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Runner Jak Rebo is on a mission to deliver the legendary A.I. known as Logos to a mysterious backwater planet. Once there, Logos can restore the system of star gates that once knitted the settled worlds of the universe together. But as the Techno Society wars with murderous antitechnics, Rebo gets caught in the middle-and all he can do is run.
After interstellar courier Jak Rebo agrees to deliver a powerful artificial intelligence named Logos to a distant planet, he quickly comes to realize that it’s no ordinary assignment. Logos has the power to not only reactivate the ancient stargates, but to restore interstellar travel, and bring the far flung remnants of humanity back together again. Some, like the members of the ruthless Techno Society, want to harness Logos and control it. Others, including those who fear technology, seek to destroy it. Together with Lonni Norr, the beautiful clairvoyant who can channel spirits from the afterlife, and the bodyguard Hoggles, Rebo will have to outrun his many enemies, and prevent Logos from falling into the wrong hands if he is to prevent humanity from falling into oblivion. With electrifying action, unstoppable heroes and gripping adventure, Logos Run is the thrilling conclusion to Runner by acclaimed military science fiction author William C. Dietz.
Living with his alcoholic father on a broken-down sailboat on Puget Sound has been hard on seventeen-year-old Chance Taylor, but when his love of running leads to a high-paying job, he quickly learns that the money is not worth the risk.
How to design great logos, step by step by step. * Lavishly illustrated with 750 color images * How-tos, case studies, and detailed analysis of well-known logos What makes a logo good? What makes it bad? What makes it great? The entire process of logo design is examined, from the initial client interview to brainstorming, from first presentation to delivery of the final standards manual. Through 750 color illustrations, classic logos are analyzed, and readers will learn a thirteen-point system for measuring the effectiveness of any logo. Learn about the uses of positive and negative space, balance, color, and typography; follow intriguing case studies; discover how to make effective presentations to clients. Designers, marketing and branding specialists, educators, and students everywhere need this definitive guide to creating great logos.
NEW 2023 EDITION! Updated and revised! Extreme race, city festival, global phenomenon - the New York Marathon is much more than a never-ending run. On top of the 50,000 plus participants who actually run the race, it’s an event that involves millions of people when you include the thousands of volunteers, the hundreds of thousands of supporters lining the streets of the metropolis par excellence, and the global TV audience watching at home. The Never-Ending Run aims to give a 360° explanation and tell the story of one of the most famous marathons in the world, starting with a mile-by-mile description of the race, including first-hand experiences.On the back of the story of the race, there follows a guide to New York specially dedicated to runners and all their shopping and tourism needs, along with scores of interesting facts and stats. The Never-Ending Run recounts the history of the New York City Marathon, provides intriguing insights and explains how to participate and properly prepare for the race- all without overlooking essential tips and suggestions for enjoying life, and your break, in the Big Apple. Part one, The Race, illustrates the history and route of the most famous race in the world, including race strategies by coach Fulvio Massini, as well as accounts from other famous athletes, such as Peter Ciaccia, Orlando Pizzolato, Franca Fiacconi, George Hirsch, German Silva, and Alex Zanardi. Part two, New York, is given over to the needs of the runner in town for the race: how to get around; where to go shopping for running gear; advice on what to do - and not do - in the days leading up to the race; and the best places to watch the race for spectators. Part three, Run and the City, is devoted to running in New York and can also be used by runners who aren’t taking part in the marathon. If you’re on holiday in the Big Apple and are looking for the ‘right’ places to train in Central Park or perhaps take part in some races locally to add a few medals to your collection, then this section is for you. Second Edition - TABLE OF CONTENTS Prologue How to use this guide Start Part One / The Race The Course Map Mile by Mile The history of the NYC Marathon How to take part Race Week Before the Race Race Day After the Race Race Strategy Walking (the whole) NYC Marathon How and where to watch the race Spectators guide Step by step along the route One last piece of advice Marathon Voices Peter Ciaccia Franca Fiacconi Runar Gundersen George Hirsch Orlando Pizzolato Francesca Porcellato Sébastien Samson Germán Silva Alex Zanardi A story told through bibs The marathon and disabled athletes A medal like no other Volunteers Part Two // New York Part Three // Run and the City Appendices
A Tenth Anniversary Edition of Naomi Klein's No Logo with a New Introduction by the Author NO LOGO was an international bestseller and "a movement bible" (The New York Times). Naomi Klein's second book, The Shock Doctrine, was hailed as a "master narrative of our time," and has over a million copies in print worldwide. In the last decade, No Logo has become an international phenomenon and a cultural manifesto for the critics of unfettered capitalism worldwide. As America faces a second economic depression, Klein's analysis of our corporate and branded world is as timely and powerful as ever. Equal parts cultural analysis, political manifesto, mall-rat memoir, and journalistic exposé, No Logo is the first book to put the new resistance into pop-historical and clear economic perspective. Naomi Klein tells a story of rebellion and self-determination in the face of our new branded world.
“[This] remarkable debut essay collection touches on art and literature and pop culture, but also feels intensely intimate, filled with stunning insights.” —Vulture On April 11, 1931, Virginia Woolf ended her entry in A Writer’s Diary with the words “too much and not the mood.” She was describing how tired she was of correcting her own writing, of the “cramming in and the cutting out” to please other readers, wondering if she had anything at all that was truly worth saying. The character of that sentiment, the attitude of it, inspired Durga Chew-Bose to write and collect her own work. The result is a lyrical and piercingly insightful collection of essays and her own brand of essay-meets-prose poetry about identity and culture. Inspired by Maggie Nelson’s Bluets, Lydia Davis’s short prose, and Vivian Gornick’s exploration of interior life, Chew-Bose captures the inner restlessness that keeps her always on the brink of creative expression. Too Much and Not the Mood is a beautiful and surprising exploration of what it means to be a creative young woman working today, and shutting out the noise in order to hear your own voice. “When the world seems to be on fire, intuitive essays that focus on miniature aspects of the ordinary-everyday can serve as a balm . . . Her sentences [come] as close as language can to how it feels to be alive as a young woman, at a time in your life when every detail matters.” —San Francisco Chronicle “A self-portrait of the writer as intrepid mental wanderer . . . This is a book to slip into your pocket for company during a day of solitary walking.” —The New Yorker “Reveals a young author who is wise beyond her years and whose keen eye moves beyond tired tropes about identity struggles . . . Her ample talent and keenly observed essays will surely win her followers, especially at a time and place when authenticity is a rare and much-valued currency.”—Booklist (starred review) “Picking apart art and literature and blending it with observations from everyday life, Chew-Bose could make even the grayest day seem beautiful and fascinating.” —Rolling Stone
I have never played the game, and I once asked a more current, internationally recognized prophet, 'How is it that I'm not invited to your prophetic functions, seeing that I have the history in this calling long before any of you?' He said, 'Art, the reason you're not invited is that you are not an 'in-house' prophet. We can't count on you to go along. You might upset the apple cart.' What I recognize in this flush of new prophets is a fraternity of mutual, self-congratulatory men who affirm one another and I do not fit in with that environment. They know it, and so I am not in that dimension. I am not known, or if I am known, I am either little known or scorned. -Art Katz interview (2001)