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Ten-year-old Johnny eagerly plays at war with the army of nutcracker soldiers his toymaker father whittles for him. He demolishes imaginary foes. But in 1914 Germany looms as the real enemy of Europe, and all too soon Johnny’s father is swept up in the war to end all wars. He proudly enlists with his British countrymen to fight at the front in France. The war, though, is nothing like what any soldier or person at home expected. The letters that arrive from Johnny’s dad reveal the ugly realities of combat — and the soldiers he carves and encloses begin to bear its scars. Still, Johnny adds these soldiers to his armies of Huns, Tommies, and Frenchmen, engaging them in furious fights. But when these games seem to foretell his dad’s real battles, Johnny thinks he possesses godlike powers over his wooden men. He fears he controls his father’s fate, the lives of all the soldiers in no-man’s land, and the outcome of the war itself.
An English boy during World War I comes to believe that the battles he enacts with his toy soldiers control the war his father is fighting on the front.
Cruisin' on Desperation
A piercing story in which a young English boy believes that he and his army of toy soldiers control the battles fought by his father during World War I
This book presents the story and issues of the First World War in a clear, concise and objective manner, accompanied on every page by photographs, original sketches, or maps.
Harold Kline is an albino—an outcast. Folks stare and taunt, calling him Ghost Boy. It’s been that way for all of his 14 years. So when the circus comes to town, Harold runs off to join it. Full of colorful performers, the circus seems like the answer to Harold’s loneliness. He’s eager to meet the Cannibal King, a sideshow attraction who’s an albino, too. He’s touched that Princess Minikin and the Fossil Man, two other sideshow curiosities, embrace him like a son. He’s in love with Flip, the pretty and beguiling horse trainer, and awed by the all-knowing Gypsy Magda. Most of all, Harold is proud of training the elephants, and of earning respect and a sense of normalcy. Even at the circus, though, two groups exist—the freaks, and everyone else. Harold straddles both groups. But fitting in comes at a price, and Harold must recognize the truth beneath what seems apparent before he can find a place to call home.
For most of his life, Igor and his family have been on the run. Danger lurks around every corner--or so he's always been told. . . . When Igor was five, his father witnessed a terrible crime--and ever since, his whole family has been hunted by a foreboding figure bent on revenge, known only as the Lizard Man. They've lived in so many places, with so many identities, that Igor can't even remember his real name. But now he's twelve years old, and he longs for a normal life. He wants to go to school. Make friends. Stop worrying about how long it will be before his father hears someone prowling around their new house and uproots everything yet again. He's even starting to wonder--what if the Lizard Man only exists in his father's frightened mind? Slowly, Igor starts bending the rules he's lived by all his life--making friends for the first time, testing the boundaries of where he's allowed to go in town. But soon, he begins noticing strange things around them--is it in his imagination? Or could the Lizard Man be real after all? Iain Lawrence is a winner of Canada's Governor General's Children's Literature Prize and the California Young Reader Medal. In Deadman's Castle, he brings readers a mystery filled with intrigue and moments of heart-stopping danger. A Junior Library Guild Gold Standard Selection
Nicknamed after his hometown of Kakabeka, Canada, Kak dreams of flying with the Allied bombers in World War II. So at 16, underage and desperate to escape his abusive parents, he enlists in the Canadian Air Force. Soon he is trained as a wireless operator and sent to a squadron in England, where he’s unabashedly gung ho about flying his first op. He thinks the night ops over Germany will be like the heroic missions of his favorite comic-book heroes. Good will vanquish evil. But his first time out, in a plane called B for Buster, reveals the ops for what they really are—a harrowing ordeal. The bombing raids bring searchlights . . . artillery from below . . . and night fighters above hunting to take the bombers down. One hit, Kak knows, and B for Buster, along with him and his six crewmates, could be destroyed. Kak is terrified. He can’t confide his feelings to his crew, since he’s already worried that they’ll find out his age. Besides, none of them seem afraid. Only in Bert, the slovenly caretaker of the homing pigeons that go on every op, does Kak find an unlikely friend. Bert seems to understand what the other men don’t talk about—the shame, the sense of duty, and the paralyzing fear. As Kak seeks out Bert’s company, he somehow finds the strength to face his own uncertain future. From the Hardcover edition.
While sailing Dragon across the ocean, John finds a man in a lifeboat and lets him come aboard despite his father's warnings, thus causing a series of events that leaves him stranded on an island with ruthless buccaneers.