War moved into 1864, people in the North expected newly appointed general-in-chief Ulysses S. Grant to roll over the Confederate armies and bring victory and peace by the end of the summer. With his friend William Tecumseh Sherman, Grant devised a strategy to defeat the Confederate Army of Tennessee and lay waste to the Deep South so that the area could no longer provide support for the Confederate war effort. Making extensive use of materials both contemporary and modern, including letters, diaries, memoirs and histories, the author presents a detailed narrative of the locales, conditions, personnel, strategies, tactics, battles and skirmishes as Sherman's forces fought their way from Chattanooga to Atlanta and then made their famous march to the sea, destroying all resources along the way. He also details Confederate general John Bell Hood's ill-fated attempt to capture Nashville while Sherman was occupied elsewhere. The fighting and devastation in Georgia and Tennessee that summer of 1864 were indeed major factors in the final Union victory.
Scholars of the Civil War era have commonly assumed that veterans of the Union and Confederate armies effortlessly melted back into society and that they adjusted to the demands of peacetime with little or no difficulty. Yet the path these soldiers followed on the road to reintegration was far more tangled. New Men unravels the narrative of veteran reentry into civilian life and exposes the growing gap between how former soldiers saw themselves and the representations of them created by late-nineteenth century American society. In the early years following the Civil War, the concept of the “veteran” functioned as a marker for what was assumed by soldiers and civilians alike to be a temporary social status that ended definitively with army demobilization and the successful attainment of civilian employment. But in later postwar years this term was reconceptualized as a new identity that is still influential today. It came to be understood that former soldiers had crossed a threshold through their experience in the war, and they would never be the same: They had become new men. Uncovering the tension between veterans and civilians in the postwar era adds a new dimension to our understanding of the legacy of the Civil War. Reconstruction involved more than simply the road to reunion and its attendant conflicts over race relations in the United States. It also pointed toward the frustrating search for a proper metaphor to explain what soldiers had endured. A provocative engagement with literary history and historiography, New Men challenges the notion of the Civil War as “unwritten” and alters our conception of the classics of Civil War literature. Organized chronologically and thematically, New Men coherently blends an analysis of a wide variety of fictional and nonfictional narratives. Writings are discussed in revelatory pairings that illustrate various aspects of veteran reintegration, with a chapter dedicated to literature describing the reintegration experiences of African Americans in the Union Army. New Men is at once essential reading for anyone who wants to understand the origins of our concept of the “veteran” and a book for our times. It is an invitation to build on the rich lessons of the Civil War veterans’ experiences, to develop scholarship in the area of veterans studies, and to realize the dream of full social integration for soldiers returning home.