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This stunning, refreshing work combines the history of economics and the practice of modern development. It is predicated on Brenner's view that there is no individual freedom without economic security, and that such security depends upon progress in both the natural and social sciences. Social institutions determine the pace and direction of technological advancement and scientific and technological achievements determine which forms of social reorganization are possible and which are illusory. As all living is action, and living implies choices, any theory of development must start with the person. Economic laws obtain only in relation to specific forms of social existence. Advanced societies are technically capable of providing for basic needs but are not yet convinced of their ability to do so. Modern life still reflects the fears of a society still trying to escape the anxieties, demons, and ghosts of a long dark era of unemployment and starvation. The problem of development is the contradiction between technological potentials and cultural inheritances. Looking into the Seeds of Time was originally written with the belief that the growing mastery of nature by humanity would curb egoistic impulses and replace competitive with cooperative goals. While the same spirit pervades this new edition, the work reveals how political as well as economic processes make the goals of prosperity harder to achieve. The work reveals a rare insight into the mechanisms of the marketplace, and how they can be examined in a comparative, historical context-across nations as different as the United States, Great Britain and Japan, and from the Reformation to the modern era of bourgeois consolidation. This is institutional economics at its very best.
In this thrilling collection of stories, John Wyndham, author of the acclaimed classics The Day of the Triffids and The Midwich Cuckoos, conducts ten experiments along the theme of 'I wonder what might happen if . . .' There's the story of the meteor, which holds much more than meets the eye. In Chronoclasm a man is pursued by his own future. We meet a robot with an overactive compassion circuit. And what happens when the citizens of the future turn the past into a giant theme park? 'One of the few authors whose compulsive readability is a compliment to the intelligence' Spectator
Time travel was never like this--tied to the motions of the stars, a short cut across the galaxy, and--if you're a rare Dive pilot--a chance to be a hero. Clio Finn is one of these, a space pilot on the run from a dystopian and graying Earth toward the only future she ever wanted: the stars. Problem is, she's on the razor edge of burnout. Next stop: a labor camp in dictatorial America. Clio might be in it for escape, for adventure, but there's also that hero thing. Her mission: to retrieve viable biota to reseed the Earth. Now, a long way from home, she's found the jackpot, a lush paradise, with plant life so vital, its seeds could give Earth a second chance, or--as her enemies believe--seal its destruction. But she's determined to bring her payload home. It's Clio Finn's last Dive. It's Earth's last chance.
Long considered the foremost American Marxist theorist, Fredric Jameson continues his investigation of postmodernism under late capitalism in The Seeds of Time. In three parts Jameson presents the problem of Utopia, attempting to diagnose the cultural present and to open a perspective on the future of a world that is all but impossible to predict with any certainty - "a telling of the future", as Jameson calls it, "with an imperfect deck". "The Antinomies of Postmodernity" highlights the seemingly unresolvable paradoxes of intellectual debate in the age of postmodernity. Jameson suggests that these paradoxes revolve around the idea of "nature", the terms of antifoundationalism and antiessentialism, and contemporary society's inability or refusal to consider the idea of Utopia. The chapter attempts to sketch the "unrepresentable exterior" of these debates - which is the locus of the future according to Jameson. In "Utopia, Modernism, and Death", Jameson meditates on the fascinating and terrifying Utopian fiction Chevengur, written in the 1920s by the Soviet author Andrei Platonov. He discusses the unique character of Utopian visions in the Second World of communism, where commodity fetishism has not had as profound an effect on social relations as we have seen in the First World under late capitalism. The Seeds of Time continues in "The Constraints of Postmodernism" with an examination of contemporary architectural trends, in an attempt to suggest the limits of the postmodern. By delineating these limits, Jameson stakes out a prediction of the boundaries of postmodernity - the "unrepresentable exterior" approached in Part One - which we need to recognize and surpass.
A mother mouse teaches her child an important lesson: "Little seeds of kindness, planted all day through, grow in hearts like flowers, all because of you!"
This refreshing work combines the history of economics and the practice of modern development. As all living is action, and living implies choices, any theory of devel-opment must start with the person. Modern life reflects the fears of a society trying to escape the anxieties, demons, and ghosts of a long dark era of unemployment and starvation. The problem of development is the contradiction between technological potentials and cultural inheritances.
Now a major Lifetime movie event—Book Four of the Dollanganger series that began with Flowers in the Attic—the novel of forbidden love that captured the world’s imagination and earned V.C. Andrews a fiercely devoted fanbase. They escaped their mother’s hellish trap years ago, but a cruel history of lies and deceit has come full circle… The forbidden love that blossomed when Cathy and Christopher were held captive in Foxworth Hall is one the Dollanganger family’s darkest secrets. Now, with three grown children and even a new last name, the pair seem to have outlived a twisted legacy. But on their son Bart’s twenty-fifth birthday, when the spiteful and disturbed young man claims his rightful inheritance, the full, shattering truth of their tainted past will be revealed at Foxworth Hall—the place where the nightmare began, and where Christopher and Cathy were once just innocent flowers in the attic…