Download Free Lost Homeland Book in PDF and EPUB Free Download. You can read online Lost Homeland and write the review.

The Armenian world was shattered by the 1915 genocide. Not only were thousands of lives lost but families were displaced and the narrative threads that connected them to their own past and homelands were forever severed. Many have been left with only fragments of their family histories: a story of survival passed on by a grandparent who made it through the cataclysm or, if lucky, an old photograph of a distant, silent, ancestor. By contrast the Dildilian family chose to speak. Two generations gave voice to their experience in lengthy written memoirs, in diaries and letters, and most unusually in photographs and drawings. Their descendant Armen T. Marsoobian uses all these resources to tell their story and, in doing so, brings to life the pivotal and often violent moments in Armenian and Ottoman history from the massacres of the late nineteenth century to the final expulsions in the 1920s during the Turkish War of Independence. Unlike most Armenians, the Dildilians were allowed to convert to Islam and stayed behind while their friends, colleagues and other family members perished in the death marches of 1915-1916.Their remarkable story is one of survival against the overwhelming odds and survival in the face of peril.
'Lost in a Homeland' is a sequel to 'A Token of Love' and recounts the difficulties Amy and George experience when they return to 1930's England, after their farming venture in the Canadian prairies. Set in leafy Buckinghamshire and the East End of London, the plight of those without work at a time of the Great Depression as well as the lifestyle of the wealthy is explored. George's search for employment as well as a family home is tough. Will these challenges be too much for their marriage to survive?
Guli Francis-Dehqani was born in Isfahan, Iran, to a family who were part of the tiny Anglican Church established by 19th century missionaries. Her father, a Muslim convert, became the first indigenous Persian bishop. As the Islamic Revolution of 1979 swept across the country, church properties were raided, confiscated or closed down. Guli’s father was briefly imprisoned before surviving an attack on his life, which injured his wife. Soon after, whilst he was out of the country for meetings, Guli’s 24 year-old brother, Bahram, a university teacher in Tehran, was murdered. No one was ever brought to justice and the family were advised to leave Iran. Guli was 14. They eventually settled in England with refugee status. Drawing on the riches of Persian culture and her own dramatic experience of loss of a homeland, Guli offers memorable and perceptive reflections on Jesus’ seven final sayings from the cross, opening up for Western readers fresh and arresting insights from a Middle Eastern perspective.
'Enthralling and moving. It is magical.'— Claudia Roden In the 1940s a third of Baghdad's population was Jewish. Within a decade nearly all 150,000 had been expelled, killed or had escaped. This graphic memoir of a lost homeland is a wordless narrative by an author homesick for a home she has never visited. Transported by the power of music to her ancestral home in the old Jewish quarter of Baghdad, the author encounters its ghost-like inhabitants who are revealed as long-gone family members. As she explores the city, journeying through their memories and her imagination, she at first sees successful integration, and cultural and social cohesion. Then the mood turns darker with the fading of this ancient community's fortunes. This beautiful wordless narrative is illuminated by the words and portraits of her family, a brief history of Baghdadi Jews and of the making of this work. Says Isaacs: 'The Finns have a word, kaukokaipuu, which means a feeling of homesickness for a place you've never been to. I've been living in two places all my life; the England I was born in, and the lost world of my Iraqi-Jewish family's roots.'
Why are some territorial partitions accepted as the appropriate borders of a nation's homeland, whereas in other places conflict continues despite or even because of division of territory? In Homelands, Nadav G. Shelef develops a theory of what homelands are that acknowledges both their importance in domestic and international politics and their change over time. These changes, he argues, driven by domestic political competition and help explain the variation in whether partitions resolve conflict. Homelands also provides systematic, comparable data about the homeland status of lost territory over time that allow it to bridge the persistent gap between constructivist theories of nationalism and positivist empirical analyses of international relations.
A stunningly written epic novel of by one of Ireland's finest living writers.
During the nineteenth century, Lemuria was imagined as a land that once bridged India and Africa but disappeared into the ocean millennia ago, much like Atlantis. A sustained meditation on a lost place from a lost time, this elegantly written book is the first to explore Lemuria’s incarnations across cultures, from Victorian-era science to Euro-American occultism to colonial and postcolonial India. The Lost Land of Lemuria widens into a provocative exploration of the poetics and politics of loss to consider how this sentiment manifests itself in a fascination with vanished homelands, hidden civilizations, and forgotten peoples. More than a consideration of nostalgia, it shows how ideas once entertained but later discarded in the metropole can travel to the periphery—and can be appropriated by those seeking to construct a meaningful world within the disenchantment of modernity. Sumathi Ramaswamy ultimately reveals how loss itself has become a condition of modernity, compelling us to rethink the politics of imagination and creativity in our day.
This memoir of life in the Iraqi capital’s Jewish community is “a rare look—detailed and vivid—into a culture that is no longer extant” (Nancy E. Berg, author of Exile from Exile: Israeli Writers from Iraq). Once upon a time, Baghdad was home to a flourishing Jewish community. More than a third of the city’s people were Jews, and Jewish customs and holidays helped set the pattern of Baghdad’s cultural and commercial life. On the city’s streets and in the bazaars, Jews, Muslims, and Christians—all native-born Iraqis—intermingled, speaking virtually the same colloquial Arabic and sharing a common sense of national identity. And then, almost overnight it seemed, the state of Israel was born, and lines were drawn between Jews and Arabs. Over the next couple of years, nearly the entire Jewish population of Baghdad fled their Iraqi homeland, never to return. In this beautifully written memoir, Nissim Rejwan recalls the lost Jewish community of Baghdad, in which he was a child and young man from the 1920s through 1951. He paints a minutely detailed picture of growing up in a barely middle-class family, dealing with a motley assortment of neighbors and landlords, struggling through the local schools, and finally discovering the pleasures of self-education and sexual awakening. Rejwan intertwines his personal story with the story of the cultural renaissance that was flowering in Baghdad during the years of his young manhood, describing how his work as a bookshop manager and a staff writer for the Iraq Times brought him friendships with many of the country’s leading intellectual and literary figures. He rounds off his story by remembering how the political and cultural upheavals that accompanied the founding of Israel, as well as broad hints sent back by the first arrivals in the new state, left him with a deep ambivalence as he bid a last farewell to a homeland that had become hostile to its native Jews.
A themed poetry collection—a kind of “séance”—an evening to get in touch with other souls, and the world they once lived in. Yet, as a linked collection, the poems trace the arc of a life from birth to death, from childhood to old age, and move towards a spiritual journey in art. Our lives seem to be vanishing acts, perfected from birth to death. The trip also takes us within. There are joys and sorrows, a sense of delight, and also grief. The collection suggests that the “real horror” is losing a loved one. But, while the poems keep an eye on death, the point is life, even the contemplation of a life beyond death. Certainly, there is remembrance—a time to mend our wounds—both visible and invisible. Invisible Mending tries to connect with the joy and grief that binds us all. Invisible Mending consists of three parts: I. Invisible Mending, II. Walking Shadows and III. Mending Time. The title of Part I—Invisible Mending—refers to a technique used to patch fabric and leather so that the “wound” seems to disappear. My father used “invisible mending” in his trade, plied in the late 40’s, after World War II, but abandoned it when he came to Canada in 1952. Part II—Walking Shadows—is a poem sequence dealing with the life in the theatre and life as a play. The “poor players” that strutted and fretted” their hour on the stage are gone, but their “shadows” remain in life and theatrical memory. Part III—Mending Time—is a suite of linked poems tracing the spiritual quests of artists, writers and seekers who are searching for their “true worth” in the world.
Russia's large-scale invasion on the 24th of February 2022 once again made Ukraine the focus of world media. Behind those headlines remain the complex developments in Ukraine's history, national identity, culture and society. Addressing readers from diverse backgrounds, this volume approaches the history of Ukraine and its people through primary sources, from the early modern period to the present. Each document is followed by an essay written by an expert on the period, and a conversational piece touching on the ongoing Russian aggression against Ukraine. In this ground-breaking collection, Ukraine's history is sensitively accounted for by scholars inviting the readers to revisit the country's history and culture. With a foreword by Olesya Khromeychuk.