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Karin Aguilar-San Juan examines the contradictions of Vietnamese American community and identity in two emblematic yet different locales: Little Saigon in suburban Orange County, California (widely described as the capital of Vietnamese America) and the urban "Vietnamese town" of Fields Corner in Boston, Massachusetts. Their distinctive qualities challenge assumptions about identity and space, growth amid globalization, and processes of Americanization. With a comparative and race-cognizant approach, Aguilar-San Juan shows how places like Little Saigon and Fields Corner are sites for the simultaneous preservation and redefinition of Vietnamese identity. Intervening in debates about race, ethnicity, multiculturalism, and suburbanization as a form of assimilation, this work elaborates on the significance of place as an integral element of community building and its role in defining Vietnamese American-ness. Staying Vietnamese, according to Aguilar-San Juan, is not about replicating life in Viet Nam. Rather, it involves moving toward a state of equilibrium that, though always in flux, allows refugees, immigrants, and their U.S.-born offspring to recalibrate their sense of self in order to become Vietnamese anew in places far from their presumed geographic home.
The Little Saigon Cookbook offers dozens of family recipes, many surviving through oral history alone. It takes readers on a tour of culinary landmarks and introduces them to the wealth of authentic dishes found in Little Saigon.
Colonialism and war disrupted the lives of millions of Vietnamese people during the 20th century. These are their stories.
This riveting, beautifully produced graphic memoir tells the story of the early years of the Vietnam war as seen through the eyes of a young boy named Marco, the son of a Vietnamese diplomat and his French wife. The book opens in America, where the boy’s father works for the South Vietnam embassy; there the boy is made to feel self-conscious about his otherness thanks to schoolmates who play war games against the so-called “Commies.” The family is called back to Saigon in 1961, where the father becomes Prime Minister Ngo Dinh Diem’s personal interpreter; as the growing conflict between North and South intensifies, so does turmoil within Marco’s family, as his mother struggles to grapple with bipolar disorder. Visually powerful and emotionally potent, Such a Lovely Little War is both a large-scale and intimate study of the Vietnam war as seen through the eyes of the Vietnamese: a turbulent national history interwined with an equally traumatic familial one. Marcelino Truong is an illustrator, painter, and author. Born the son of a Vietnamese diplomat in 1957 in the Philippines, he and his family moved to America (where his father worked for the embassy) and then to Vietnam at the outset of the war. He earned degrees in law at the Paris Institute of Political Studies, and English literature at the Sorbonne. He lives in Paris, France.
Vietnamese refugees fleeing the fall of South Vietnam faced a paradox. The same guilt-ridden America that only reluctantly accepted them expected, and rewarded, expressions of gratitude for their rescue. Meanwhile, their status as refugees ”as opposed to willing immigrants ”profoundly influenced their cultural identity. Phuong Tran Nguyen examines the phenomenon of refugee nationalism among Vietnamese Americans in Southern California. Here, the residents of Little Saigon keep alive nostalgia for the old regime and, by extension, their claim to a lost statehood. Their refugee nationalism is less a refusal to assimilate than a mode of becoming, in essence, a distinct group of refugee Americans. Nguyen examines the factors that encouraged them to adopt this identity. His analysis also moves beyond the familiar rescue narrative to chart the intimate yet contentious relationship these Vietnamese Americans have with their adopted homeland. Nguyen sets their plight within the context of the Cold War, an era when Americans sought to atone for broken promises but also saw themselves as providing a sanctuary for people everywhere fleeing communism.
An in-depth look at the diverging paths of Vietnamese American communities, or “Little Saigons,” in America’s built environment. In the final days before the fall of Saigon in 1975, 125,000 Vietnamese who were evacuated or who made their own way out of the country resettled in the United States. Finding themselves in unfamiliar places yet still connected in exile, these refugees began building their own communities as memorials to a lost homeland. Known both officially and unofficially as Little Saigons, these built landscapes offer space for everyday activities as well as the staging of cultural heritage and political events. Building Little Saigon examines nearly fifty years of city building by Vietnamese Americans—who number over 2.2 million today. Author Erica Allen-Kim highlights architecture and planning ideas adapted by the Vietnamese communities who, in turn, have influenced planning policies and mainstream practices. Allen-Kim traveled to ten Little Saigons in the United States to visit archives, buildings, and public art and to converse with developers, community planners, artists, business owners, and Vietnam veterans. By examining everyday buildings—who made them and what they mean for those who know them—Building Little Saigon shows us the complexities of migration unfolding across lifetimes and generations.
Beneath the teeming and exotic surfaceon, Chuck Frye, renegade son of a powerful land baron, kidnaps his brother's Vietnamese wife . . . and is plunged into a wealthy family's web of tragic secrets. Non-stop action from the author of Laguna Heat.#St. Martin's Press.
Saigon (since 1976, officially Hồ Chi Minh City but widely still referred to as Saigon) is the largest metropolitan area in modern Vietnam and has long been the country's economic engine. This is the city's complete history, from its humble beginnings as a Khmer village in the swampy Mekong delta to its emergence as a major political, economic and cultural hub. The city's many transitions through the hands of the Chams, Khmers, Vietnamese, Chinese, French, Japanese, Americans, nationalists and communists are examined in detail, as well as the Saigon-led resistance to collectivization and the city's central role in Vietnam's perestroika-like economic reforms.
Hank and Norm were living the good life: two friends with plenty of money, homes in a lovely California retirement town, and no problems—except for the boredom that felt almost fatal. Then Mai came into the picture, the love of Hank’s life during his CIA days in Saigon, desperately needing his help to save the son he’d never known he had. Boredom was over, as Hank and Norm hit the road, following the few clues Mai could give them in search of a man who desperately wants not to be found. What they find is a slew of lies and hidden truths, strange characters, improbable danger that has them fighting to survive, and the happy lesson that their lives are far from over.
Over three decades have passed since the first wave of Indochinese refugees left their homelands. These refugees, mainly the Vietnamese, fled from war and strife in search of a better life elsewhere. By investigating the Vietnamese diaspora in Asia, this book sheds new light on the Asian refugee era (1975-1991), refugee settlement and different patterns of host-guest interactions that will have implications for refugee studies elsewhere. The book provides: a clearer historical understanding of the group dynamics among refugees - the ethnic Chinese ‘Vietnamese refugees’ from both the North and South as well as the northern ‘Vietnamese refugees’ an examination of different aspects of migration including: planning for migration, choices of migration route, and reasons for migration an analysis of the ethnic and refugee politics during the refugee era, the settlement and subsequent resettlement. This book will be of interest to students and scholars of globalization, migration, ethnicities, refugee histories and politics.