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The poems in Dobby Gibson’s new book transform the everyday into the revelatory Little Glass Planet exults in the strangeness of the known and unknowable world. In poems set as far afield as Mumbai and Marfa, Texas, Dobby Gibson maps disparate landscapes, both terrestrial and subliminal, to reveal the drama of the quotidian. Aphoristic, allusive, and collaged, these poems mine our various human languages to help us understand what we might mean when we speak to each other—as lovers, as family, as strangers. Little Glass Planet uses lyric broadcasts to foreshorten the perceived distances between us, opening borders and pointing toward a sense of collectivity. “This is my love letter to the world,” Gibson writes, “someone call us a sitter. / We’re going to be here a while.” Elegiac, funny, and candid, Little Glass Planet is a kind of manual for paying attention to a world that is increasingly engineered to distract us from our own humanity. It’s a book that points toward hope, offering the possibilities of a “we” that only the open frequency of poetry can create, possibilities that are indistinguishable from love.
Jill Paton Walsh's classic science fiction novel The Green Book is now available from Square Fish with a brand–new cover! Pattie and her family are among the last refugees to flee a dying Earth in an old spaceship. And when the group finally lands on the distant planet which is to be their new home, it seems that the four-year journey has been a success. But as they begin to settle this shiny new world, they discover that the colony is in serious jeopardy. Nothing on this planet is edible, and they may not be able to grow food. With supplies dwindling, Pattie and her sister decide to take the one chance that might make life possible on Shine.
A poet descended from the New York School, Dobby Gibson’s award-winning debut is witty and expansive, driven by precise, interconnected abstractions. Gibson writes about desire in American life, observing, “Amid the middleness, / there’s the feeling / that anything can be seen / and nothing reached,” seeking his truths in misunderstandings and the relentless Midwestern winter.
Young autistic Gwydion and his archeologist grandfather are reading ancient stories together and they take us through time in earth's history to thousands of years ago with the book of Moses, the Exodus, and more. But some one or some THING is trying to kill them and stop them from translating the oldest stories. Stories of ancient Gods arriving here, touching off beautiful new civilizations only to be thwarted by the arrival of others from far off worlds. Twisted remains of an unknown king are found in an impossible silver Sarcophagus, and more Scrolls are discovered, stunning young Gwydion into becoming a speaker for the long dead by destroying an ancient demon and gaining his own guardian angel. The old God's have gone home vacating this planet mysteriously leaving empty husks of civilization and confused aboriginal populations all over the world searching to regain the knowledge of their ancient Gods. Gwydion tries to help and pays the highest price.
A thrilling Star Trek: The Original Series adventure featuring Captain James T. Kirk and the USS Enterprise in a strange battle for dilithium crystals against the Klingons. Dilithium. In crystalline form, the most valuable mineral in the galaxy. It powers the Federation’s starships...and the Klingon Empire’s battlecruisers. Now on a small, out-of-the-way planet named Direidi, the greatest fortune in dilithium crystals ever seen has been found. Under the terms of the Organian Peace Treaty, the planet will go to the side best able to develop the planet and its resourses. Each side will contest the prize with the prime of its fleet. For the Federation—Captain James T. Kirk and the Starship Enterprise. For the Klingons—Captain Kaden vestai-Oparai and the Fire Blossom. Only the Direidians are writing their own script for this contest—script that propels the crew of the Starship Enterprise into their strangest adventure yet!
In this “charming” and melancholic novel, a former child sleuth “investigates the hard-to-crack case of Lost Innocence” (Entertainment Weekly). A Chicago Tribune, Kirkus Reviews, and Booklist Book of the Year In the twilight of a mysterious childhood full of wonder, Billy Argo, boy detective, is brokenhearted to find that his younger sister and crime-solving partner, Caroline, has committed suicide. Ten years later, Billy, age thirty, returns from an extended stay at St. Vitus’ Hospital for the Mentally Ill to discover the world full of unimaginable strangeness: office buildings vanish without reason, small animals turn up without their heads, and cruel villains ride city buses to complete their evil schemes. Lost within this unwelcoming place, Billy befriends two lonely, extraordinary children—one a science fair genius, the other a charming, silent bully. With a nearly forgotten bravery, he experiences the unendurable boredom of a telemarketing job; encounters a beautiful, desperate pickpocket; and confronts the nearly impossible solution to his sister’s case. Along a path laden with hidden clues and codes, the boy detective may learn the greatest secret of all: the necessity of the unknown. “Haunted by the mystery of his sister’s death and feeling that a lapse in his sleuthing may be to blame, Billy is determined to find out the reason for her suicide and to punish those responsible . . . The story of Billy’s search for truth, love and redemption is surprising and absorbing. Swaddled in melancholy and gentle humor, it builds in power as the clues pile up.” —Publishers Weekly “The author gives Billy a gallery of rogues to combat and even sends him to investigate the Convocation of Evil at a local hotel (‘Featured Panel: To Wear a Mask?’). Meno sets himself a complicated task, marooning his straight-arrow, pulp-fiction protagonist in a world uglier than the Bobbsey Twins ever faced but refusing to go for satire. Instead, the author takes his compulsive investigator at face value.” —Kirkus Reviews, starred review “Comedic, imaginative, empathic . . . investigates the precincts of grief [and] our longing to combat chaos with reason.” —Booklist
I have been asked to record, plainly and without prejudice, a brief history of the Forgotten Planet.That this record, when completed, will be sealed in the archives of the Interplanetary Alliance and remain there, a secret and rather dreadful bit of history, is no concern of mine. I am an old man, well past the century mark, and what disposal is made of my work is of little importance to me. I grow weary of life and living, which is good. The fear of death was lost when our scientists showed us how to live until we grew weary of life. But I am digressing-an old man's failing.The Forgotten Planet was not always so named. The name that it once bore had been, as every child knows, stricken from the records, actual and mental, of the Universe. It is well that evil should not be remembered. But in order that this history may be clear in the centuries to come, my record should go back to beginnings.So far as the Universe is concerned, the history of the Forgotten Planet begins with the visit of the first craft ever to span the space between the worlds: the crude, adventuresome Edorn, whose name, as well as the names of the nine Zenians who manned her, occupy the highest places in the roll of honor of the Universe.
The Little Prince and nbsp;(French: and nbsp;Le Petit Prince) is a and nbsp;novella and nbsp;by French aristocrat, writer, and aviator and nbsp;Antoine de Saint-Exupéry. It was first published in English and French in the US by and nbsp;Reynal and amp; Hitchcock and nbsp;in April 1943, and posthumously in France following the and nbsp;liberation of France and nbsp;as Saint-Exupéry's works had been banned by the and nbsp;Vichy Regime. The story follows a young prince who visits various planets in space, including Earth, and addresses themes of loneliness, friendship, love, and loss. Despite its style as a children's book, and nbsp;The Little Prince and nbsp;makes observations about life, adults and human nature. The Little Prince and nbsp;became Saint-Exupéry's most successful work, selling an estimated 140 million copies worldwide, which makes it one of the and nbsp;best-selling and nbsp;and and nbsp;most translated books and nbsp;ever published. and nbsp;It has been translated into 301 languages and dialects. and nbsp;The Little Prince and nbsp;has been adapted to numerous art forms and media, including audio recordings, radio plays, live stage, film, television, ballet, and opera.
For readers of Hillbilly Elegy and Strangers in Their Own Land WINNER OF THE OHIOANA BOOK AWARDS AND FINALIST FOR THE 87TH CALIFORNIA BOOK AWARDS |NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: New York Post • Newsweek • The Week • Bustle • Books by the Banks Book Festival • Bookauthority.com The Wall Street Journal: "A devastating portrait...For anyone wondering why swing-state America voted against the establishment in 2016, Mr. Alexander supplies plenty of answers." Laura Miller, Slate: "This book hunts bigger game.Reads like an odd?and oddly satisfying?fusion of George Packer’s The Unwinding and one of Michael Lewis’ real-life financial thrillers." The New Yorker : "Does a remarkable job." Beth Macy, author of Factory Man: "This book should be required reading for people trying to understand Trumpism, inequality, and the sad state of a needlessly wrecked rural America. I wish I had written it." In 1947, Forbes magazine declared Lancaster, Ohio the epitome of the all-American town. Today it is damaged, discouraged, and fighting for its future. In Glass House, journalist Brian Alexander uses the story of one town to show how seeds sown 35 years ago have sprouted to give us Trumpism, inequality, and an eroding national cohesion. The Anchor Hocking Glass Company, once the world’s largest maker of glass tableware, was the base on which Lancaster’s society was built. As Glass House unfolds, bankruptcy looms. With access to the company and its leaders, and Lancaster’s citizens, Alexander shows how financial engineering took hold in the 1980s, accelerated in the 21st Century, and wrecked the company. We follow CEO Sam Solomon, an African-American leading the nearly all-white town’s biggest private employer, as he tries to rescue the company from the New York private equity firm that hired him. Meanwhile, Alexander goes behind the scenes, entwined with the lives of residents as they wrestle with heroin, politics, high-interest lenders, low wage jobs, technology, and the new demands of American life: people like Brian Gossett, the fourth generation to work at Anchor Hocking; Joe Piccolo, first-time director of the annual music festival who discovers the town relies on him, and it, for salvation; Jason Roach, who police believed may have been Lancaster’s biggest drug dealer; and Eric Brown, a local football hero-turned-cop who comes to realize that he can never arrest Lancaster’s real problems.
In a world where corporate religion decides every level of existence, Dominion Capital has slated the walled city of Pottersfield for obliteration. Those within must survive or be subsumed. While the city's wealthiest residents are lifted out, the rest are trapped behind. Their lives intersect with a certainty that only some will live to see the strange new world that blooms in the exit wound of the disappeared city.