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By offering some insights into a key area of West Africa, this book attempts to take the wonders of Ancient Egypt out of the realm of myths and folklore. The credit for the longevity of Ancient Egyptian traditions belongs to their erstwhile scribes,who managed to keep extensive records of Egypts history and achievements over an exceptionally long period. The Anang, Efik, and Ibibio people also deserve recognition for maintaining a spoken language that has notchanged very much from that spoken by the Ancient Egyptians at the various stages of their development, and for perpetuating a very unique culture that allows for the uncomplicated linkage of these two worlds. Bystudying this ancient language and culture, we can pose some formidable questions about our presentquestions that shape our understanding ofthe genesis of the three main Middle Eastern religious movements, and that help explain the evolution of modern science.The fact that other venerated civilizations, including the Semites, Persians, and Greeks, represented Egyptian words inaccurately does not warrant perpetuating such corruption, as this would rob those words of their true essence. Much as the corrupted English words Ikobi, inokobi would not sound familiar to an English-speaker as the words To be, or not to be, neither do words like miri, kem, or osiris represent the Ancient Egyptian muara, ekim, and ase, respectively....... Page 56, re men kimi - In Efik, these corrupted words should read as uyo mn ekim, meaning black voices (voices of those who are black). Up until the earlier period of the present-day Copts, Egyptians referred to themselves as such: mn ekim. In a similar vein, the present-day speakers of this languageincluding the Efik, Ibibio, Anang, rn, Etinan, Uyo, Nsit, Ibun, Itu, Ikt Abasi, ft, Ediene, Eket, Abak, Ikt Aran, Ikt Ub, Oku, Itam, Muaa (iba)are described in similar fashion, i.e., mn so-and-so. In this case, mn is used in a generic manner as opposed to nu, which has particular relevance to family or ancestors.
In this illuminating book, Dr. Nellie Radomsky explores the complexity of chronic pain in women and evidence for its association with abuse--an issue largely unrecognized by medical practitioners. Modern medical training emphasizes diagnosis and cure, but chronic pain problems often have no identifiable organic cause, and the women who suffer are often not listened to in the doctor’s office. Lost Voices: Women, Chronic Pain, and Abuse addresses how women, by gaining knowledge of the ways the medical culture--and the larger culture--have silenced them, may move into a healing process and learn to speak out. The author encourages women in pain to give voice to their buried experiences and shows them that speaking out about their experiences with abuse and chronic pain can be the first step on the road to healing. The author explores the lost voices of women in pain through stories based on her personal encounters with patients in her practice. These women and their case histories help illustrate the interactions of chronic pain and abuse and the complexity of the doctor-patient relationship. Among the many areas Dr. Radomsky examines are: how the medical culture has silenced women chronic pain in women with a history of abuse the relationship of women’s healing processes and the sense of finding and expressing “lost voices” the doctor-patient relationship and obstacles to healing the limitation of medical models with respect to understanding complex chronic pain issues how acute and chronic pain differ and how physicians and patients alike struggle with this understanding Scientific but very readable, Lost Voices assists readers in the search for answers to complex pain problems. It is a hope-full resource for women struggling with chronic pain and personal abuse issues and an enlightening guide for physicians, therapists, and others working with these women. Professionals working in the area of chronic pain, readers involved in feminist issues, and academic physicians interested in medicine as culture will find Lost Voices a revealing book.
History.
Nobel laureate Naguib Mahfouz reaches back millennia to his homeland’s majestic past in this enchanting collection of early tales that brings the world of ancient Egypt face to face with our own times. From the Predynastic Period, where a cabal of entrenched rulers banish virtue in jealous defense of their status, to the Fifth Dynasty, where a Pharaoh returns from an extended leave to find that only his dog has remained loyal, to the twentieth century, where a mummy from the Eighteenth Dynasty awakens in fury to reproach a modern Egyptian nobleman for his arrogance, these five stories conduct timeless truths over the course of thousands of years. Summoning the power and mystery of a legendary civilization, they examplify the artistry that has made Mahfouz among the most revered writers in world literature. Translated by Raymond Stock
A fascinating exploration of the lives of normal people in ancient Egypt. Full of their own strange and amusing stories; documents their anxieties, hopes, loves and mischievous pursuits.
The Rosetta Stone is one of the most popular artefacts in the British Museum. Containing a decree written in Greek, Demotic and hieroglyphics, it proved to be the key to deciphering Egyptian hieroglyphics. This concise study traces the history of `the most famous piece of rock in the world' to become a modern icon and tells the story of the race to use it to decipher Egypt's ancient script by Jean-François Champollion and Thomas Young. Also includes a translation of the text.
Winner of the International Prize for Arabic Fiction, this novel weaves together a series of devastating confessions about life in contemporary Arab society “Barakat isn't writing about ‘the immigrant.’ She's writing about the human.”—Rumaan Alam, 4columns “Spare and deep, Voices of the Lost captivates. Hoda Barakat is one of Lebanon's greatest gifts to literature, and Booth allows her English audience to explore this painful and irresistible present.”—Amy Bloom, author of White Houses In an unnamed country torn apart by war, six strangers are compelled to share their darkest secrets. Taking pen to paper, each character attempts to put in writing what they can’t bring themselves to say to the person they love—mother, father, brother, lost love. Their words form a chain of dark confessions, none of which reaches the intended recipient. Profound, troubling, and deeply human, Voices of the Lost tells the moving story of characters living on the periphery, battling with displacement, devastating poverty, and the demons within themselves. From one of today’s most talented Arabic writers, Voices of the Lost is an urgent story of lives intimately woven together in a society that is tearing itself apart.
At the turn of the twentieth century—during the “protectorate” period of British occupation in Egypt—theaters and other performance sites were vital for imagining, mirroring, debating, and shaping competing conceptions of modern Egyptian identity. A central figure in this diverse spectrum was the effendi, an emerging class of urban, male, anti-colonial professionals whose role would ultimately become dominant. Acting Egyptian argues that performance themes, spaces, actors, and audiences allowed pluralism to take center stage while simultaneously consolidating effendi voices. From the world premiere of Verdi’s Aida at Cairo’s Khedivial Opera House in 1869 to the theatrical rhetoric surrounding the revolution of 1919, which gave women an opportunity to link their visibility to the well-being of the nation, Acting Egyptian examines the ways in which elites and effendis, men and women, used newly built performance spaces to debate morality, politics, and the implications of modernity. Through scripts, playbills, ads, and numerous other sources, the book brings to life provocative debates and dissent that fostered a new image of national culture and echoed urban life in the struggle for independence.
Explores how, why and where an Islamic revival emerged in 1970s Egypt, and why this shift remains relevant today.
The history of capitalism in Egypt has long been synonymous with cotton cultivation and dependent development. From this perspective, the British occupation of 1882 merely sealed the country's fate as a vast plantation for European textile mills. All but obscured in such accounts, however, is Egypt's emergence as a colonial laboratory for financial investment and experimentation. Egypt's Occupation tells for the first time the story of that financial expansion and the devastating crises that followed. Aaron Jakes offers a sweeping reinterpretation of both the historical geography of capitalism in Egypt and the role of political-economic thought in the struggles that raged over the occupation. He traces the complex ramifications and the contested legacy of colonial economism, the animating theory of British imperial rule that held Egyptians to be capable of only a recognition of their own bare economic interests. Even as British officials claimed that "economic development" and the multiplication of new financial institutions would be crucial to the political legitimacy of the occupation, Egypt's early nationalists elaborated their own critical accounts of boom and bust. As Jakes shows, these Egyptian thinkers offered a set of sophisticated and troubling meditations on the deeper contradictions of capitalism and the very meaning of freedom in a capitalist world.