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A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist). In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall account of the inner workings of a world-class museum, and tell a story of outlandish characters and bad behavior that could come straight from the pages of a thriller. “In an authoritative account, two reporters who led a Los Angeles Times investigation reveal the details of the Getty Museum’s illicit purchases, from smugglers and fences, of looted Greek and Roman antiquities. . . . The authors offer an excellent recap of the museum’s misdeeds, brimming with tasty details of the scandal that motivated several of America’s leading art museums to voluntarily return to Italy and Greece some 100 classical antiquities worth more than half a billion dollars.” —Publishers Weekly, starred review “An astonishing and penetrating look into a veiled world where beauty and art are in constant competition with greed and hypocrisy. This engaging book will cast a fresh light on many of those gleaming objects you see in art museums.” —Jonathan Harr, author of The Lost Painting
This book offers a clear, accessible account of the American litigation over the restitution of works of art taken from Jewish families during the Holocaust. For the past two decades, the courts of the United States have been an arena of conflict over this issue that has recently captured widespread public attention. In a series of cases, survivors and heirs have come forward to claim artworks in public and private collections around the world, asserting that they were seized by the Nazis or were sold under duress by owners desperate to escape occupied countries. Spanning two continents and three-quarters of a century, the cases confront the courts with complex problems of domestic and international law, clashes among the laws of different jurisdictions, factual uncertainties about the movements of art during and after the war, and the persistent question whether restitution claims have been extinguished by the passage of time.Through individual case studies, the book examines the legal questions these conflicts have raised and the answers the courts have given. From the internationally celebrated “Woman in Gold” lawsuit against Austria to lesser-known claims against Germany, Hungary, Spain, and museums and private collections in the United States, the book synthesizes the legal and evidentiary materials and judicial rulings in each case, creating a coherent narrative of proceedings that are often labyrinthine in complexity. Written by a leading authority on litigation and procedure, the book will be of interest to readers in various fields of the humanities and social sciences as well as law, and to anyone interested in the fate of artworks that have been called the “last prisoners” of the Second World War.
In this second Tuk Kae novel the feisty Thai heroine accompanies her friend Helen Childs on a search for Japanese looted gold from the second world war. Rumours of huge hoards of gold left by the retreating Imperial Army have circulated for years but no real evidence of hidden treasure has ever been found. Then an old Mon man from the border province of Kanchanaburi appears at Helen’s office with an intriguing story and some persuasive gold artefacts. Helen sets out to investigate the old man’s story and asks Tuk Kae to accompany her. At first, they have little to go on and then a map is discovered but its secrets cannot be read as it appears to be written in a strange code. A chance encounter provides the key and Tuk Kae, Helen and her team close in on the location where they hope to find the treasure. Along the way they encounter some suspicious Japanese who are also treasure hunting but by chance they discover that this small Thai lady with the lizard tattoo might be worth more than any hidden gold. Not for the first time Tuk Kae is hunted by the Yakuza who are determined to secure Katakiuchi (Blood Revenge) and secure the treasure as a bonus.
A detailed scientific and conservation record of a group of ivory and bone furniture overlays excavated at Begram, stolen from the National Museum of Afghanistan, privately acquired on behalf of Kabul, analysed and conserved at the British Museum and returned to the National Museum of Afghanistan in 2012.
The book Legal and other Issues in Repatriating Nigeria's Looted Artefacts enumerates the various means of repatriating Nigeria's illicitly exported artefacts. The book hopes to ignite the interest of all in how to use the acclaim of Nigeria's splendid cultural patrimony to kick-start a momentum that will instil patriotism in Nigerians. The book reveals that the available laws to aid repatriation are skewed in favour of the nations in possession thus making it an onerous task to repatriate these stolen artefacts. However the book expresses the hope that some arrangement can be reached by all concerned that will at least make Nigeria and other source nations have some proprietary rights over their cultural property. The author, Babatunde E. Adebiyi is Legal Adviser to Nigeria's National Commission for Museums and Monuments. He has written extensively on laws relating to cultural issues. His other works include Tourism Development in Nigeria: Another Approach and Branding Culture.
"Salt mines and castles: The discovery and restitution of looted European art" by Thomas Carr Howe. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Some captured German and Austrian personnel were brought to Britain as prisoners of war. Those who were identified as anti-Nazi were 'turned' and, codenamed 'Bonzos', were trained in paramilitary and clandestine warfare to be sent back into occupied Europe on top secret missions. The British Special Operations Executive arranged the infiltration of four Austrians, Albrecht Gaiswinkler, Joseph Grafl, Karl Standhartinger and Karl Lzicar, into the Salzkammergut area of northwestern Austria. This book tells the story of Operation EBENSBURG, their mission to kidnap or assassinate Joseph Goebbels, the Reich's Minister of Propaganda, to organise resistance groups before the arrival of American forces and to protect the looted works of art hidden in the Altaussee salt mine.
"A chilling reminder of Hitler’s twisted power." —BBC For readers of The Monuments Men and The Hare with Amber Eyes, the story of the Nazis' systematic pillaging of Europe's libraries, and the small team of heroic librarians now working to return the stolen books to their rightful owners. While the Nazi party was being condemned by much of the world for burning books, they were already hard at work perpetrating an even greater literary crime. Through extensive new research that included records saved by the Monuments Men themselves—Anders Rydell tells the untold story of Nazi book theft, as he himself joins the effort to return the stolen books. When the Nazi soldiers ransacked Europe’s libraries and bookshops, large and small, the books they stole were not burned. Instead, the Nazis began to compile a library of their own that they could use to wage an intellectual war on literature and history. In this secret war, the libraries of Jews, Communists, Liberal politicians, LGBT activists, Catholics, Freemasons, and many other opposition groups were appropriated for Nazi research, and used as an intellectual weapon against their owners. But when the war was over, most of the books were never returned. Instead many found their way into the public library system, where they remain to this day. Now, Rydell finds himself entrusted with one of these stolen volumes, setting out to return it to its rightful owner. It was passed to him by the small team of heroic librarians who have begun the monumental task of combing through Berlin’s public libraries to identify the looted books and reunite them with the families of their original owners. For those who lost relatives in the Holocaust, these books are often the only remaining possession of their relatives they have ever held. And as Rydell travels to return the volume he was given, he shows just how much a single book can mean to those who own it.