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This book analyses London fiction at the millennium, reading it in relation to an exploration of a theoretical positioning beyond the postmodern. It explores how a selection of novels can be considered as “second-wave” or “post-postmodern” in light of their borrowing more from mainstream and classical genres as opposed to formally experimental avant-garde techniques. It considers how writers utilise the cultural capital of London in a process of relocating marginalized, subjugated or under-represented voices. The millennium provides an apt symbolic opportunity to reflect on British fiction and to consider the direction in which contemporary authors are moving. As such, key novels by Martin Amis, Bella Bathurst, Bernardine Evaristo, Mark Haddon, Nick Hornby, Hanif Kureishi, Andrea Levy, Gautam Malkani, Timothy Mo, Will Self, Ali Smith, Zadie Smith, Rupert Thomson, and Sarah Waters are used to explore writing beyond the postmodern. ‘In this significant and welcome contribution to the field, Allen provides us with a sophisticated, detailed, and rigorous study of the move in contemporary fiction beyond postmodernism as exemplified by London fiction.’ —Nick Hubble, Brunel University London, UK
NATIONAL BESTSELLER • A blackly comic late 20th-century murder mystery set against the looming end of the millennium, in which a woman tries to orchestrate her own extinction—from "one of the most gifted novelists of his generation" (TIME). “Lyrical and obscene, colloquial and rhapsodic." —The New York Times First published in 1989, London Fields is set ten years into a dark future, against a backdrop of environmental and social decay and the looming threat of global cataclysm. As the dreaded Y2K approaches, Nicola Six, a “black hole” of sex and self-loathing, has chosen her thirty-fifth birthday, November 5, 1999, as the date of her own murder. Whom to manipulate into killing her is the question; her choice wavers between violent lowlife Keith Talent, who is obsessed with winning a darts tournament, and a dimly romantic banker named Guy Clinch. When Samson Young—a writer suffering from a long bout of writer’s block—stumbles upon these three, he believes he has found a story that will write itself. A highly unusual mystery with an unexpected twist at the end, London Fields is also a corrosively funny narrative of pyrotechnic complexity and scalding moral vision.
"The most cosmically elegiac writer in literature . . . no one reading Ballard could doubt the tidal gravity of his intellect." —Jonathan Lethem, New York Times Book Review Violent rebellion comes to London’s middle classes in this “fascinating” (San Francisco Chronicle) novel from the same author of Crash and Empire of the Sun. Never more timely, Millennium People “seeks to illuminate our hearts of darkness while undermining our assumptions about what literature is meant to do” (Los Angeles Times).
ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • #1 NATIONAL BESTSELLER • The thrilling first book in the Girl with the Dragon Tattoo series featuring Lisbeth Salander: “Combine the chilly Swedish backdrop and moody psychodrama of a Bergman movie with the grisly pyrotechnics of a serial-killer thriller, then add an angry punk heroine and a down-on-his-luck investigative journalist, and you have the ingredients of Stieg Larsson’s first novel” (The New York Times). • Also known as the Millennium series Harriet Vanger, a scion of one of Sweden's wealthiest families disappeared over forty years ago. All these years later, her aged uncle continues to seek the truth. He hires Mikael Blomkvist, a crusading journalist recently trapped by a libel conviction, to investigate. He is aided by the pierced and tattooed punk prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption. Look for the latest book in the Girl with the Dragon Tattoo series, The Girl in the Eagle's Talons!
Upton Sinclair's fictional vision, created in 1907, explores the state of society at the end of the millennium. Illustrations throughout.
The most ambitious work of fiction by a writer widely considered the most important novelist working in China today In this darkly comic novel, a group of women inhabits a world of constant surveillance, where informants lurk in the flowerbeds and false reports fly. Conspiracies abound in a community that normalizes paranoia and suspicion. Some try to flee—whether to a mysterious gambling bordello or to ancestral homes that can only be reached underground through muddy caves, sewers, and tunnels. Others seek out the refuge of Nest County, where traditional Chinese herbal medicines can reshape or psychologically transport the self. Each life is circumscribed by buried secrets and transcendent delusions. Can Xue's masterful love stories for the new millennium trace love's many guises—satirical, tragic, transient, lasting, nebulous, and fulfilling—against a kaleidoscopic backdrop drawn from East and West of commerce and industry, fraud and exploitation, sex and romance.
Transrealist writing treats immediate perceptions in a fantastic way, according to science fiction writer and mathematician Rudy Rucker, who originated the term. In the expanded sense argued in this book, it also intensifies imaginative fiction by writing the fantastic from the standpoint of richly personalized experience. Transrealism is also related to slipstream writing, another category introduced into studies of speculative fiction to account for texts that seem to follow trajectories mapped by the huge body of science fiction accumulated in the last century, while retaining a central interest in traditional literary strategies. This book examines a variety of work from the transrealist perspective, something that has not been done previously. It emphasizes the texts of Philip K. Dick and Rucker himself, while it additionally engages the texts of such slipstream writers as Kurt Vonnegut, J.G. Ballard, and John Barth. It places its argument against the antihumanist trend in science fiction and builds comparisons with more traditional varieties of science fiction works.
This study examines the importance of space for the way contemporary novelists experiment with style and form, offering an account of how British writers from the past three decades have engaged with landscape description as a catalyst for innovation. David James considers the work of more than fifteen major British novelists to offer a wide-ranging and accessible commentary on the relationship between landscape and narrative design, demonstrating an approach to the geography of contemporary fiction enriched by the practice of aesthetic criticism. Moving between established and emerging novelists, the book reveals that spatial poetics allow us to chart distinctive and surprising affinities between practitioners, showing how writers today compel us to pay close attention to technique when linking the depiction of physical places to new developments in novelistic craft.
"The most cosmically elegiac writer in literature . . . no one reading Ballard could doubt the tidal gravity of his intellect." —Jonathan Lethem, New York Times Book Review Violent rebellion comes to London’s middle classes in this “fascinating” (San Francisco Chronicle) novel from the same author of Crash and Empire of the Sun. Never more timely, Millennium People “seeks to illuminate our hearts of darkness while undermining our assumptions about what literature is meant to do” (Los Angeles Times).