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When the Los Angeles neighborhood of Watts erupted in violent protest in August 1965, the uprising drew strength from decades of pent-up frustration with employment discrimination, residential segregation, and poverty. But the more immediate grievance was anger at the racist and abusive practices of the Los Angeles Police Department. Yet in the decades after Watts, the LAPD resisted all but the most limited demands for reform made by activists and residents of color, instead intensifying its power. In Policing Los Angeles, Max Felker-Kantor narrates the dynamic history of policing, anti–police abuse movements, race, and politics in Los Angeles from the 1965 Watts uprising to the 1992 Los Angeles rebellion. Using the explosions of two large-scale uprisings in Los Angeles as bookends, Felker-Kantor highlights the racism at the heart of the city's expansive police power through a range of previously unused and rare archival sources. His book is a gripping and timely account of the transformation in police power, the convergence of interests in support of law and order policies, and African American and Mexican American resistance to police violence after the Watts uprising.
For 150 years, LAPD officers have pinned on a badge, holstered a gun and traveled the corridors of history, leaving behind the rich traditions that are today's LAPD. Guardians of Angels is a penetrating history of the Los Angeles Police Department since 1850. Thoroughly researched over eight years, containing scores of interviews and illustrated with hundreds of rare photographs, this book details how the department evolved from six officers administering frontier justice to today's high-tech professionals. It brings to life the accomplishments and disappointments of the men and women who unselfishly gave of themselves as the Guardians of Angels.
No police force in history has gained as much fame and notoriety as the Los Angeles Police Department. The acronym LAPD is practically synonymous with the idea of professional law enforcement. The men in blue who patrol Hollywood and the sprawling metropolis of L.A. have been investigated by screenwriters more times than vice versa. With more than 9,300 sworn officers today, the LAPD endures seemingly endless controversies and media circuses. But then there's the other side of L.A.'s protective shield--the story of the force's evolution alongside the spectacular growth of its unique melting-pot city. This book's rare and often never-before-published photographs focus on that side: the excitement, danger, tragedy, and comedy of everyday beat cops and workaday detectives--with concessions to their limelight representations, including Jack Webb's Dragnet and Adam-12.
Policing Space is a fascinating firsthand account of how the Los Angeles Police Department attempts to control its vast, heterogeneous territory. As such, the book offers a rare, ground-level look at the relationship between the control of space and the exercise of power. Author Steve Herbert spent eight months observing one patrol division of the LAPD on the job. A compelling story in itself, his fieldwork with the officers in the Wilshire Division affords readers a close view of the complex factors at play in how the police define and control territory, how they make and mark space. A remarkable ethnography of a powerful police department, underscored throughout with telling on-the-scene vignettes, this book is also an unusually intensive analysis of the exercise of territorial power-and of territoriality as a key component of police power. Unique in its application of fieldwork and theory to this complex subject, it should prove valuable to readers in urban and political geography, urban and political sociology, and criminology, as well as those who wonder about the workings of the LAPD.
An insider view of an urban subculture! While much of the literature on police analyzes critically what they do, few works address issues of how police officers feel about their chosen profession, their worldview, or their visions. This refreshingly original and unique ethnographic contribution by anthropologist Joan Barker exposes the human elementone rarely seen by non-policeof officers working for the often-controversial L.A.P.D. During her twenty years of fieldwork, Barker gathered valuable information through formal, in-depth interviews and firsthand experiences, distilling her findings into an illuminating, coherent account. She discovers that five phases of occupational socialization normatively mold officers experiences and perceptions. Fleshing out her discussion is the compelling narrative of Fred, a traditional officer whose authentic voice reveals feelings and attitudes that manifest the essence of the human who does the job of policing. An insider view of an urban subculture usually known only from its public presentation.
Restructure the LAPD Training Group to allow the centralization of planning; instructor qualification, evaluation, and retention; and more efficient use of resources.
In June 1943, the city of Los Angeles was wrenched apart by the worst rioting it had seen to that point in the twentieth century. Incited by sensational newspaper stories and the growing public hysteria over allegations of widespread Mexican American juvenile crime, scores of American servicemen, joined by civilians and even police officers, roamed the streets of the city in search of young Mexican American men and boys wearing a distinctive style of dress called a Zoot Suit. Once found, the Zoot Suiters were stripped of their clothes, beaten, and left in the street. Over 600 Mexican American youths were arrested. The riots threw a harsh light upon the deteriorating relationship between the Los Angeles Mexican American community and the Los Angeles Police Department in the 1940s. In this study, Edward J. Escobar examines the history of the relationship between the Los Angeles Police Department and the Mexican American community from the turn of the century to the era of the Zoot Suit Riots. Escobar shows the changes in the way police viewed Mexican Americans, increasingly characterizing them as a criminal element, and the corresponding assumption on the part of Mexican Americans that the police were a threat to their community. The broader implications of this relationship are, as Escobar demonstrates, the significance of the role of the police in suppressing labor unrest, the growing connection between ideas about race and criminality, changing public perceptions about Mexican Americans, and the rise of Mexican American political activism.
A remarkable portrait of “true L.A. noir” with archival photos from the Los Angeles Police Museum and text by legendary crime writer James Ellroy (Los Angeles Times). James Ellroy, the undisputed master of crime writing, has teamed up with the Los Angeles Police Museum to present a stunning text on 1953 L.A. While combing the museum’s photo archives, Ellroy discovered that the year featured a wide array of stark and unusual imagery—and to accompany the pictures, he has written text to illuminate the crimes and law enforcement of the era. Ellroy offers context along with wild detail and rich atmosphere—this is the cauldron that was police work in the city of the tarnished angels seven decades ago, revealed in more than 80 duotone photos throughout the book. “These crime images resemble the work of photographer Weegee, but, Ellroy argues, they’re superior because they resist artistry; they were taken by police officers doing their jobs.” —Chicago Tribune
A hardcore look into the mind of a patrol officer working in South Central Los Angeles. The author uses personal testimony to illustrate how "Da Hood" changed him from a "community base" police officer into an aggressive predator of gang members. The LAPD recruitment posters forgot to mention that he would be shot at, called an "Uncle Tom," and treated like an outsiders by his partners because he grew up and lived in the neighborhood he patrolled. The employment pamphlets failed to describe the helplessness he would feel while handling rape investigations or the sadness he would have to block out at homicide scenes. Nothing prepared him for what he would experience. His Bachelors degree did not prepare him for a career with the LAPD. Growing up with gang members did not prepare him for the streets as a cop. The only adequate preparation he had was his religious beliefs. He was prepared to die.
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