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The Afterlife of King James IV explores the survival stories following the Scottish king's defeat at the battle of Flodden in 1513, and how his image and legacy were used in the years that followed when he remained a shadow player in the politics of a shattered kingdom. Keith John Coleman has written a legend-based biography of James IV that straddles the gap between history and folklore that looks at the undying king motif and otherworld myths of James IV, one of Scotland's most successful rulers.
This book traces the transformation of history from a Romantic literary pursuit into a modern academic discipline during the second half of the nineteenth century, and shows how this change inspired Victorians to reconsider what it meant to be a historian. This reconceptualization of the ‘historian’ lies at the heart of this book as it explores how historians strove to forge themselves a collective scholarly persona that reflected and legitimised their new disciplinary status and gave them authority to speak on behalf of the past. The author argues that historians used the persona as a replacement for missing institutional structures, and converted book parts to a sphere where they could mould and perform their persona. By ascribing agency to titles, footnotes, running heads, typography, cover design, size, and other paratexts, the book makes an important shift in the way we perceive the formation of modern disciplines. By combining the persona and paratexts, it offers a novel approach to themes that have enjoyed great interest in the history of science. It examines, for example, the role which epistemic and moral virtues held in the Victorian society and scholarly culture, the social organization and hierarchies of scholarly communities, the management of scholarly reputations, the commercialization of knowledge, and the relationship between the persona and the underpinning social, political, economic, and cultural structures and hierarchies. Making a significant contribution to persona studies, it provides new insights for scholars interested in the history of humanities, science, and knowledge; book history; and Victorian culture.
Margaret Tudor, the elder sister of her more famous brother Henry VIII, is the single most important Tudor figure of this era that historians have consistently overlooked. Married at thirteen to the charismatic James IV of Scotland, a man more than twice her age, she would learn the skills of statecraft that would enable her to survive his early death, and to construct a powerful position in her adopted country of Scotland as she dealt with domestic issues as well as navigating international relations with England and France. Often reviled for her hasty remarriage (and therefore the loss of the regency) the book shows that Margaret was damned if she did remarry and damned if she didn't. Her two subsequent marriages were both disastrous personally, but she never gave up. Her son attained the throne in his own right in 1528, largely through his mother's determination. Margaret's story is also one of fierce sibling rivalry with her younger brother, Henry VIII, a series of matrimonial mishaps, and fighting off an unearned reputation as an over-sexed whinger fixated by clothes and jewels, Margaret was a complex (not always likeable) woman who had the true Tudor attributes of self-expression and a flair for the dramatic. She knew that you had to look like a queen. Drawing on Margaret's extensive correspondence (more of her letters survive than of all the other Tudor queens put together), and contemporary poems and literature, Linda Porter fashions a compelling story of a misunderstood and underestimated Tudor monarch, whose determination to fight for the rights of her son, James V, is at the core of her dramatic life and indeed laid the groundwork for a future British state.