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The television series LOST initiated a wide-ranging academic debate which centered on its narrative and temporal complexity, while also addressing the massive expansion into other media and consequently crossing established genre categories. This expansion poses the essential question about the status of the original medium (television) within recent multiple media configurations. Can LOST be regarded as a symptom of television in the process of media change? What is the relation between LOST's temporality and that of television in general? And how can LOST be understood as a phenomenon of mediatized worlds? The contributions in this book examine these questions. The book's editors are members of the project "TV Series as Reflection and Projection of Change," which is part of the DFG Priority Program 1505: "Mediatized Worlds". (Series: Medien'welten. Braunschweiger Schriften zur Medienkultur - Vol. 19)
How can migrants represent themselves in public debate? Lost in Media argues for new terms of participation This volume gathers critical responses to the representations of migrants in the media in Europe through nine essays by prominent writers, artists and journalists. The starting point is the assertion that migrants may have entered European countries, but they have not yet entered the public sphere. When they do, it is as characters in other people's stories: they are spoken about but rarely spoken to, pointed at but rarely heard. If migrants and refugees are to become fully recognized citizens of Europe, they need to be participants in public debate. Lost in Media features essays by Tania Bruguera, Moha Gerehou, Aleksandar Hemon, Lubaina Himid, Dawid Krawczyk, Antonija Letinic, Nesrine Malik, Nadifa Mohamed, Ece Temelkuran, Daniel Trilling, Menno Weijs and Andr Wilkens; and visual contributions by Roda Abdalle, Tania Bruguera, Jillian Edelstein, Moha Gerehou, Lubaina Himid, Jade Jackman, Jacob Lawrence and Antonija Letinic.
From the author of A Tangle of Knots and Absolutely Almost, a touching story about a boy who won't let one tragic accident define him. Everyone says that middle school is awful, but Trent knows nothing could be worse than the year he had in fifth grade, when a freak accident on Cedar Lake left one kid dead, and Trent with a brain full of terrible thoughts he can't get rid of. Trent’s pretty positive the entire disaster was his fault, so for him middle school feels like a fresh start, a chance to prove to everyone that he's not the horrible screw-up they seem to think he is. If only Trent could make that fresh start happen. It isn’t until Trent gets caught up in the whirlwind that is Fallon Little—the girl with the mysterious scar across her face—that things begin to change. Because fresh starts aren’t always easy. Even in baseball, when a fly ball gets lost in the sun, you have to remember to shift your position to find it. Praise for Lost in the Sun: A Publishers Weekly Best Book of the Year! * "Graff writes with stunning insight [and] consistently demonstrates why character-driven novels can live from generation to generation."--Kirkus Reviews *STARRED* * "Graff creates layered, vulnerable characters that are worth getting to know."--Booklist *STARRED* * "[A]n ambitious and gracefully executed story."--Publishers Weekly *STARRED* * "Weighty matters deftly handled with humor and grace will give this book wide appeal."--School Library Journal *STARRED* * "Characterization is thoughtful."--BCCB *STARRED* “In Lost in the Sun, Trent decides that he will speak the truth: that pain and anger and loss are not the final words, that goodness can find us after all—even when we hide from it. This is a novel that speaks powerfully, honestly, almost shockingly about our human pain and our human redemption. This book will change you.”—Gary Schmidt, two-time Newbery Honor-winning author of The Wednesday Wars and Lizzie Bright and the Buckminster Boy “Lisa Graff crafts a compelling story about a boy touched with tragedy and the world of people he cares about. And like all the best stories, it ends at a new beginning.”—Richard Peck, Newbery Award-winning author of A Year Down Yonder and A Long Way From Chicago Lisa Graff's Awards and Reviews: Lisa Graff's books have been named to 30 state award lists, and A Tangle of Knots was long-listed for the National Book Award.
Lost Tycoon presents an unvarnished, in-depth portrayal of the man who vows to "Make America Great Again." Although it was first published in 1993, Lost Tycoon shows us that The Donald's personal character, political philosophy, business ethics, and attitude towards women haven't changed much in the past two decades.Trump is a man of many lives, and many wives. He is arguably the greatest self-promoter in the annals of American business. After inheriting a fortune, he made and lost billions in real estate and casino gambling, rising phoenix-like from his own ashes. He is a reality television show star, a father, a grandfather, and an alleged rapist. In Hollywood terms, he has literally been the producer and director of his own biopic--a real life "Citizen Kane," whose father hammered the same lines into his head when was a little boy: "You are a killer . . . you are a king . . . you are a killer . . .you are a king."Harry Hurt has created a cinema verité-style narrative that allows the words and actions of the principals to speak for themselves. It is indisputable that Donald's exploits in business, entertainment, and politics prove that he is--to borrow a metaphor from Fred Trump Sr.--"a killer." Reading this important biography about the real Donald Trump will help you to make an informed and engaged choice as to whether he is worthy of being "king."
With humor and insight born of decades of experience, Al Maag shares what he learned during his Chicago childhood in the 1950s and 60s, a stark contrast to the current C-generation that has grown up with electronic gadgets. Social Media Isn't Social shows why online social media cannot replace face-to-face human connection, and reveals the critical real-life social skills you need to succeed today in business and in life.
From Hitchcock and Dali to Peckinpah and Lynch, cinema history is littered with masterpieces that have never seen the light of day. Now, The Greatest Movies You'll Never See unveils the fascinating - and frequently heart-breaking - stories of these projects' faltering steps from green light to movie graveyard. Opening at the dawn of contemporary cinema with Charlie Chaplin's Return from St. Helena, and closing with the collapse of Tony Scott's Potsdamer Platz, following the director's suicide in 2012, this riveting compendium of celluloid 'what ifs' goes behind the scenes of more than fifty 'lost' films to explain exactly why they never made it to the final cut. Discover the meticulous preparations behind Ray Harryhausen's War of the Worlds and Stanley Kubrick's Napoleon; learn why Brazzaville, a sequel to Casablanca, and Night Skies, a science-fiction horror story by Steven Spielberg, fell by the wayside; and read about the unrealized dreams of sometimes ill-fated auteurs Tim Burton and the Coen Brothers. The Greatest Movies You'll Never See details all the obstacles encountered, from unsympathetic studios and preposterous plots to the untimely deaths of stars. Alongside these compelling tales from development hell are script extracts, storyboards, concept artwork and frames of surviving footage. In addition, all the unmade movies are accompanied by original posters from acclaimed modern designers, including Akiko Stehrenberger (Funny Games, Kiss of the Damned) and Heath Killen (Eternal Sunshine of the Spotless Mind, Never Let Me Go). An endlessly absorbing alternative history of the silver screen, The Greatest Movies You'll Never See is an essential read for all true cineastes.
What sixteen-year-old Elizabeth has lost so far: forty pounds, four jean sizes, a boyfriend, and her peace of mind. As a result, she’s finally a size zero. She’s also the newest resident at Wallingfield, a treatment center for girls like her—girls with eating disorders. Elizabeth is determined to endure the program so she can go back home, where she plans to start restricting her food intake again.She’s pretty sure her mom, who has her own size-zero obsession, needs treatment as much as she does. Maybe even more. Then Elizabeth begins receiving mysterious packages. Are they from her ex-boyfriend, a secret admirer, or someone playing a cruel trick? This eloquent debut novel rings with authenticity as it follows Elizabeth’s journey to taking an active role in her recovery, hoping to get back all that she lost.
It is one of the most astonishing facts of cinema history: an extraordinary number of important films are believed to be lost forever. Spanning from the early days of the silent movies to as late as the 1970s and touching all corners of the global film experience, groundbreaking works of significant historical and artistic importance are gone. Cinema icons including Orson Welles, Stanley Kubrick, Alfred Hitchcock, Oscar Micheaux and Vincente Minnelli are among those impacted by this tragedy, and pioneering technological achievements in color cinematography, sound film technology, animation and widescreen projection are among the lost treasures. How could this happen? And is it possible to recover these missing gems? In this book, noted film critic and journalist Phil Hall details circumstances that resulted in these productions being erased from view. For anyone with a passion for the big screen, In Search of Lost Films provides an unforgettable consideration of a cultural tragedy.
Perfect for fans of Morgan Matson and Ruta Sepetys, this sweet, summery romance set in Nantucket follows seventeen-year-old Abby Schoenberg as she uncovers a secret about her grandmother's life during WWII. Seventeen-year-old Abby Schoenberg isn't exactly looking forward to the summer before her senior year. She's just broken up with her first boyfriend and her friends are all off in different, exciting directions for the next three months. Abby needs a plan—an adventure of her own. Enter: the letters. They show up one rainy day along with the rest of Abby's recently deceased grandmother's possessions. And these aren't any old letters; they're love letters. Love letters from a mystery man named Edward. Love letters from a mansion on Nantucket. Abby doesn't know much about her grandmother's past. She knows she was born in Germany and moved to the US when she was five, fleeing the Holocaust. But the details are either hazy or nonexistent, and these letters depict a life that is a bit different than the quiet one Abby knows about. So Abby heads to Nantucket for the summer to learn more about her grandmother and the secrets she kept. But when she meets Edward's handsome grandson, who wants to stop her from investigating, things get complicated. As Abby and Noah grow closer, the mysteries in their families deepen, and they discover that they both have to accept the burdens of their pasts if they want the kinds of futures they've always imagined. Cover may vary.
A New York Times bestselling series A USA TODAY bestselling series A California Young Reader Medal–winning series In this riveting series opener, a telepathic girl must figure out why she is the key to her brand-new world before the wrong person finds the answer first. Twelve-year-old Sophie has never quite fit into her life. She’s skipped multiple grades and doesn’t really connect with the older kids at school, but she’s not comfortable with her family, either. The reason? Sophie’s a Telepath, someone who can read minds. No one knows her secret—at least, that’s what she thinks… But the day Sophie meets Fitz, a mysterious (and adorable) boy, she learns she’s not alone. He’s a Telepath too, and it turns out the reason she has never felt at home is that, well…she isn’t. Fitz opens Sophie’s eyes to a shocking truth, and she is forced to leave behind her family for a new life in a place that is vastly different from what she has ever known. But Sophie still has secrets, and they’re buried deep in her memory for good reason: The answers are dangerous and in high-demand. What is her true identity, and why was she hidden among humans? The truth could mean life or death—and time is running out.