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Forgotten Landscapes... Despite the proud boast of the Liverpudlians of today that there has always been a Liverpool and always will be a Liverpool, the truth is that for many centuries the world got on quite well without us, and as cities go Liverpool is only a recent newcomer compared with most others across Europe. The granting of the much-vaunted Charter of 1207 and the presence of an imposing castle were all well and good but the fact remained that the town was little more than a fishing village with a nice beach for the following 450 years. The event which awakened Liverpool from its slumbrous backwaters was the British colonisation of the West Indies which triggered a trade in slaves, an occupation which Liverpool shipowners took up with alacrity and made fortunes from throughout the following 150 years. The slave-trade was the catalyst for the building of Liverpool and it was from 1650 onwards, throughout the shameful years of the enforced African diaspora and beyond, that the architectural and cultural framework of modern Liverpool was formed; much of it has now gone and much of it is falling into decay but with a little imagination the fragments of that forgotten landscape can still be glimpsed. Forgotten Lives...The natural corollary to envisaging Liverpool's lost landscape is to wonder what the people were like who inhabited the city; were they tougher than us? They had a whole host of diseases to cope with, harder lives and primitive living conditions; were they cleverer than us? Victorian engineering was breathtaking but it is more than remarkable that Llangollen's Pontcysllte aqueduct was begun as early as 1795; were they as cultured as us? Some of their art works have never been surpassed. The facts speak for themselves and given the obstacles they faced our ancestors were a remarkably resilient and hardy lot. Although the lives of many Liverpudlians have been documented there are far more whose stories lie mouldering in the city's archives and in this book I have tried to bring some of them back into the light of day to enlighten our lives and wonder at theirs.
In the recent cultural heritage boom, community-based and national identity projects are intertwined with interest in cultural tourism and sites of the memory of enslavement. Questions of historical guilt and present responsibility have become a source of social conflict, particularly in multicultural societies with an enslaving past. This became apparent in the context of the Black Lives Matter movement in 2020, when statues of enslavers and colonizers were toppled, controversial debates about streets and places named after them re-ignited, and the European Union apologized for slavery after the racist murder of George Floyd. Related debates focus on museums, on artworks acquired unjustly in societies under colonial rule, the question of whether and how museums should narrate the hidden past of enslavement and colonialism, including their own colonial origins with respect to narratives about presumed European supremacy, and the need to establish new monuments for the enslaved, their resistance, and abolitionists of African descent. In this volume, we address this dissonant cultural heritage in Europe, with a strong focus on the tangible remains of enslavement in the Atlantic space in the continent. This may concern, for instance, the residences of royal, noble, and bourgeois enslavers; charitable and cultural institutions, universities, banks, and insurance companies, financed by the traders and owners of enslaved Africans; merchants who dealt in sugar, coffee, and cotton; and the owners of factories who profited from exports to the African and Caribbean markets related to Atlantic slavery.
Analysis of hundreds of art works from the period provides insights into forgotten landscapes and hidden geographies.After the Napoleonic wars many wealthy British women and men settled along the coast in Liguria and travelled in Piedmont and Valle d'Aosta in search of warmth and health. They established English-speaking colonies of retired clerics, colonial officials, aristocrats and industrialists at places such as Alassio, Bordighera, Sanremo and Portofino. Many were keen artists.This book assesses hundreds of topographical drawings, paintings and photographs of north-west Italy produced by these British visitors and residents in the nineteenth and early twentieth century. Through the identification and analysis of these works, scattered today in private and public collections in Italy and Britain, it provides insights into the way Italian landscapes were understood and appreciated. Considered in conjunction with historical photography, maps, archives and fieldwork, they deepen our knowledge of past land management traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.anagement traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.anagement traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.anagement traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.
As Liverpool F.C. reach their 125th anniversary, amidst the celebrations, doubts persist. Are they still elite? Can their prolonged title drought be ended? Foreign owners say they came to win but the trophy cabinet lies bare. Where to next for the reds? Lost? explores the gloried past, the moneyed present and the uncertain future of both Liverpool F.C. and the English game at large. Have they lost their way? Liverpool F.C.’s most famous manager, Bill Shankly, declared that the club ‘exists to win trophies’ and for many years this maxim proved true, as Liverpool became one of the most successful clubs in European football and dominated the scene in England for over two decades. Yet recently, the victories have dried up and Liverpool have not won the league title in over a quarter of a century. Football is also in a state of flux as major TV deals have made the Premier league the wealthiest in the world, but the gap between the elite clubs and those striving to catch up widens. Has the game lost it’s soul? Who will rise and who will fall as a new uncharted era in football unfolds? Lost? captures exclusive interviews with key figures including former Liverpool managers, Brendan Rogers and Roy Evans, the Shankly family and a whole host of footballing legends, past and present. The book also includes reflective pieces on an array of Premier League clubs from both a sporting and cultural perspective, looking not just at the team in isolations, but also at the communities and landscapes that shape them
This volume contains over 150 paintings and drawings that evoke the landscape of Norfolk as it was in the first 50 years of the last century. It is compiled almost exclusively from a single collection of works by Horace Tuck. Few of the paintings have been seen by the public.
The emergence of Herculaneum pottery in early nineteenth-century Liverpool marked a pivotal moment in the clay arts. This book provides a comprehensive history of Herculaneum pottery—highly sought after in North America—and its rapid rise to international prominence. Renowned Liverpool porcelain collector Peter Hyland examines the pottery's relatively brief heyday from about 1800 to 1820. He then re-defines its niche within the wider context of the established Liverpool pottery tradition, which dates back to 1700. Liverpool's earthenware and porcelain were exported around the world, and Hyland investigates records to reveal the surprising extent to which the United States and Canada relied on Herculaneum for their fine wares. Ultimately, he considers why the pottery factory failed, showing how competition from Merseyside led to the factory's eventual closure in 1840. Building on the seminal work of Alan Smith, Peter Hyland's study draws on new scholarly research and recent excavations to reveal the extensive range of wares and decorations made at the Herculaneum factory. This new edition is illustrated with a wealth of full-color images, and it will stand as the definitive text on Herculaneum pottery.
Jewish American Writing and World Literature: Maybe to Millions, Maybe to Nobody studies Jewish American writers' relationships with the idea of world literature. Writers such as Sholem Asch, Jacob Glatstein, Isaac Bashevis Singer, Anna Margolin, Saul Bellow, and Grace Paley all responded to a demand to write beyond local Jewish and American audiences and toward the world, as a global market and as a transnational ideal. Beyond fame and global circulation, world literature holds up the promise of legibility, in which a threatened origin becomes the site for redemptive literary creativity. But this promise inevitably remains unfulfilled, as writers struggle to balance potential universal achievements with untranslatable realities, rendering impossible any complete arrival in the US and in the world. The work examined in this study was deeply informed by an intimate connection to Yiddish, a Jewish vernacular with its own global network and institutional ambitions. Jewish American Writing and World Literature tracks the attempts and failures, through translation, to find a home for Jewish vernacularity in the institution of world literature. The exploration of the translational uncertainty of Jewish American writing joins postcolonial critiques of US and world literature and challenges Eurocentric and Anglo-American paradigms of literary study. In bringing into conversation the fields of Yiddish studies, American Studies, and world literature theory, Jewish American Writing and World Literature: Maybe to Millions, Maybe to Nobody proposes a new approach to the study of modern Jewish literatures and their implication within global empires of culture.
Soil Degradation, Restoration and Management in a Global Change Context, volume four in the Advances in Chemical Pollution, Environmental Management and Protection series, explores a wide breadth of emerging and state-of-the-art technologies and provides the best practices to manage soils affected by degradation. Soils are the base of life, thus a sustainable soil management is crucial in a context of global environmental change. Chapters in this new release include Soil degradation, processes, future treats and possible solutions, Agriculture and grazing environments, Abandoned and afforested lands, Environments affected by fire, Mining environments, Urban areas, and Lands affected by war. Covers a wide breadth of emerging and state-of-the-art technologies Includes contributions from an international board of authors Provides a comprehensive set of reviews Synthesizes all aspects involved in soil degradation
The first literary geography of the Putumayo, exploring its history and enduring significance through literature of and on this Colombian region by Latin American, US and European writers.
On the Road Not Taken is a memoir about the transformational power of music. It begins with a boy growing up in a small town on the Kent coast in the 1970s, who learns to play the guitar and dreams of heading out on the open road with a head full of songs. But when the moment comes to make the choice he is not brave enough to try and do it for a living. Time passes but the desire to explain the world through music never goes away. And as the years go by it gets harder and harder to risk looking like a fool, of doing the very thing he would most like to do, of actually being himself. Eventually, thirty-five years later, when it feels like time is running out, he walks out onto a stage in front of 500 people and begins to sing again. What follows is an extraordinary period of self-discovery as he plays pubs, clubs, theatres and festivals, overcoming anxiety to experience the joy of performance.