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Adiós Muchachos is a candid insider’s account of the leftist Sandinista revolution in Nicaragua. During the 1970s, Sergio Ramírez led prominent intellectuals, priests, and business leaders to support the Sandinista National Liberation Front (FSLN), against Anastasio Somoza’s dictatorship. After the Sandinistas overthrew the Somoza regime in 1979, Ramírez served as vice-president under Daniel Ortega from 1985 until 1990, when the FSLN lost power in a national election. Disillusioned by his former comrades’ increasing intolerance of dissent and resistance to democratization, Ramírez defected from the Sandinistas in 1995 and founded the Sandinista Renovation Movement. In Adiós Muchachos, he describes the utopian aspirations for liberation and reform that motivated the Sandinista revolution against the Somoza regime, as well as the triumphs and shortcomings of the movement’s leadership as it struggled to turn an insurrection into a government, reconstruct a country beset by poverty and internal conflict, and defend the revolution against the Contras, an armed counterinsurgency supported by the United States. Adiós Muchachos was first published in 1999. Based on a later edition, this translation includes Ramírez’s thoughts on more recent developments, including the re-election of Daniel Ortega as president in 2006.
Intimate Activism tells the story of Nicaraguan sexual-rights activists who helped to overturn the most repressive antisodomy law in the Americas. The law was passed shortly after the Sandinistas lost power in 1990 and, to the surprise of many, was repealed in 2007. In this vivid ethnography, Cymene Howe analyzes how local activists balanced global discourses regarding human rights and identity politics with the contingencies of daily life in Nicaragua. Though they were initially spurred by the antisodomy measure, activists sought to change not only the law but also culture. Howe emphasizes the different levels of intervention where activism occurs, from mass-media outlets and public protests to meetings of clandestine consciousness-raising groups. She follows the travails of queer characters in a hugely successful telenovela, traces the ideological tensions within the struggle for sexual rights, and conveys the voices of those engaged in "becoming" lesbianas and homosexuales in contemporary Nicaragua.
This memoir is an account of the Nicaraguan revolution, of meetings with Fidel Castro and exile in Costa Rica, and it is a tale of political and romantic awakening as Gioconda Belli learnt to fight against the shackles of society.
Clippings of Latin American political, social and economic news from various English language newspapers.
Many books, fiction and nonfiction alike, purport to probe the inner workings of the U.S. Central Intelligence Agency. Many attempt to create spine-tingling suspense or allege that America's civilian spy operation has run amok and been infested with rogues and criminals. Not that The Craft We Chose lacks suspense, harrowing encounters, or its own share of villains, but this book is different; it is a straightforward, honest, surprisingly captivating memoir by one of the CIA's most well-known and honored career officers. For more than three decades, Richard L. Holm worked in the agency's Directorate of Operations now the National Clandestine Service the component directly responsible for collecting human intelligence. His assignments took him to seven countries on three continents, and his travels added many more destinations. At almost every turn Holm encountered his share of dangerous characters and situations, including one that nearly ended his life before he turned 30. The Craft We Chose is more than a chronicle of those episodes. It also reveals Holm's private life, his roots and family, his courtship and marriage, and his four daughters, whom he affectionately calls his platoon.
A penetrating analysis of the controversial U.S. role in the 1990 Nicaraguan elections-the most closely monitored in history-this book exposes the intervention in the electoral process of a sovereign nation by the Central Intelligence Agency, the Department of State, the National Endowment for Democracy, and private U.S.-based organizations. Robins
Human rights activist and historian Roxanne Dunbar-Ortiz has been described as “a force of nature on the page and off.” That force is fully present in Blood on the Border, the third in her acclaimed series of memoirs. Seamlessly blending the personal and the political, Blood on the Border is Dunbar-Ortiz’s firsthand account of the decade-long dirty war pursued by the Contras and the United States against the people of Nicaragua. With the 1981 bombing of a Nicaraguan plane in Mexico City—a plane Dunbar-Ortiz herself would have been on if not for a delay—the US-backed Contras (short for los contrarrevolucionarios) launched a major offensive against Nicaragua’s Sandinista regime, which the Reagan administration labeled as communist. While her rich political analysis of the US-Nicaraguan relationship bears the mark of a trained historian, Dunbar-Ortiz also writes from her perspective as an intrepid activist who spent months at a time throughout the 1980s in the war-torn country, especially in the remote northeastern region, where the Indigenous Miskitu people were relentlessly assailed and nearly wiped out by CIA-trained Contra mercenaries. She makes painfully clear the connections between what many US Americans today remember only vaguely as the Iran-Contra “affair” and ongoing US aggression in the Americas, the Middle East, and around the world—connections made even more explicit in a new afterword written for this edition. A compelling, important, and sobering story on its own, Blood on the Border offers a deeply informed, closely observed, and heartfelt view of history in the making.
Fourteen unforgettable short stories provoke, illuminate, and startle as they explore our perception of nature and the conflict between wildness and civilization within each of us. As we are recognizing the consequences of the destruction of forests and wetlands, the pillaging of the seas, and the toxicity of industry, we are experiencing profound uncertainty about our relationship with the earth. These stellar short stories by writers such as Barry Lopez, Rick Bass, Margaret Atwood, E. L. Doctorow, Chris Offutt, and others plumb the mystery--as only fiction can--of nature within us and the world of nature that surrounds us. We are nature, in spite of our machines, our plastics, and our artificial ingredients. Yet what do we make of our own nature? Our own wildness? And how do we explain the paradox of our urge to both exploit and protect wilderness? From E. L. Doctorow's shattering tale, "Willi," in which a young boy witnesses adults transformed into animals by the frenzy of sexual lust, to Rick Bass's "Swamp Boy," whose young hero is hounded by a pack of boys incensed by his solitary communion with the wild, to Margaret Atwood's wickedly funny story, "My Life as a Bat," or Kent Meyers's soulful ballad of love regained, "The Heart of the Sky," these memorable stories articulate our deep need for wilderness and the indelible role nature plays in our psychological and spiritual well-being.