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Betsy Chutchian shares more of her greatgreat grandmother's journals written from 1857 to 1882 that capture the spirit of life on the Texas prairie. Included are 14 projects inspired by Lizzie's writing that illustrate pioneer life.
Edward Coffey (d.1716) lived in Essex County, Virginia. Descendants and relatives lived in Virginia, North Carolina, Tennessee, Kentucky, Michigan, Oklahoma, Texas, California and elsewhere.
This collection is the first academic study of the captivating life and career of expatriate artist, writer, and activist, May Alcott Nieriker. Nieriker is known as the sister of Louisa May Alcott and model for "Amy March" in Alcott’s Little Women. As this book reveals, she was much more than "Amy"—she had a more significant impact on the Concord community than her sister and later became part of the creative expat community in Europe. There, she imbued her painting with the abolitionist activism she was exposed to in childhood and pursued an ideal of artistic genius that opposed her sister’s vision of self-sacrifice. Embarking on a career that took her across London, Paris, and Rome, Nieriker won the acclaim of John Ruskin and forged a network of expatriate female painters who changed the face of nineteenth-century art, creating opportunities for women that lasted well into the twentieth century. A "Renaissance woman," Nieriker was a travel writer, teacher, and curator. She is recovered here as a transdisciplinary subject who stands between disciplines, networks, and ideologies—stiving to recognize the dignity of others. Contributors include foundational Alcott scholar Daniel Shealy and Pulitzer Prize winner John Matteson, as well as Curators, Jan Turnquist (Orchard House) and Amanda Burdan (Brandywine River Museum of Art). In this book, readers will become acquainted with a dynamic feminist thinker who transforms our understanding of the place of women artists in the wider cultural and intellectual life of nineteenth-century Britain, France, and the United States.
The Pre-Raphaelites were determined to liberate art and love from the shackles of convention. Ned Burne-Jones had never had a painting lesson and his family wanted him to be a parson. Only young Georgie Macdonald - the daughter of a Methodist minister - understood. She put aside her own dreams to support him, only to be confronted by many years of gossip and scandal. Dante Gabriel Rossetti was smitten with his favourite model, Lizzie Siddal. She wanted to be an artist herself, but was seduced by the irresistible lure of laudanum. William Morris fell head-over-heels for a 'stunner' from the slums, Janey Burden. Discovered by Ned, married to William, she embarked on a passionate affair with Gabriel that led inexorably to tragedy. Margot Burne-Jones had become her father's muse. He painted her as Briar Rose, the focus of his most renowned series of paintings, based on the fairy-tale that haunted him all his life. Yet Margot longed to be awakened to love. Bringing to life the dramatic true story of love, obsession and heartbreak that lies behind the Victorian era's most famous paintings, Beauty in Thornsis the story of awakenings of all kinds.
Debra lape spent 40 years researching the story of her great-great-grandmother, Elizabeth Rogers. Lizzy was the owner-operator of the White Pidgeon, a brothel located in Ohio.
Turner Buckminster is purely miserable. Not only is he the son of the new minister in a small Maine town, but he is shunned for playing baseball differently from the local boys.
Now, for the first time, this famous American crime is examined by someone with all the proper credentials: Victoria Lincoln is a native of Fall River and thus knows the never-revealed "inside" story of the crime
Bama is a Tamil Dalit feminist writer and novelist. Her autobiographical novel Karukku, which chronicles the joys and sorrows experienced by Dalit Christians in Tamil Nadu, catapulted her to fame. As a prolific writer, she has experimented with all kinds of genres, such as novels, short stories, poems, autobiographical writing, children’s literature, and discursive essays. This book presents a dedicated study of Bama’s work as a writer and activist and situates her in the context of Dalit literature in general and Tamil Dalit literature in particular. It recognises Bama as writer of great relevance especially in bringing to the fore the problematics of Dalit issues and their possible modes of aesthetic articulation through a new Dalit language. Part of the Writer in Context series, this book will be useful for scholars and researchers of Indian literature, Dalit Literature, Dalit Studies, Tamil literature, English literature, comparative literature, postcolonial studies, cultural studies, Green studies. global south studies and translation studies.
"I am even I" Rossetti and Alcott Resisting Male Authority -- Secion I: "Left-handed Societies" Women's Life Writing -- "Renunciation is the law, devotion to God's will the gospel" The empowerment of others in the Alcott women's life-writing -- "For every human creature may claim to strength" The Rossetti women's elevation of the left hand -- Section II: "A Loving League of Sisters" Alcott and Rossetti's promotion of Christian values through the ties of sisterhood -- We are all relative creatures The transformative power of sisterhood in Rossetti's Maude -- "Happy Women" Alcott's sisterly utopia -- Conclusion -- Coda: Nineteenth-century women's matrilineal theologies of renunciation -- List of Works Cited -- Appendix 1: "Rolf Walden Emmerboy" Transcription -- Appendix 2: "Two Scenes in a Family" Transcription -- Appendix 3: "Wealth" Transcription -- Appendix 4: "Our Madonna" Transcription -- Appendix 5: "Story of An Apple" Transcription -- Appendix 6: "Hymn For Ascension Day" Transcription -- Appendix 7: "Extracts From Bradley's Sermons" Transcription -- Appendix 8: "A Morning Hymn" Transcription -- Appendix 9: "The Maid of Sorrow" Transcription.
This biography of Elizabeth Cady Stanton is as spirited as the women's rights pioneer herself. Who says women shouldn't speak in public? And why can't they vote? These are questions Elizabeth Cady Stanton grew up asking herself. Her father believed that girls didn't count as much as boys, and her own husband once got so embarrassed when she spoke at a convention that he left town. Luckily Lizzie wasn't one to let society stop her from fighting for equality for everyone. And though she didn't live long enough to see women get to vote, our entire country benefited from her fight for women's rights. "Fritz imparts not just a sense of Stanton's accomplishments but a picture of the greater society Stanton strove to change. Highly entertaining and enlightening." — Publishers Weekly (starred review) "This objective depiction of Stanton's life and times makes readers feel invested in her struggle." — School Library Journal (starred review) "An accessible, fascinating portrait." — The Horn Book