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Lomax Freeman, a homeless man, lives in a box in Upper West Side of Manhattan. Steven Hart, who works for the New York Times, rents in the Kensington building. Lomax’s box sits outside that apartment. After living in that apartment for a short period, Steve experiences a black man who’s intelligent, sophisticated, kind, and gentle. He wonders how Lomax landed on the streets of New York homeless. He wishes to do a two-part series on Lomax. Once the paper green-lights the feature, Lomax agrees to do the article but with one condition: the tragedy that befell him is off-limits. Eventually, Steve violates the agreement when he, secretively, uncovers Lomax’s full name. Now, the question becomes, Should he include it in the article to expose Lomax’s privacy? Doesn’t he have family, someone from the past who’s in search of Lomax Emmanuel Freeman? Steve’s in a dilemma.
With ambitious manipulations of poetic forms, Jess presents the sweat and story behind America's blues, worksongs and church hymns.
Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. “I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin From the Paperback edition.
The definitive refutation to the argument of The Bell Curve. When published in 1981, The Mismeasure of Man was immediately hailed as a masterwork, the ringing answer to those who would classify people, rank them according to their supposed genetic gifts and limits. And yet the idea of innate limits—of biology as destiny—dies hard, as witness the attention devoted to The Bell Curve, whose arguments are here so effectively anticipated and thoroughly undermined by Stephen Jay Gould. In this edition Dr. Gould has written a substantial new introduction telling how and why he wrote the book and tracing the subsequent history of the controversy on innateness right through The Bell Curve. Further, he has added five essays on questions of The Bell Curve in particular and on race, racism, and biological determinism in general. These additions strengthen the book's claim to be, as Leo J. Kamin of Princeton University has said, "a major contribution toward deflating pseudo-biological 'explanations' of our present social woes."
CaShawn Thompson crafted Black Girls Are Magic as a proclamation of Black women’s resilience in 2013. Less than five years later, it had been repurposed as a gateway to an attractive niche market. Branding Black Womanhood: Media Citizenship from Black Power to Black Girl Magic examines the commercial infrastructure that absorbed Thompson’s mantra. While the terminology may have changed over the years, mainstream brands and mass media companies have consistently sought to acknowledge Black women’s possession of a distinct magic or power when it suits their profit agendas. Beginning with the inception of the Essence brand in the late 1960s, Timeka N. Tounsel examines the individuals and institutions that have reconfigured Black women’s empowerment as a business enterprise. Ultimately, these commercial gatekeepers have constructed an image economy that operates as both a sacred space for Black women and an easy hunting ground for their dollars.
The majority of data sets collected by researchers in all disciplines are multivariate, meaning that several measurements, observations, or recordings are taken on each of the units in the data set. These units might be human subjects, archaeological artifacts, countries, or a vast variety of other things. In a few cases, it may be sensible to isolate each variable and study it separately, but in most instances all the variables need to be examined simultaneously in order to fully grasp the structure and key features of the data. For this purpose, one or another method of multivariate analysis might be helpful, and it is with such methods that this book is largely concerned. Multivariate analysis includes methods both for describing and exploring such data and for making formal inferences about them. The aim of all the techniques is, in general sense, to display or extract the signal in the data in the presence of noise and to find out what the data show us in the midst of their apparent chaos. An Introduction to Applied Multivariate Analysis with R explores the correct application of these methods so as to extract as much information as possible from the data at hand, particularly as some type of graphical representation, via the R software. Throughout the book, the authors give many examples of R code used to apply the multivariate techniques to multivariate data.
How to Read a Folktale offers the first English translation of Ibonia, a spellbinding tale of old Madagascar. Ibonia is a folktale on epic scale. Much of its plot sounds familiar: a powerful royal hero attempts to rescue his betrothed from an evil adversary and, after a series of tests and duels, he and his lover are joyfully united with a marriage that affirms the royal lineage. These fairytale elements link Ibonia with European folktales, but the tale is still very much a product of Madagascar. It contains African-style praise poetry for the hero; it presents Indonesian-style riddles and poems; and it inflates the form of folktale into epic proportions. Recorded when the Malagasy people were experiencing European contact for the first time, Ibonia proclaims the power of the ancestors against the foreigner. Through Ibonia, Lee Haring expertly helps readers to understand the very nature of folktales. His definitive translation, originally published in 1994, has now been fully revised to emphasize its poetic qualities, while his new introduction and detailed notes give insight into the fascinating imagination and symbols of the Malagasy. Haring’s research connects this exotic narrative with fundamental questions not only of anthropology but also of literary criticism.
E-artnow presents to you this unique collection of the greatest classics of thriller and mystery every fan of the genre should experience at least once in their life: The Hound of the Baskervilles (Arthur Conan Doyle) The Valley of Fear (Arthur Conan Doyle) The Return of Sherlock Holmes (Arthur Conan Doyle) His Last Bow (Arthur Conan Doyle) The Double (Fyodor Dostoyevsky) The Murder on the Links (Agatha Christie) The Man in the Brown Suit (Agatha Christie) The Secret of Chimneys (Agatha Christie) The Fall of the House of Usher (Edgar Allan Poe) The Tell-Tale Heart (Edgar Allan Poe) The Cask of Amontillado (Edgar Allan Poe) The Clue of the Twisted Candle (Edgar Wallace) That Affair Next Door (Anna Katharine Green) The Wisdom of Father Brown (G. K. Chesterton) The Incredulity of Father Brown (G. K. Chesterton) The Man Who Was Thursday (G. K. Chesterton) The Moonstone (Wilkie Collins) Great Expectations (Charles Dickens) Wuthering Heights (Emily Brontë) The Secret Garden (Frances Hodgson Burnett) Nostromo (Joseph Conrad) Treasure Island (Robert Louis Stevenson) The Mysterious Island (Jules Verne) The Wings of the Dove (Henry James) The Mysterious Portrait (Nikolai Gogol) Moll Flanders (Daniel Defoe) The Plumed Serpent (D. H. Lawrence) The Great Gatsby (F. Scott Fitzgerald) The Bat (Mary Roberts Rinehart) Max Carrados (Ernest Bramah) The King in Yellow (Robert William Chambers) The Great Impersonation (E. Phillips Oppenheim) The Middle Temple Murder (J. S. Fletcher) The Beetle (Richard Marsh) The Man in the Iron Mask (Alexandre Dumas) The Hollow Needle (Maurice Leblanc) The Mystery of the Yellow Room (Gaston Leroux) Monsieur Lecoq (Émile Gaboriau) The Jewel of Seven Stars (Bram Stoker) In a Glass Darkly (Sheridan Le Fanu) At the Mountains of Madness (H. P. Lovecraft) Carnacki, the Ghost Finder (William Hope Hodgson) The Horla (Guy de Maupassant) Trent's Last Case (E. C. Bentley) The Red House Mystery (A. A. Milne) The Mystery of Dr. Fu-Manchu (Sax Rohmer) The Riddle of the Sands (Erskine Childers) The Amateur Cracksman (E. W. Hornung) The House Without a Key (Earl Derr Biggers) The Benson Murder Case (S. S. Van Dine)