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During its more than four decades in the ABC daytime lineup, "One Life to Live" told countless stories, from sensational adventures to thoughtful social commentary. But the tales that went untold -- the experiences of the writers, producers, cast and crew behind the scenes -- are just as fascinating as any kidnapping, baby switch, or courtroom confession. Today, network soaps are struggling for survival against cheaper-to-produce talk shows and reality series, but their cultural impact resonates more strongly than ever -- and a tribute to the work that goes into producing them is long overdue. To that end, "Llanview in the Afternoon: An Oral History of One Life to Live" focuses on some of the most unique aspects of working on a five-day-a-week television series -- from the actors, who had to deal with the daytime stigma and the psychology of living so intimately with their characters for extended periods of time, to the crew, who produced scripts and episodes at a blistering pace while working with a dwindling pool of network resources. Featuring interviews with more than 50 "One Life to Live" veterans, including Erika Slezak, Robin Strasser, Robert S. Woods, Hilary B. Smith, Ilene Kristen, Kassie DePaiva, Michael Storm, Judith Light, and Nathan Fillion -- plus many more -- "Llanview in the Afternoon: An Oral History of One Life to Live" offers readers a one-of-a-kind perspective on one of television's longest-running shows.
"Why do I like soap operas?" Laura Stempel Mumford asks, and her answer emerges in a feminist analysis of soap opera that participates in current debates about popular culture, television, and ideology. She argues that the conventional daytime soap has an implicit and at times explicit political agenda that cooperates in the "teaching" of male dominance and the related oppressions of racism, classism, and heterosexism -- so that they seem inevitable. All My Children, General Hospital, Another World, One Life to Live, Days of Our Lives, The Young and the Restless: a close reading of their texts will also answer some larger questions about television and its place in the broad landscape of popular culture.
Now, for the millions of fans of ABC's "One Life to Live", comes its anniversary scrapbook, which beautifully and definitively captures 30 years of the popular soap's intrigue, fantastic plot twists, and so much more! Includes a complete wedding album and a genealogy of Llanview's illustrious residents. 350 photos, many in full color.
The soap opera, one of U.S. television's longest-running and most influential formats, is on the brink. Declining ratings have been attributed to an increasing number of women working outside the home and to an intensifying competition for viewers' attention from cable and the Internet. Yet, soaps' influence has expanded, with serial narratives becoming commonplace on most prime time TV programs. The Survival of Soap Opera investigates the causes of their dwindling popularity, describes their impact on TV and new media culture, and gleans lessons from their complex history for twenty-first-century media industries. The book contains contributions from established soap scholars such as Robert C. Allen, Louise Spence, Nancy Baym, and Horace Newcomb, along with essays and interviews by emerging scholars, fans and Web site moderators, and soap opera producers, writers, and actors from ABC's General Hospital, CBS's The Young and the Restless and The Bold and the Beautiful, and other shows. This diverse group of voices seeks to intervene in the discussion about the fate of soap operas at a critical juncture, and speaks to longtime soap viewers, television studies scholars, and media professionals alike.
This teacher resource book is filled with more than 200 communicative, interactive, task-based grammar games that help make learning grammar fun. All of these grammar activity ideas are keyed to the Azar English Grammar Series, by Betty Schrampfer Azar, and include complete step-by-step instructions for the activities to add a fun new learning dimension to the classroom. --From publisher's description.
"A sharp fantasy thriller." --People "Swoonworthy." --Time "Sharp, dark, thoughtful and romantic." --Cassandra Clare, #1 New York Times bestselling author When their worlds collide, X and Zoe are pushed to the edge of everything in this much-buzzed-about tour de force YA fantasy from Entertainment Weekly veteran Jeff Giles. For the perfect love, what would you be willing to lose? It's been a shattering year for seventeen-year-old Zoe, who's still reeling from her father's shocking death in a caving accident and her neighbors' mysterious disappearance from their own home. Then on a terrifying subzero, blizzardy night in Montana, she and her brother are brutally attacked in the woods--only to be rescued by a mysterious bounty hunter they call X. X is no ordinary bounty hunter. He is from a hell called the Lowlands, sent to claim the soul of Zoe's evil attacker and others like him. X is forbidden from revealing himself to anyone other than his prey, but he casts aside the Lowlands' rules for Zoe. As they learn more about their colliding worlds, they begin to question the past, their fate, and their future. But escaping the Lowlands and the ties that bind X might mean the ultimate sacrifice for them both. Gripping and full of heart, this epic start to a new series will bring readers right to the edge of everything.
This is a story about a little girl who turns a cold, rainy day into a sunny day--with the help of hot cocoa! This story is best for ages 5 to 9 or elementary school age. Adults can work with children to help them learn ways to turnn a difficult day into a very happy, upbeat day. Teachers can instruct students on sequencing events in a story.
The second edition of this powerful analysis of African-Americans in the television insudtry since 1948 is completely updated. The increased visibility of blacks in television, the success of the Cosby Show and other sitcoms featuring black actors, and the impact of cable TV on programming are described in detail. Professor MacDonald traces the stereotyping, tokenism, and unfair treatment of blacks from the early days of the indsutry, but expresses his hope and belief that a new video order is materializing that will finally fulfill the bright promise of television.