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The women athletes of the 2016 Summer Olympics captivated the world: Simon Biles, the most decorated American gymnast of all time; Katie Ledecky, who shattered swimming records in multiple events; Michelle Carter, the first American gold medalist in shot put; Simone Manuel, the first African American woman to medal in individual swimming. Their accomplishments amazed us, as did their personal stories of persistence and hard work. The Golden Girls of Rio focuses on the paths to glory for these women athletes, how they got their start and rose to meteoric heights in the Rio games. The other swimming and gymnastic teammates are included in the story as well. An inspiring story, bursting with color and action and life, that will make you smile to see these champion athletes as little girls, and to revisit their triumphs in achieving Olympic gold.
"A vivid historical account…Thompson shines in giving a sense of what it means to love a place that's been designated a 'sacrifice zone.'" ​ —PUBLISHERS WEEKLY Award–winning investigative environmental journalist Jonathan P. Thompson digs into the science, politics, and greed behind the 2015 Gold King Mine disaster, and unearths a litany of impacts wrought by a century and a half of mining, energy development, and fracking in southwestern Colorado. Amid these harsh realities, Thompson explores how a new generation is setting out to make amends. JONATHAN THOMPSON is a native Westerner with deep roots in southwestern Colorado. He has been an environmental journalist focusing on the American West since he signed on as reporter and photographer at the Silverton Standard & the Miner newspaper in 1996. He has worked and written for High Country News for over a decade, serving as editor–in–chief from 2007 to 2010. He was a Ted Scripps fellow in environmental journalism at the University of Colorado in Boulder, and in 2016 he was awarded the Society of Environmental Journalists' Outstanding Beat Reporting, Small Market. He currently lives in Bulgaria with his wife Wendy and daughters Lydia and Elena.
THE SUNDAY TIMES TOP TEN BESTSELLER 'A lacerating account ... painful but necessary' EVENING STANDARD 'Beautiful & significant ... Tackles grief with honesty' DAWN FRENCH 'Very important and moving book' ALASTAIR CAMPBELL 'A searingly honest book. So much of Rio's emotional turmoil and deep loss resonated with me. At the same time I loved his message of hope' GLORIA HUNNIFORD 'Rio's courageous story of life, loss, grief and hope' PRIMA CHRISTMAS GIFT GUIDE, 'Best of the Celebrity Crop' 'Tender, heartbreaking ... An extraordinary and unforgettable book. *****' HEAT * * * * * * 'When Rebecca died, the idea that one day I might begin to feel better would have struck me as laughable ... I know how persuasive this kind of permanence thinking can be. I know too that anyone locked in its grip will laugh if I promise them that their pain will one day ease. It will. Of course it will. But I know better than to expect anyone to believe me.' In 2015, former England football star Rio Ferdinand suddenly and tragically lost his wife and soulmate Rebecca, aged 34, to cancer. It was a profound shock and Rio found himself struggling to cope not just with the pain of his grief, but also with his new role as both mum and dad to their three young children. Rio's BBC1 documentary, Being Mum and Dad, touched everyone who watched it and won huge praise for the honesty and bravery he showed in talking about his emotions and experiences. His book now shares the story of meeting, marrying and losing Rebecca, his own and the family's grief - as well as the advice and support that get him through each day as they strive to piece themselves back together. Thinking Out Loud is written in the hope that he can inspire others struggling with loss and grief to find the help they need through this most difficult of times.
Mexican settlers first came to the valley of the Rio Grande to establish their ranchos in the 1750s. Two centuries later the Great River, dammed in an international effort by the U.S. and Mexican governments to provide flood control and a more dependable water supply, inundated twelve settlements that had been built there. Under the waters of the new Falcón Reservoir lay homes, businesses, churches, and cemeteries abandoned by residents on both sides of the river when the floods of 1953 filled the 115,000-acre area two years ahead of schedule. The Smithsonian Institution, the National Park Service, and the University of Texas at Austin conducted an initial survey of the communities lost to the Falcón Reservoir, but these studies were never completed or fully reported. When architect W. Eugene George came to the area in the 1960s, he found a way of life waiting to be preserved in words, photographs, and drawings. Two subsequent recessions of the reservoir—in 1983–86 and again in 1996–98—gave George new access to one of the settlements, Guerrero Viejo in Mexico. Unfortunately, the receding lake waters also made the village accessible to looters. George’s work, then, was crucial in documenting the indigenous architecture of these villages, both as it existed prior to the flooding and as it remained before it was despoiled by vandals’ hands. Lost Architecture of the Rio Grande Borderlands combines George’s original 1975 Texas Historical Commission report with the information he gleaned during the two low-water periods. This handsome, extended photographic essay casts new light on the architecture and lives of the people of the Texas-Mexico borderlands.
It’s the city the rest of the world descends on to party…. whether for the spectacular annual Carnival, the sun-kissed beaches, the World Cup, or, in 2016, the Olympics. It’s also a place that’s sadly become synonymous with some of the excesses of partying, the dark underbelly that accompanies any urban hedonist’s destination. But these are just two images of Rio. There are countless others: opulent seat of two former empires; stronghold of brutal, twentieth-century dictatorships; sprawling metropolis stretched between stunning mountain tops and equally stunningeconomic extremes – from the affluence of neighbourhoods like Leblon and Ipanema, to the overcrowded slums in the foothills, the favelas. This anthology brings together ten short stories that go beyond the postcards and snapshots, and introduce us to real residents of Rio – the cariocas: young hopefuls training to be the next stars of samba, exhausted labourers press-ganged into meeting an impossible construction deadline (the nation’s pride being at stake), bored call-girls, nostalgic drag queens, married couples having petty middle-class domestics…. These are characters who’ve developed a deep understanding of Rio’s contradictions, a way of living with the grey areas – between the grime and the glitz – that make Rio the ‘marvellous city’ it is.
“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."
A gorgeously written standalone from the acclaimed author of The Last Bear, Hannah Gold’s second novel is a touching story about adventure, recovery, and love—perfect for fans of Pax and A Wolf Called Wander. When Rio is sent to live with a grandmother he barely knows in California, he feels completely alone. Then he makes a new friend on the foggy beach—a girl named Marina, who teaches him about the massive grey whales that migrate nearby. As Rio grows to love the whales, he discovers that his mother loved them, too. He’s suddenly sure that if he can somehow find a way to connect her with these gentle giants – and especially with a particular whale named White Beak – she will get better and come to join him in California. But White Beak is missing—and Rio must embark on a desperate journey across the dangerous ocean to find her. An excellent choice for readers in grades 3 to 7, this fierce celebration of friendship includes information about the struggles facing real gray whales from climate change, pollution, and over-fishing.