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From the very beginnings of their existence, human beings have distinguished themselves from other animals by not taking immediate experience for granted. Everything was symbolized according to its meaning and value: a fallen branch from a tree became a lever; a tree trunk floating in the river became a canoe. Homo logos created communities based on cultures: humanity's first megaproject. Further symbolization of the human community and its relation to nature led to the possibility of creating societies and civilizations. Everything changed as these interposed themselves between the group and nature. Homo societas created ways of life able to give meaning, direction, and purpose to many groups by means of very different cultures: humanity's second megaproject. What Das Kapital did for the nineteenth century and La technique did for the twentieth, Willem H. Vanderburg's Living in the Labyrinth of Technology seeks to create for the twenty-first century: an attempt at understanding the world in a manner not shackled to overspecialized scientific knowing and technical doing. Western civilization may well be creating humanity's third megaproject, based not on symbolization for making sense of and living in the world, but on highly specialized desymbolized knowing stripped of all peripheral understanding. Vanderburg focuses on two interdependent forces in his narrative, namely, people changing technology and technology changing people. The latter aspect, although rarely considered, turns out to be the more critical one for understanding the spectacular successes and failures of contemporary ways of life. As technology continues to change the social and physical world, the experiences of this world 'grow' people's minds and society's cultures, thereby re-creating human life in the image of technology. Living in the Labyrinth of Technology argues that the twenty-first century will be dominated by this pattern unless society intervenes on human (as opposed to technical) terms.
Exposing the limitations of conventional approaches to the engineering and regulation of technology, Vanderburg suggests that the solution lies in a preventive strategy that situates technological growth in its human, societal, and biospheric contexts.
"Living in the Labyrinth of Technology" argues that the twenty-first century will be dominated by a pattern of re-creating human life in the image of technology unless society intervenes on human (as opposed to technical) terms.
The ongoing political muscle-flexing of diverse Christian communities in North America raises some deeply troubling questions regarding their roles among us. Earlier analyses including Herberg's Protestant, Catholic, Jew showed that these three branches of the Judaeo-Christian tradition correspond to three forms of the American way of life; while Kruse's One Nation Under God showed how Christian America was shaped by corporate America. Willem H. Vanderburg's Secular Nations under New Gods proceeds based on a dialogue between Jacques Ellul's interpretation of the task of Christians in the world and Ellul's interpretation of the roles of technique and the nation-state in individual and collective human life. He then adds new insight into our being a symbolic species dealing with our finitude by living through the myths of our society and building new secular forms of moralities and religions. If everything is political and if everything is amenable to discipline-based scientific and technical approaches, we are perhaps treating these human creations the way earlier societies did their gods, as being omnipotent, without limits. Vanderburg argues that until organized Christianity becomes critically aware of sharing these commitments with their societies, it will remain entrapped in the service of false gods and thereby will continue to turn a message of freedom and love into one of morality and religion.
In this fascinating presentation of faith, Charles Fensham argues cogently and passionately for a church that embraces hope in spite of the dark and destructive pressures all around it. Although a metaphoric dark time awaits Christianity, Fensham assures his readers that this darkness merely conceals the light for the future. "Emerging from the Dark Age Ahead " offers a prophetic and challenging call for contemporary Christians to ask where we have come from, where we are, and where we are going. "Professor Fensham borrows from Jane Jacobs the metaphor of 'the Dark Age ahead, ' bringing social and cultural analysis to bear upon a fresh theology of church and mission for our time and place. Drawing from deep roots in the trinitarian tradition, and borrowing insight from historic monasticism, he calls for a pilgrim, steward church that will speak and act constructively in the coming time of troubles. This is a creative, original work that will stimulate theological students and lay folk as well."-Harold Wells, Professor Emeritus, Emmanuel College, University of Toronto "Insightful, provocative, instructive-words that describe how this book helps the church navigate the deep cultural challenge it now faces of massive technique organized through digitalization. Grounding the church's life in a missional hermeneutic of reading Scripture and the church's identity in the social Trinity, Fensham boldly, yet carefully, charts a course for engaging the dark age ahead."- Craig Van Gelder, Ph.D., Professor of Congregational Mission, Luther Seminary Charles Fensham has a unique perspective on the emergent church. Born in apartheid South Africa and raised within the apartheid-tainted Reformed church, he is an immigrant to Canada with experiences of the church in France, Switzerland, the South Pacific and Africa. He teaches at Knox College at the University of Toronto.
Western society has become saturated with scientific and technological modes of thinking that impact our lives and our relationships. Expanding social inequality, the use of social media and the rise of mental illnesses such as anxiety and depression are manifestations of this shift in our civilization. Our Battle for the Human Spirit is a comprehensive probe into what is happening to human life in the beginning of the 21st century. It explores how culture, experience, and symbolization have been replaced by scientific, discipline-based, approaches. Willem H. Vanderburg argues that these approaches are inadequate in understanding the complexity of human lives and societies. In order to transcend these limits, Vanderburg calls for the reintegration of culture and symbolization into our daily lives.
In Rescuing Humanity, Willem H. Vanderburg reminds us that we have relied on discipline-based approaches for human knowing, doing, and organizing for less than a century. During this brief period, these approaches have become responsible for both our spectacular successes and most of our social and environmental crises. At their roots is a cultural mutation that includes secular religious attitudes that veil the limits of these approaches, leading to their overvaluation. Because their use, especially in science and technology, is primarily built up with mathematics, living entities and systems can be dealt with only as if their "architecture" or "design" is based on the principle of non-contradiction, which is true only for non-living entities. This distortion explains our many crises. Vanderburg begins to explore the limits of discipline-based approaches, which guides the way toward developing complementary ones capable of transcending these limits. It is no different from a carpenter going beyond the limits of his hammer by reaching for other tools. As we grapple with everything from the impacts of social media, the ongoing climate crisis, and divisive political ideologies, Rescuing Humanity reveals that our civilization must learn to do the equivalent if humans and other living things are to continue making earth a home.
Willem H. Vanderburg's Our War on Ourselves explores the type of war we have unleashed on our lives by emphasizing discipline-based processes.
The rise of classic Euro-American philosophy of technology in the 1950s originally emphasized the importance of technologies as material entities and their mediating influence within human experience. Recent decades, however, have witnessed a subtle shift toward reflection on the activity from which these distinctly modern artifacts emerge and through which they are engaged and managed, that is, on engineering. What is engineering? What is the meaning of engineering? How is engineering related to other aspects of human existence? Such basic questions readily engage all major branches of philosophy --- ontology, epistemology, ethics, political philosophy, and aesthetics --- although not always to the same degree. The historico-philosophical and critical reflections collected here record a series of halting steps to think through engineering and the engineered way of life that we all increasingly live in what has been called the Anthropocene. The aim is not to promote an ideology for engineering but to stimulate deeper reflection among engineers and non-engineers alike about some basic challenges of our engineered and engineering lifeworld.
Living In The Labyrinth is the story of how one woman found the strength and the courage to cope with a devastating disease that has afflicted five million Americans. Far from being an exercise in self-pity or a standard autobiography, this is an unflinching and ultimately uplifting look at a debilitating illness from the inside out. “Somewhere there is that ever-present reminder list of what I am supposed to do today. But I cannot find it. I attempt to do the laundry and find myself outside, in my backyard, holding soiled clothes. How did I get here? How do I get back?” Only forty-five when she first began to struggle with the memory lapses and disorientation that signal the onset of Alzheimer’s, Diana Friel McGowin has written a courageous, stirring insider’s story of the disease that is now the fourth leading killer of American adults. Diana’s personal journey through days of darkness and light, fear and hope gives us new insight into a devastating illness and the plight of its victims, complete with a list of early warning signs, medical background, and resources for further information. But Diana’s story goes far beyond a recounting of a terrifying disease. It portrays a marriage struggling to survive, a family hurt beyond words, and a woman whose humor and intelligence triumph over setbacks and loss to show us the best of what being human is. “A stunner of a book . . . it takes the reader on a terrifying but enlightening journey.”—San Antonio News Express “Touching and sometimes angry . . . a poignant insider’s view.”—The Cincinnati Enquirer