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The ancient Greek word for "truth" means unconcealing or unforgetting. Yet today many ideas and stories that were once critical to how early Christians understood, practiced, and defended their faith often remain "hidden in plain sight" in our Bibles. These ideas are concealed from us by the distance between languages, between eras, and between cultures-yet they are so worth unconcealing and unforgetting. In this book, discover: The forgotten women who co-founded Christianity Whether the first-century church thought there was a hell What happens when you realize that in Greek, faith is a verb Why gender in the Bible is more complicated than we think Which concepts our modern tradition takes for granted that would have been alien to the original readers (like homophobia) We have also forgotten that to read the Bible is to receive an invitation to adventure-to encounter the impossible, to move mountains, to walk on water. Instead, we have been taught to read the Bible tamely, to make no choices, to risk no questioning of our tradition. What would happen if we took the adventure? If we readers walked out into the wilderness toward God, leaving home far behind? If we stepped out of the boat of our received tradition, out onto the crashing waves? Let's find out.
An LA Times Best Book of the Year • A New York Times Editors' Pick • A Newsweek 25 Best Fall Books • A The Millions Most Anticipated Book of the Year "Gripping and beautiful. With the artistry of a poet and the intensity of a revolutionary, Lovato untangles the tightly knit skein of love and terror that connects El Salvador and the United States." —Barbara Ehrenreich, author of Natural Causes and Nickel and Dimed An urgent, no-holds-barred tale of gang life, guerrilla warfare, intergenerational trauma, and interconnected violence between the United States and El Salvador, Roberto Lovato’s memoir excavates family history and reveals the intimate stories beneath headlines about gang violence and mass Central American migration, one of the most important, yet least-understood humanitarian crises of our time—and one in which the perspectives of Central Americans in the United States have been silenced and forgotten. The child of Salvadoran immigrants, Roberto Lovato grew up in 1970s and 80s San Francisco as MS-13 and other notorious Salvadoran gangs were forming in California. In his teens, he lost friends to the escalating violence, and survived acts of brutality himself. He eventually traded the violence of the streets for human rights advocacy in wartime El Salvador where he joined the guerilla movement against the U.S.-backed, fascist military government responsible for some of the most barbaric massacres and crimes against humanity in recent history. Roberto returned from war-torn El Salvador to find the United States on the verge of unprecedented crises of its own. There, he channeled his own pain into activism and journalism, focusing his attention on how trauma affects individual lives and societies, and began the difficult journey of confronting the roots of his own trauma. As a child, Roberto endured a tumultuous relationship with his father Ramón. Raised in extreme poverty in the countryside of El Salvador during one of the most violent periods of its history, Ramón learned to survive by straddling intersecting underworlds of family secrets, traumatic silences, and dealing in black-market goods and guns. The repression of the violence in his life took its toll, however. Ramón was plagued with silences and fits of anger that had a profound impact on his youngest son, and which Roberto attributes as a source of constant reckoning with the violence and rebellion in his own life. In Unforgetting, Roberto interweaves his father’s complicated history and his own with first-hand reportage on gang life, state violence, and the heart of the immigration crisis in both El Salvador and the United States. In doing so he makes the political personal, revealing the cyclical ways violence operates in our homes and our societies, as well as the ways hope and tenderness can rise up out of the darkness if we are courageous enough to unforget.
We find our way forward by going back. The invented history of the Western world is crumbling fast, Anishinaabe writer Patty Krawec says, but we can still honor the bonds between us. Settlers dominated and divided, but Indigenous peoples won't just send them all "home." Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine a different future. Krawec asks, What would it look like to remember that we are all related? How might we become better relatives to the land, to one another, and to Indigenous movements for solidarity? Braiding together historical, scientific, and cultural analysis, Indigenous ways of knowing, and the vivid threads of communal memory, Krawec crafts a stunning, forceful call to "unforget" our history. This remarkable sojourn through Native and settler history, myth, identity, and spirituality helps us retrace our steps and pick up what was lost along the way: chances to honor rather than violate treaties, to see the land as a relative rather than a resource, and to unravel the history we have been taught.
The massacre on October 6, 1976, in Bangkok was brutal and violent, its savagery unprecedented in modern Thai history. Four decades later there has been no investigation into the atrocity; information remains limited, the truth unknown. There has been no collective coming to terms with what happened or who is responsible. Thai society still refuses to confront this dark page in its history. Moments of Silence focuses on the silence that surrounds the October 6 massacre. Silence, the book argues, is not forgetting. Rather it signals an inability to forget or remember—or to articulate a socially meaningful memory. It is the “unforgetting,” the liminal domain between remembering and forgetting. Historian Thongchai Winichakul, a participant in the events of that day, gives the silence both a voice and a history by highlighting the factors that contributed to the unforgetting amidst changing memories of the massacre over the decades that followed. They include shifting political conditions and context, the influence of Buddhism, the royal-nationalist narrative of history, the role played by the monarchy as moral authority and arbiter of justice, and a widespread perception that the truth might have devastating ramifications for Thai society. The unforgetting impacted both victims and perpetrators in different ways. It produced a collective false memory of an incident that never took place, but it also produced silence that is filled with hope and counter-history. Moments of Silence tells the story of a tragedy in Thailand—its victims and survivors—and how Thai people coped when closure was unavailable in the wake of atrocity. But it also illuminates the unforgetting as a phenomenon common to other times and places where authoritarian governments flourish, where atrocities go unexamined, and where censorship (imposed or self-directed) limits public discourse. The tensions inherent in the author’s dual role offer a riveting story, as well as a rare and intriguing perspective. Most of all, this provocative book makes clear the need to provide a place for past wrongs in the public memory.
As life expectancy increases in India, the number of people living with dementia will also rise. Yet little is known about how people in India cope with dementia, how relationships and identities change through illness and loss. In addressing this question, this book offers a rich ethnographic account of how middle-class families in urban India care for their relatives with dementia. From the husband who wakes up at 3 am to feed his wife ice-cream to the daughters who gave up employment for seven years to care for their mother with dementia, this book illuminates the local idioms on dementia and aging, the personal experience of care-giving, the functioning of stigma in daily life, and the social and cultural barriers in accessing support.
The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.
One day, homo sapiens will burn half the universe—and after, our descendants will cross billions of light years to atone and forget. In the pages of Dante's Heart, join Mara the naiad, the monster-hunter Dante, Fang Yu the cyborg knight and her lover Siwatu the necromancer, and Azar Almasi the intergalactic geneticist (and deity) as they search the universe for the secret of violence. From a foot-trek through forests made of glass, to the pools where the tadpoles of dragons are born, from alien planetscapes to pitched battles in the silent dark between the stars, who will survive humanity's last pilgrimage? This lavish, full-color edition includes 20 illustrations and 9 sketches by artists Roberto Calas, Chaz Kemp, and Frankie Serna. EARLY REVIEWS FOR DANTE'S HEART "Dante's Heart is like Clive Barker, Octavio Paz, and Dante Alighieri are playing D&D together. Lush stuff and more imaginative than most fantasy fare." - Marc McDermott "Dante's Heart isn't as much a story as it is an epic poem. Visually and emotionally evocative, it seems to be this gifted author’s heartfelt rumination on pain, loss, and the human propensity toward violence. To read it is to step through an oil painting into another world. But beware: Once there, you may have trouble finding your way back out. Not that you'll necessarily want to, because Dante's Heart is both terrifyingly and achingly beautiful." – Michael Whiteman Jones REVIEWS FOR STANT LITORE'S PREVIOUS FICTION "Heartbreaking and wonderful." – Conflictium "I find myself riveted to Stant's prose, not only because I'm eager to find out the characters' fate but because his words are so beautiful. The story has stayed with me days after reading it. I highly recommend." – Denise Grover Swank, author of The Curse Keepers "To say I loved this book would be an understatement. I could not put it down." – The Seattle Post-Intelligencer "Stant Litore may be SF's premier poet of loneliness." – Jason Kirk, author of Reverb and The Other Whites in South Africa "Litore's stories aren't only entertaining. They are stories invading our lives, unexpectedly. You encounter them, as you might encounter people. They are those random elements in life that happen to you, like a mugging, like childbirth, like falling in love and marriage, like death and the funeral that follows. They are moments that leave a mark, and leave you changed." – Andrew Hallam, Ph.D., Metropolitan State University of Denver "Stant eloquently writes passages that are so moving, full of passion, fury, loneliness, blind drive … He takes us to places of amazing beauty, awe-inspiring, as well as places where the implications in the story can leave you almost in despair for the human race." – Nikki Ebright, Director, Shiny Garden
When Lily Bell is sold by her father to a 'Professor of Ghosts' to settle a bad debt, she thinks she about to hit the London stage as an actress. But little does she know that the professor intends her to be his very own ghost, part of an elaborate illusion for a fascinated audience. Obsessed with perfection, the professor covers all bases to ensure his illusion is realistic - and when Lily comes across her own obituary in the paper, and then her own headstone in the cemetery, she soon realises that she is trapped, her parents think she is dead - and soon her fate is to become even darker ... A story of the traps of fame, magic and the power of illusion in Victorian London. 'Fantastic writing - sinister and suspenseful.' Rosie Boycott 'A disturbing story which resonates with our times. Beautifully written.' Rachel Hore 'Wonderful female characters - a brilliant storyteller.' Kate Saunders (Costa Prize winner).
Acclaimed writer, bestselling author, and founder of Salon magazine, David Talbot has brought us masterful and explosive headline-breaking stories for over 25 years with books like the New York Times bestsellers Brothers, The Devil's Chessboard, and nationally recognized Season of the Witch. Now for the first time, journalist and historian David Talbot turns inward in this intimate journey through the life-changing year following his stroke, a year that turned his life upside down, and ultimately, saved him. • A portrait of how a health crisis can truly shift one's perspective on life and purpose • Includes insider stories on the wild early days of Internet journalism, tech culture, and Hollywood • Powerful storytelling of the physical, emotional, and psychological impact a stroke has had on the author's identity Fans of My Stroke of Insight, The Devil's Chessboard and Season of the Witch will love this book. This book is perfect for: • Fans of David Talbot • Anyone dealing with or recovering from health issues (particularly stroke or brain injury) and looking for insight and inspiration • Gen Xers and baby boomers who understand their risk for stroke • Entrepreneurs scared of burnout
With a New Preface by the Author Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land. Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life–defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost. A provocative and powerful mosaic that ranges across a continent and across time, from twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.–Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past. In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons. Gifted with this manifold vision, and graced by a scientific and lyrical diligence, she delves through fragmented histories—natural, personal, cultural—to find shadowy outlines of other stories of place in America. "Every landscape is an accumulation," reads one epigraph. "Life must be lived amidst that which was made before." Courageously and masterfully, Lauret Savoy does so in this beautiful book: she lives there, making sense of this land and its troubled past, reconciling what it means to inhabit terrains of memory—and to be one.