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Through original analysis of three contemporary, auteur-directed melodramas (Matthew Weiner’s Mad Men, Lars von Trier’s Melancholia and Todd Haynes’s Mildred Pierce), Living Screens reconceives and renovates the terms in which melodrama has been understood. Returning to Jean-Jacques Rousseau’s foundational, Enlightenment-era melodrama Pygmalion with its revival of an old story about sculpted objects that spring to life, it contends that this early production prefigures the structure of contemporary melodramas and serves as a model for the way we interact with media today. Melodrama is conceptualized as a “plastic” form with the capacity to mould and be moulded and that speaks to fundamental processes of mediation. Living Screens evokes the thrills, anxieties, and uncertainties accompanying our attachment to technologies that are close-at-hand yet have far-reaching effects. In doing so, it explores the plasticity of our current situation, in which we live with screens that melodramatically touch our lives.
"In Glow Kids, Dr. Nicholas Kardaras will examine how technology-- more specifically, age-inappropriate screen tech, with all of its glowing ubiquity-- has profoundly affected the brains of an entire generation. Brain imaging research is showing that stimulating glowing screens are as dopaminergic (dopamine activating) to the brain's pleasure center as sex. And a growing mountain of clinical research correlates screen tech with disorders like ADHD, addiction, anxiety, depression, increased aggression, and even psychosis. Most shocking of all, recent brain imaging studies conclusively show that excessive screen exposure can neurologically damage a young person's developing brain in the same way that cocaine addiction can"--
New: Updated Second Edition! Most of us are unintentional with screens, but tech industry architects intentionally make their content distracting, manipulative, and addictive. [Un]Intentional shows how our obsession with screens often takes us-unintentionally-to places we regret. It reveals the way many apps, games, and videos are designed to entice us to make decisions and form harmful habits that profit the creators at our expense. [Un]Intentional helps you break free by guiding you through proven biblical practices to reclaim your thought life, make good decisions, and fulfill your God-given mission.
How does the future look to us? Well, clearly we realize we now live in a world of screens, from the microcosmic universe of to smartphone . . . to the imposing vigil of the multiplex giants, looming over us in Imax and 3-D--more "real" than real--and to all the screens in between, from computers to iPads, to muted, high definition flat-screens pouring out images in homes, restaurants, banks, businesses, schools, doctors' offices, and hospitals, and on and on everywhere we turn. We cannot change this reality, so what these Christians, and so many like them are doing is trying to find ways to redeem what we put on these screens: what message we are sending out in word and image to the watching world. So, clearly, our task, whether we have been called to create or not, is to join these artists as "screen redeemers," assisting the Holy Spirit in reconciling the world to God (2 Cor 5:18-19) through helping the pervasively influential means of the media adjust its goals to the mission of Jesus Christ.
Discusses how a person's view of the world influences how a person lives and argues that Christians are called not only to personal faith but to a biblical worldview.
To Live Without Warning is a story set in a future San Francisco, where public transportations is the only way to travel, and people with colds are required by machines called breathe-eraters to wear masks. Within this speculative fiction novel, there are aliens who disguise themselves as homeless people, and there are twins from an alien abduction, one human, one not, plus a virtual couple who live in a bungalow on a beach in a virtual Costa Rica who mix up their computer code to have a virtual child, and then there is a cat woman who can do all sorts of erotica with her tail, and a drummer who leads more than a band called Death, Ax and Grind. "Joshua Cromwell has a dream, one he has had for some time, where he's a planet. After a mysterious woman tells him of the aliens that are about to attack the Earth, she takes him to her home in the tenderloin where he meets a robot the color and texture of an orange. His life seems to be very, very important to these aliens called the Hymenopts, but he would really rather not participate in whatever is about to happen, if only he had that choice. "This is a love story, a growing up story, and a coming home story. It's about friendship and family and about the planet Earth. This is the story of how we begin to remember." If you enjoy sci-fi fantasy fiction, you'll probably enjoy To Live Withour Warning. Most of my readers know that I'm not a great fantasy fan; however, as I grew up in San Francisco and play the drums myself, this novel had a unique appeal, plus I enjoy novels with an element of the metaphysical. Timothy LaBadie is a good writer with a colorful imagination and spicy style. The novel is well-written and well-edited. LaBadie is the author of essays and fiction which stand out for their offbeat settings and timeless humor. Give him a try. - Kaye Trout, Kaye's Bookshelf, Reviewer's Bookwatch, Midwest Book Review, January 2008 For more information, please visit http://www.tolivewithoutwarning.com.
Beyond Live/Work: the architecture of home-based work explores the old but neglected building type that combines dwelling and workplace, the ‘workhome’. It traces a previously untold architectural history illustrated by images of largely forgotten buildings. Despite having existed for hundreds, if not thousands, of years in every country across the globe this dual-use building type has long gone unnoticed. This book analyses the lives and premises of 90 contemporary UK and US home-based workers from across the social spectrum and in diverse occupations. It generates a series of typologies and design considerations for the workhome that will be useful for design professionals, students, policy-makers and home-based workers themselves. In the context of a globalising economy, more women in work than ever before and enabling new technologies, the home-based workforce is growing rapidly. Demonstrating how this can be a socially, economically and environmentally sustainable working practice, this book presents the workhome as the house of the future.