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Longarm rides south to rein in some outlaws… Longarm’s looking forward to some way-overdue R&R—but his boss has other ideas. Seems a gang of rowdy outlaws is stirring up trouble in the most untamed part of the West—a wild little settlement near the Grand Canyon. It’ll take a real pro to clean up this dirty business. So instead of kickin’ back for a little relaxin’, lusty Longarm is back on the trail. And it’s a good thing he’s decided to bring a lissome lady along for the ride. He’ll need all the help he can get—because this time, he’s in deep….
When Slocum teams up with an old friend, they add a few more skulls to the valley! Slocum just got into Denver, but his long-awaited night on the town took a sharp and unexpected turn when he ran into his old friend Lemuel Parsons. And when Lem and the distraught young woman by his side told Slocum about the violent kidnapping of her father and brother, he knew what he’d be doing in Denver— looking for the bastards who did it. Now Slocum’s teamed up with Lem in a hunt for the kidnappers who have been pulling the same scheme all over town— muscling everyone off their land. And when their search leads them to the perpetrators, Slocum and Lem find themselves mixed up in a situation even stickier than they could have imagined…
If Slocum doesn’t skidaddle, he’ll be horsemeat! If his Appaloosa hadn’t twisted its ankle on the way to Springfield, Missouri, Slocum might never have looked into buying a new horse there. He might also have missed meeting two of the prettiest cowhands ever to walk on God’s green earth. And now, he might not be running for his life… In Springfield, a man looking to buy a horse has two choices: he can go see the Tolliver brothers’ costly horses, or he can look at Linda Collins’s cheaper ones—and risk getting pumped full of lead by the Tollivers’ hired hands. So when Slocum, a stranger to the town and its rules, shows up on the wrong side of the fence, he’ll have to use his horse sense to protect the very grateful Collins sisters, not to mention stay alive himself…
Originally published in 1915, when Jennings Cropper Wise was commandant of the Virginia Military Institute, The Long Arm of Lee has never been surpassed as an authoritative study of the Confederate artillery in the Civil War. Volume I describes the organization and tactics of the field batteries of General Robert E. Lee's Army of Northern Virginia and their performance in famous battles, including those at Bull Run, Malvern Hill, Cedar Mountain, Harper's Ferry, Sharpsburg, and Fredericksburg. It ends with the bitter winter interlude before the Chancellorsville campaign of the spring of 1863. Volume 2 of Wise's history, also available as a Bison Book, takes up the harrowing events stretching from Chancellorsville to Appomattox. In his introduction, Gary W. Gallagher addresses some of the myths exposed by Wise, touching on the persistent under-estimation of the artillery's role in winning battles.
"The sixth novel in the Fantomas series finds the master criminal up to his old tricks, while Inspector Juve is stuck in prison and Fandor is on the run from police."--Goodreads.
An exquisite and authoritative look at four centuries of quilts and quilting from around the world Quilts are among the most utilitarian of art objects, yet the best among them possess a formal beauty that rivals anything made on canvas. This landmark book, drawn from the world-renowned collection of the Colonial Williamsburg Foundation, highlights the splendor and craft of quilts with more than 300 superb color images and details. Fascinating essays by two noted scholars trace the evolution of quilting styles and trends as they relate to the social, political, and economic issues of their time. The collection includes quilts made by diverse religious and cultural groups over 400 years and across continents, from the Mediterranean, England, France, America, and Polynesia. The earliest quilts were made in India and the Mediterranean for export to the west and date to the late 16th century. Examples from 18th- to 20th-century America, many made by Amish and African-American quilters, reflect the multicultural nature of American society and include boldly colored and patterned worsteds and brilliant pieced and appliquéd works of art. Grand in scope and handsomely produced, Four Centuries of Quilts: The Colonial Williamsburg Collection is sure to be one of the most useful and beloved references on quilts and quilting for years to come.