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It's 1988 and Lily Bloom, a 65-year-old American lies dying of cancer in a London hospital. As her two daughters buzz around her and the nurses pump her full of morphine, she slides in and out of consciousness, outraged that there is so little time left and so many people still to disparage.
“A horror landmark and a work of gory genius.”—Joe Hill, New York Times bestselling author of The Fireman New York Times bestselling author Daniel Kraus completes George A. Romero's brand-new masterpiece of zombie horror, the massive novel left unfinished at Romero's death! George A. Romero invented the modern zombie with Night of the Living Dead, creating a monster that has become a key part of pop culture. Romero often felt hemmed in by the constraints of film-making. To tell the story of the rise of the zombies and the fall of humanity the way it should be told, Romero turned to fiction. Unfortunately, when he died, the story was incomplete. Enter Daniel Kraus, co-author, with Guillermo del Toro, of the New York Times bestseller The Shape of Water (based on the Academy Award-winning movie) and Trollhunters (which became an Emmy Award-winning series), and author of The Death and Life of Zebulon Finch (an Entertainment Weekly Top 10 Book of the Year). A lifelong Romero fan, Kraus was honored to be asked, by Romero's widow, to complete The Living Dead. Set in the present day, The Living Dead is an entirely new tale, the story of the zombie plague as George A. Romero wanted to tell it. It begins with one body. A pair of medical examiners find themselves battling a dead man who won’t stay dead. It spreads quickly. In a Midwestern trailer park, a Black teenage girl and a Muslim immigrant battle newly-risen friends and family. On a US aircraft carrier, living sailors hide from dead ones while a fanatic makes a new religion out of death. At a cable news station, a surviving anchor keeps broadcasting while his undead colleagues try to devour him. In DC, an autistic federal employee charts the outbreak, preserving data for a future that may never come. Everywhere, people are targeted by both the living and the dead. We think we know how this story ends. We. Are. Wrong. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Hi, I'm Alexis Delaney. I'm your average 17-year-old girl. Except I can see the dead. And talk to the dead. And push them away and, well, help them move on. So..okay, I'm not your average 17-year-old girl. For years I've been struggling to survive the souls still roaming around. The shitheads always seem to find me. Moving from town to town every few months never helped either. More dead just always find me. But things are changing for me now. I'm moving in with my uncle Rory and cousin Tara. I'm finally going to be able to do normal teenage stuff I've been missing out on. Right? Well, if this one bitch of a ghost could leave me alone on campus that would be great. Especially since I haven't told my new friends about my abilities. Can you believe this? Five good looking guys practically adopt me on my first day of school, and I still think they're a bit nuts for it. Now if I can only just keep my life with the dead from mixing with my normal life, everything would be great. Yeah...I don't see that happening either. But I'm going to give it a shot. Who knows? It might work.
The Grateful Dead were one of the most successful live acts of the rock era. Performing more than 2,300 shows between 1965 and 1995, the Grateful Dead’s reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group’s long and colorful career. In Live Dead, musicologist John Brackett examines how live recordings—from the group’s official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick’s Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for more than fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound.
To live dead is to live life wholly for Jesus. To die to self, knowing God will do a greater work through you and to announce the life of God among those who are unreached. This journal, in 30 day meditations, examines character-based mission among those unengaged by the Gospel. Each day includes an informed way to pray for an unreached people in East Africa and a challenge to live and die for Jesus in order that He might be made famous among all peoples of Earth.
This memoir chronicles the Dead's seminal years: 1965-1985.
"This is Alice. She was taken by Ray five years ago. She thought she knew how her story would end. She was wrong."-- [P.4] Cover.
From Poe to Lovecraft-a unique zombiethology of the literary undead. Corpses rise in a variety of frightening ways in this collection of classic stories by an impressive lineup of authors including: Mary Shelley, Edgar Allan Poe, Washington Irving, H.P. Lovecraft, Guy de Maupassant, Mark Twain, Jack London, William Wyman Jacobs, Théophile Gautier, Charles Baudelaire, John H. Knox, Sir Hugh Clifford, Thomas Burke, Johann Wolfgang von Goethe, F. Marion Crawford, F.G. Loring, William Butler Yeats, Douglas Hyde, E.F. Benson, Lafcadio Hearn, Perceval Landon, E. and H. Heron, Amy Lowell, G.W. Hutter, and Sir Walter Scott.
In Living with the Living Dead, Greg Garrett shows that the zombie apocalypse has become an archetypal narrative for the contemporary world, in part because zombies can represent a variety of global threats, from terrorism to Ebola, from economic uncertainty to mental illness. But paradoxically this narrative also offers human beings a chance to find emotional and spiritual comfort; these apocalyptic stories about individuals facing the imminent prospect of grisly death also offer us wisdom about living in community, present us with real-world ethical problems, and invite us into a conversation about what it means to survive.
Every Christian is called to live the crucified life (Galatians 2:20). In that sense we are all dying daily--dying is how Christians live. We die to ourselves, our wills, our comforts, and our reputations for the glory of Jesus. The wonder of applying this biblical principle to everyday life is that it brings life and joy in the process. This daily devotional celebrates a lifestyle based on the example of Jesus, who showed us how to live dead--not with dread but with great gladness. Written in a deeply personal style that provides a fresh perspective on the disciplines of the Christian life, each one of the 365 devotions is based on a suggested Bible reading. This devotional will put you on the path to a life of deeper faith and stronger dedication to Christ.