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Norfolk is a very distinctive county, the most easterly in the British Isles. With the North Sea and The Wash to the east and north it is relatively close to the Netherlands, but Norwich is only a couple of hours by train from London. It has been a center of great political power, but is on no major transport routes, so has no motorways and has been largely bypassed by the Industrial Revolution. As a result, many of its towns and villages are relatively unspoiled, so have kept their old buildings and character and are a delight to visit. Although known for its wide open landscapes, of which there are many, Norfolk has an abundance of delightful corners and beautiful gardens where it is the miniature that charms and tranquillity reigns. This beautiful photo book captures the essence of Norfolk's varied landscapes in sumptuous images and an informative text that gets underneath the surface of why things look like they do. The Norfolk Broads, Breckland, The Waverley Valley, The Fens and the coastlines are explored in turn along with the wildlife you can encounter on the way. In addition, Norfolk's lovely churches that punctuate every view, and the distinctive traditional buildings that give each area its special flavor are featured. Doug Kennedy has roamed the County on foot and by boat, seeking out what makes each place special and applying his photographer's eye to capture the scene perfectly. It is a book for everyone who loves the Norfolk to treasure, and a splendid introduction to its landscape for those less familiar with a classic corner of England.
Norfolk is a county sadly rich in "lost" country houses; this account and gazetteer offer a comprehensive account of them.
This volume presents a report on the archaeological excavation of a small building on the Norfolk coast, locally known as 'Blakeney Chapel', in advance of expected coastal erosion at Blakeney Eye. The investigations produced evidence for multi-period occupation, with abandonments driven by the ever-changing climate.
Twons come and towns go. Travelers sometimes have to move in the fourth dimension. Randy McNutt takes us on an eccentriv travel trip to dozens of Ohio ghost twons, uncovering tattooed chickens, legendary daredevils, swamopghosts, milkmen who delivered milk and whiskey, and a della who bit off his mother-in-law's ear. Handsome pen and ink illustrations.
What is written lives far longer than we do -- or so we would like to think.' From unfinished novel to unsent letters, from prose to play, from Macclesfield to the New Year's Honours List, Liar's Landscape is evidence of the late great author's versatility, wit and passion for the written word. When Sir Malcolm Bradbury died in 2000, he left behind a lifetime's work; some of it published and some of it not; fiction and non-fiction; short stories and novels; completed work, work in progress, work barely begun; plans, sketches, notes, titles. Given shape and coherence by his son, Dominic, that work has now become Liar's Landscape, a book about books, about writing and writers, about being a writer and, of course, about being Malcolm Bradbury. 'Liar's Landscape is essential reading for all admirers of Malcolm Bradbury and, for those who don't know his work, an invaluable sampler of his worldly-wise humour and satirical wit' Tom Rosenthal, Independent
This book is not only about wildlife habitats, landscapes, historic buildings and archaeology; it is also about changing attitudes and priorities. --
Considering the minor settlements of England's Danelaw--villages known as thorps or throps--this history demonstrates how place-name evidence can be used to understand early cultures. By integrating linguistic and archaeological approaches, it establishes a compelling connection between the creation of these place-names and the fundamental changes taking place in the English landscape between AD 850 and 1250. The integral role of thorps in revolutionizing agricultural practice at that time is thoroughly analyzed.
William Faden's map of Norfolk, published in 1797, was one of a large number of surveys of English counties produced in the second half of the eighteenth century. This book, with accompanying DVD, presents a new digital version of the map, and explains how this can be interrogated to produce a wealth of new historical information. It discusses the making of the Norfolk map, and Faden's own career, within the wider context of the eighteenth-century "cartographic revolution". It explores what the map, and others like it, can tell us about contemporary social and economic geography. But it also shows how, carefully examined, the map can also inform us about the development of the Norfolk landscape in much more remote periods of time. The book includes a digital version of the map, on DVD. Andrew Macnair is Research Fellow at the School of History in the University of East Anglia; Tom Williamson is Professor of History and Head of the Landscape Group at the University of East Anglia.
Norfolk has a wealth of important archaeological sites, historic buildings and landscapes. This guide is the first to use them to tell the county's rich history. Starting with real footprints of people who lived here nearly 1 million years ago, A History of Norfolk in 100 Places will take you on a chronological journey through prehistoric monuments, Roman forts, medieval churches and Nelson's Monument, right up to twentieth-century defensive sites. With detailed entries illustrated by aerial photographs and ground-level shots, here you will find a reliable guide to historic places that are either open to the public, or are visible from public roads or footpaths for you to explore.
A newly-widowed woman has done a runner. She just jumped in her car, abandoned her (very nice) house in north London and kept on driving until she reached the Norfolk coast. Now she's rented a tiny cottage and holed herself away there, if only to escape the ceaseless sympathy and insincere concern. She's not quite sure, but thinks she may be having a bit of a breakdown. Or perhaps this sense of dislocation is perfectly normal in the circumstances. All she knows is that she can't sleep and may be drinking a little more than she ought to. But as her story unfolds we discover that her marriage was far from perfect. That it was, in fact, full of frustration and disappointment, as well as one or two significant secrets, and that by running away to this particular village she might actually be making her own personal pilgrimage. By turns elegiac and highly comical, The Widow's Tale conjures up this most defiantly unapologetic of narrators as she begins to pick over the wreckage of her life and decide what has real value and what she should leave behind.