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All it takes is just one stitch--and you can "paint" vibrant scenes with embroidery! The beautiful French knot has a versatility rare in needle art, and it gives projects an unusually rich texture, depth, and perspective. The technique, described in detail here, is easy to learn, and there's advice on enlarging or reducing a design, care and laundering, and finding a picture to work from. 10 projects show off the variety of effects stitchers will achieve and inspire them to come up with original ideas. They include several garden pictures--a parterre, herbaceous borders, path, a pergola, and a blossom tree--plus ideas for a lingerie bag, potpourri stem, vase of flowers, and brooch. 72 pages (8 in color), 21 b/w illus., 7 1/4 x 10.
Knot Gardens and Parterres is a fully illustrated guide to the history of these decorative features and shows how they relate to other contemporary arts and crafts. It also explains how to design and plant a knot garden.
John Evelyn (1620-1706) was a pivotal figure in 17th-century intellectual life in England. The contributors approach him and his work from diverse disciplines: architectural and intellectual history and histories of science, agriculture, gardens, and literature. They present the "Elysium Britannicum" as a central document of late European humanism.
Based on her own experience with long and short stitch shading, gained through trial and error over the years, the author provides a greater awareness of how colour affects our embroidery, and what brings it to life.
What did early Scottish gardens look like? How did these gardens relate to the house and how did passing time affect their development? Where did the plant stock come from: herbs, shrubs, annuals and perennials, from the thistle to the rose? Did the gardens match the richly embellished interiors of Scots aristocrats and merchants, particularly after the Reformation? Evocative and tantalising remains of 'missing gardens' such as earthworks, stone walls, doocots, date stones, terracing, traceries of paths, sundials, a few ancient yews, and gardens themselves - Culross, Edzell, Pitmedden, Kinross -fire the imagination as Sheila Mackay guides the reader on a personal tour of the 16th, 17th and 18th-century gardens of Scotland.Contrary to popular belief within British garden history, designed landscapes have played a vital role in the lives of aspiring Scots from the 16th century, with paintings from the time depicting elaborate gardens to match houses and interiors that reflected status, wealth and a sense of self-esteem. In her exploration of these gardens - from Arthur's Seat in 1500 to The Hermitage in 1750 - Sheila Mackay reveals the dramatic developments that occurred during this period.This is a history peopled with the characters of the time, and includes extracts from songs, poems, and paintings of gardens throughout the period. Imaginative reconstructions of gardens for the people of the time - a 16th-century garden for the calligrapher Esther Inglis and a 17th-century landscape for the portrait painter George Jamesone - and the creative re-design of the ground of the Pleasaunce at Edzell Castle in light of contemporary European developments enhance the sense of the inspired designs of the time.An evocative picture is painted of these gardens and it is hoped that this will inspire the reader to make their own distinctive maps and undertake their own explorations of the gardens of Scotland.Key Features:*Illustrated with over 90 photograph
"With exotic silks and truly beautiful coloured wools, this book provides an adventure into the wonderful world of wool embroidery. In many designs the embroidered wool is enhanced by metallic threads, the sheen of silk ribbon, and the extra dimension of beads"--Page 4 of cover