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Although film noir is traditionally associated with the mean streets of the Dark City, this volume explores the genre from a new angle, focusing on non-urban settings. Through detailed readings of more than 100 films set in suburbs, small towns, on the road, in the desert, borderlands and the vast, empty West, the author investigates the alienation expressed by film noir, pinpointing its motivation in the conflict between desires for escape, autonomy and freedom--and fears of loneliness, exile and dissolution. Through such films as Out of the Past, They Live by Night and A Touch of Evil, this critical study examines how film noir reflected radical changes in the physical and social landscapes of postwar America, defining the genre's contribution to the eternal debate between the values of individualism and community.
"All the wild and lonely places, the mountain springs are called now. They were not lonely or wild places in the past days. They were the homes of my people." --Chief Francisco Patencio, the Cahuilla of Palm Springs The Anza-Borrego Desert on California's southern border is a remote and harsh landscape, what author Lawrence Hogue calls "a land of dreams and nightmares, where the waking world meets the fantastic shapes and bent forms of imagination." In a country so sere and rugged, it's easy to imagine that no one has ever set foot there -- a wilderness waiting to be explored. Yet for thousands of years, the land was home to the Cahuilla and Kumeyaay Indians, who, far from being the "noble savages" of European imagination, served as active caretakers of the land that sustained them, changing it in countless ways and adapting it to their own needs as they adapted to it.In All the Wild and Lonely Places, Lawrence Hogue offers a thoughtful and evocative portrait of Anza-Borrego and of the people who have lived there, both original inhabitants and Spanish and American newcomers -- soldiers, Forty-Niners, cowboys, canal-builders, naturalists, recreationists, and restorationists. We follow along with the author on a series of excursions into the desert, each time learning more about the region's history and why it calls into question deeply held beliefs about "untouched" nature. And we join him in considering the implications of those revelations for how we think about the land that surrounds us, and how we use and care for that land."We could persist in seeing the desert as an emptiness, a place hostile to humans, a pristine wilderness," Hogue writes. "But it's better to see this as a place where ancient peoples tried to make their homes, and succeeded. We can learn from what they did here, and use that knowledge to reinvigorate our concept of wildness. Humans are part of nature; it's still nature, even when we change it."
Simple text describes what it can be like to commit the seven deadly sins, such as greed being followed by an empty feeling, and to live seven virtues, such as knowing that God will make things better when one has hope.
Sixteen-year-old Chase wants normalcy—for herself and for her little sister, Guthrie. But when their ever-on-the-move parents relocate them to a lookout in an eerie forest after a traumatic incident, Chase realizes something sinister is after Guthrie and only she seems aware enough to fight it.
Lonely Planet, the world's leading travel guide publisher, brings you the world...ranked. What will be number 1, you ask? We have the answer. This compilation of the 500 most unmissable sights and attractions in the world has been ranked by Lonely Planet's global community of travel experts, so big name mega-sights such as the Eiffel Tower and the Taj Mahal battle it out with lesser-known hidden gems for a prized place in the top 10, making this the only bucket list you'll ever need. This definitive wish list of the best places to visit on earth is packed with insightful write-ups and inspiring photography to get you motivated to start ticking off your travel list. What's your number 1? Authors: Lonely Planet About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves. 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' -- Fairfax Media 'Lonely Planet guides are, quite simply, like no other.' - New York Times Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, and 2015. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
The director of such classic Hollywood films as In a Lonely Place, Johnny Guitar, and Rebel Without a Cause, Nicholas Ray nevertheless remained on the margins of the American studio system throughout his career, and despite his cult status among auteurist critics and cinephiles, he has also remained at the margins of film scholarship. Lonely Places, Dangerous Ground offers twenty new essays by international film historians and critics that explore the director's place in the history of the Hollywood industry and in the larger institution of cinema, as well as a 1977 interview with Ray that has never before been published in its entirety in English. In addition to readings of Ray's most celebrated films, the book provides a range of approaches to his life and work, engaging new questions of his cinematic authorship with areas that include history and culture, politics and society, gender and sexuality, style and genre, performance, technology, and popular music. The collection also looks at Ray's lesser-known and underappreciated films, and devotes attention to the highly experimental We Can't Go Home Again, his recently restored final film made in the 1970s with his students at Binghamton University, State University of New York. Rediscovering what Ray means to contemporary film studies, the essays show how his films continue to possess a vital power for film history and criticism, and for film culture.
In the electrifying tradition of Minette Walters and Ruth Rendell, J. M. Morris savagely plumbs the depths of psychological terror in an uncompromising and brutally brilliant suspense debut. The Lonely Places etches a fiendishly compelling portrait of madness and menace, eroticism and terror, that pits a woman’s mind against a world where nothing is as it seems. THE LONELY PLACES “Then along came a spider Who sat down beside her...” Ruth Gemmill is broken. All she has known, all she has loved, all she has ever desired, have laid her waste. As autumn’s shadows begin to seep through her London home, Ruth escapes to the fading twilight of northern England in a last, desperate attempt to stave off the encroaching darkness. She needs the consolation of her brother, Alex: a man she cannot breathe without. It’s not the first time. She couldn’t breathe without Matt either. Matt, who used to beat her. Matt, who loved to hurt her. Matt, whom she loved with a masochistic passion that destroyed everything in its path. But Ruth moved on, reinvented herself. Ruth found the strength to escape the terrifying abuse of her domestic existence. Or so she would like to think. Little does she realize the extent of the crippling cobwebs her vicious lover has spun throughout her mind. But in the grim, foreboding town of Greenwell, where her brother now lives, fate deals Ruth another blow. For Alex has disappeared. To bring him safely home, she will be forced to confront her emotional demons through a bewildering landscape, where the phantoms of a menacing past lurk around every corner, wielding memories, determined to wake Ruth up to the most horrifying reality of all. Some webs can never be swept away, some spiders sting to destroy.... With chilling emotional precision and searing insight, J. M. Morris has created a novel that is at once devastatingly plausible, utterly poignant—and impossible to forget.
Find the best thing to do every day of the year, from one-day events like India's Holi festival or the cheese-rolling race at Cooper's Hill in England, to seasonal events like Alaska's caribou migration and weather-dependent adventures like completing the Tour de Mont Blanc. This vibrant, practical and addictive book covers the 365 best festivals, sporting events, adventures and natural phenomena. For anyone looking for inspiration for where to go when, Best Place to be Today offers a wealth of ideas, inspiring photos, and dates galore. About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, as well as an award-winning website, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places they find themselves in. TripAdvisor Travellers' Choice Awards 2012 winner in Favorite Travel Guide category 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
Dix Steele is back in town, and 'town' is post-war LA. His best friend Brub is on the force of the LAPD, and as the two meet in country clubs and beach bars, they discuss the latest case: a strangler is preying on young women in the dark. Dix listens with interest as Brub describes their top suspect, as yet unnamed. Dix loves the dark and women in equal measure, so he knows enough to watch his step, though when he meets the luscious Laurel Gray, something begins to crack. The American Dream is showing its seamy underside.
A range of approaches to the director’s life and work. The director of such classic Hollywood films as In a Lonely Place, Johnny Guitar, and Rebel Without a Cause, Nicholas Ray nevertheless remained on the margins of the American studio system throughout his career, and despite his cult status among auteurist critics and cinephiles, he has also remained at the margins of film scholarship. Lonely Places, Dangerous Ground offers twenty new essays by international film historians and critics that explore the director’s place in the history of the Hollywood industry and in the larger institution of cinema, as well as a 1977 interview with Ray that has never before been published in its entirety in English. In addition to readings of Ray’s most celebrated films, the book provides a range of approaches to his life and work, engaging new questions of his cinematic authorship with areas that include history and culture, politics and society, gender and sexuality, style and genre, performance, technology, and popular music. The collection also looks at Ray’s lesser-known and underappreciated films, and devotes attention to the highly experimental We Can’t Go Home Again, his recently restored final film made in the 1970s with his students at Binghamton University, State University of New York. Rediscovering what Ray means to contemporary film studies, the essays show how his films continue to possess a vital power for film history and criticism, and for film culture.