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LONDON AFTER MIDNIGHT (MGM,1927) starring Lon Chaney, is considered a Lost Film. It is still on the top of the AFI and other world wide film organizations "Most Wanted" lists as it was when the first edition of this book was published in 1985. This edition is 254 pages and the original printing was 178 pages. Chaney added 3 new faces to his "Thousand Faces" - Inspector Burke of Scotland Yard, Professor Burke of India, and America's first film vampire, The Man in the Beaver Hat. In fact it was directed by Tod Browning, who directed "Dracula" 4 years later, which was also to star Chaney as the Count, but his premature death in 1930 prevented it. This new edition also contains a foreword by Forrest J Ackerman and an introduction by the film's Art Director A.Arnold (Buddy) Gillespie; short interviews with David S. Horsley, ASC and by Carroll Borland, who played Luna, the vampire girl in the 1935 remake entitled. "Mark of the Vampire. Also the script is presented in it's original form. Many new photographs of vintage posters from around the world and a reformatted reconstruction of the film by the use of photographs, art work and Silent Film Titles. Included is the complete 1928 Photoplay novel by Marie Coolidge-Rask, long out of print and usually around $500 when you can find a copy. Reproduced on the back cover is the fantastic portrait of Chaney as the vampire by Special Effects and Academy Award winning makeup artist - Rick Baker, Monster Maker.
Author Thomas Mann offers a fascinating reconstruction based on his transcription of a rediscovered 11,000-word fictionization first published in Boy's Cinema (1928) that may resolve the conflicts between previous versions.
For fans of portal fantasies like Jessica Townsend's Nevermoor, Colin Meloy's Wildwood, and The Spiderwick Chronicles by Tony DiTerlizzi and Holly Black, and unlike so many other fantasies that introduce readers to a world of enchantment and wonder, The Midnight Hour is one filled with beasts and monsters for readers looking to shine their flashlights under the covers. When strange late-night letters start arriving at home, Emily's parents set off to investigate. But when her parents disappear completely and Emily is left home alone to face the weird strangers that begin to appear at her door, she takes all of the clues at her disposal and makes for the place where the letters came from -- the mysterious Night Post. What she'll discover is the secret world of the Midnight Hour -- a Victorian London frozen in time, full of magic and monsters. Kept safe by an age-old agreement, the Night Folk have been exiled to a parallel world that can only be accessed by a selected few, including the mail carriers of the infamous Night Post that operate between the two worlds. Emily's parents are key players in keeping the Night Folk safe, but when the division of the two worlds is threatened, Emily must search for her parents while navigating this dark and unknown version of London. Armed only with a packed lunch, her very sleepy pocket hedgehog, and her infamously big argumentative mouth, she must escape bloodthirsty creatures of the night, figure out her own family secrets, and maybe just save the world. This is a frightening and enchanting story, a world built out of creatures from our worst fears who become relatable, fully formed characters unlike any we've seen as these strangers of parallel worlds band together to save the day.
"Campbell has mastered the art of generating a sense of sustained unease." The Washington Post. A new masterpiece from the master of suspense. Tower of Fear is a lost horror film starring Karloff and Lugosi. A film historian who locates a copy dies while fleeing something that terrified him. His friend Sandy Allan vows to prove he found the film. She learns how haunted the production was and the survivors of it still are. It contains a secret about Redfield, a titled family that owns a favourite British food, Staff o’ Life. The Redfield land has uncanny guardians, and one follows Sandy home. To maintain its fertility Redfield demands a sacrifice, and a band of new age travellers is about to set up camp there… FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.
“Midnight Riot is what would happen if Harry Potter grew up and joined the Fuzz. It is a hilarious, keenly imagined caper.”—Diana Gabaldon Probationary Constable Peter Grant dreams of being a detective in London’s Metropolitan Police. Too bad his superior plans to assign him to the Case Progression Unit, where the biggest threat he’ll face is a paper cut. But Peter’s prospects change in the aftermath of a puzzling murder, when he gains exclusive information from an eyewitness who happens to be a ghost. Peter’s ability to speak with the lingering dead brings him to the attention of Detective Chief Inspector Thomas Nightingale, who investigates crimes involving magic and other manifestations of the uncanny. Now, as a wave of brutal and bizarre murders engulfs the city, Peter is plunged into a world where gods and goddesses mingle with mortals and a long-dead evil is making a comeback on a rising tide of magic. “Filled with detail and imagination . . . Aaronovitch is a name to watch.”—Peter F. Hamilton “Fresh, original, and a wonderful read . . . I loved it.”—Charlaine Harris
My name is Peter Grant and until January I was just probationary constable in that mighty army for justice known to all right-thinking people as the Metropolitan Police Service (and as the Filth to everybody else). My only concerns in life were how to avoid a transfer to the Case Progression Unit - we do paperwork so real coppers don't have to - and finding a way to climb into the panties of the outrageously perky WPC Leslie May. Then one night, in pursuance of a murder inquiry, I tried to take a witness statement from someone who was dead but disturbingly voluable, and that brought me to the attention of Inspector Nightingale, the last wizard in England. Now I'm a Detective Constable and a trainee wizard, the first apprentice in fifty years, and my world has become somewhat more complicated: nests of vampires in Purley, negotiating a truce between the warring god and goddess of the Thames, and digging up graves in Covent Garden ... and there's something festering at the heart of the city I love, a malicious vengeful spirit that takes ordinary Londoners and twists them into grotesque mannequins to act out its drama of violence and despair.The spirit of riot and rebellion has awakened in the city, and it's falling to me to bring order out of chaos - or die trying.
The Other Side of Midnight is Sidney Sheldon at his best. This page-turner is full of tortured romantic entanglements, reverses of fortune, thrilling suspense, and ultimate justice. In Paris, Washington, and a fabulous villa in Greece, an innocent American becomes a bewildered, horror-stricken pawn in a game of vengeance and betrayal. She is Catherine Douglas, a woman caught in a web of four lives intertwined by passion as her handsome husband pursues an incredibly beautiful film star . . . and as Constantin Demeris, a legendary Greek tycoon, tightens the strands that control them all.
NYRB Classics presents 3 darkly humorous, atmospheric novellas of love and disappointment, set in a run-down London pub after WWI—from the author of the Hitchcock classics Gaslight and Rope. “Bleak and brilliant. . . an authentic lost classic.” —The Guardian Featuring a Dickensian cast of pubcrawlers, prostitutes, lowlifes, and just plain losers who are looking for love—or just an ear to bend—Hamilton’s novels are a triumph of deft characterization, offbeat humor, unlikely compassion, and raw suspense. In recent years, Hamilton has undergone a remarkable revival, with his champions including Doris Lessing, David Lodge, Nick Hornby, and Sarah Waters. Twenty Thousand Streets Under the Sky is a tale of obsession and betrayal that centers on a seedy pub in a run-down part of London. Bob the waiter skimps and saves and fantasizes about writing a novel, until he falls for the pretty prostitute Jenny and blows it all. Kindly Ella, Bob’s co-worker, adores Bob, but is condemned to enjoy nothing more than the attentions of the insufferable Mr. Eccles; Jenny, out on the street, is out of love, hope, and money. We watch with pity and horror as these three vulnerable and yet compellingly ordinary people meet and play out bitter comedies of longing and frustration. Included: The Midnight Bell (1929) The Siege of Pleasure (1932) The Plains of Cement (1934)
A captivating literary portrait of London explored at night by some of the city’s most iconic writers throughout history “Cities, like cats, will reveal themselves at night,” wrote the poet Rupert Brooke. Before the age of electricity, the nighttime city was a very different place to the one we know today – home to the lost, the vagrant and the noctambulant. Matthew Beaumont recounts an alternative history of London by focusing on those of its denizens who surface on the streets when the sun’s down. If nightwalking is a matter of “going astray” in the streets of the metropolis after dark, then nightwalkers represent some of the most suggestive and revealing guides to the neglected and forgotten aspects of the city. In this brilliant work of literary investigation, Beaumont shines a light on the shadowy perambulations of poets, novelists and thinkers: Chaucer and Shakespeare; William Blake and his ecstatic peregrinations and the feverish ramblings of opium addict Thomas De Quincey; and, among the lamp-lit literary throng, the supreme nightwalker Charles Dickens. We discover how the nocturnal city has inspired some and served as a balm or narcotic to others. In each case, the city is revealed as a place divided between work and pleasure, the affluent and the indigent, where the entitled and the desperate jostle in the streets. With a foreword and afterword by Will Self, Nightwalking is a fascinating literary exploration of the writers who traverse the city at night and the people they meet.
NATIONAL BESTSELLER • A blackly comic late 20th-century murder mystery set against the looming end of the millennium, in which a woman tries to orchestrate her own extinction—from "one of the most gifted novelists of his generation" (TIME). “Lyrical and obscene, colloquial and rhapsodic." —The New York Times First published in 1989, London Fields is set ten years into a dark future, against a backdrop of environmental and social decay and the looming threat of global cataclysm. As the dreaded Y2K approaches, Nicola Six, a “black hole” of sex and self-loathing, has chosen her thirty-fifth birthday, November 5, 1999, as the date of her own murder. Whom to manipulate into killing her is the question; her choice wavers between violent lowlife Keith Talent, who is obsessed with winning a darts tournament, and a dimly romantic banker named Guy Clinch. When Samson Young—a writer suffering from a long bout of writer’s block—stumbles upon these three, he believes he has found a story that will write itself. A highly unusual mystery with an unexpected twist at the end, London Fields is also a corrosively funny narrative of pyrotechnic complexity and scalding moral vision.