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Imagining the Middle Ages is an unprecedented examination of the historical content of films depicting the medieval period from the 11th to the 15th centuries. Historians increasingly feel the need to weigh in on popular depictions of the past, since so much of the public's knowledge of history comes from popular mediums. Aberth dissects how each film interpreted the period, offering estimations of the historical accuracy of the works and demonstrating how they project their own contemporary era's obsessions and fears onto the past.
The story of King Arthur - probably the most famous and certainly the most legendary of medieval kings.
The cultural and material legacies of the Roman Republic and Empire in evidence throughout Rome have made it the "Eternal City." Too often, however, this patrimony has caused Rome to be seen as static and antique, insulated from the transformations of the modern world. In Excavating Modernity, Joshua Arthurs dramatically revises this perception, arguing that as both place and idea, Rome was strongly shaped by a radical vision of modernity imposed by Mussolini's regime between the two world wars. Italian Fascism's appropriation of the Roman past-the idea of Rome, or romanità- encapsulated the Fascist virtues of discipline, hierarchy, and order; the Fascist "new man" was modeled on the Roman legionary, the epitome of the virile citizen-soldier. This vision of modernity also transcended Italy's borders, with the Roman Empire providing a foundation for Fascism's own vision of Mediterranean domination and a European New Order. At the same time, romanità also served as a vocabulary of anxiety about modernity. Fears of population decline, racial degeneration and revolution were mapped onto the barbarian invasions and the fall of Rome. Offering a critical assessment of romanità and its effects, Arthurs explores the ways in which academics, officials, and ideologues approached Rome not as a site of distant glories but as a blueprint for contemporary life, a source of dynamic values to shape the present and future.
Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.
"Two armies face off across a sodden plateau in northeastern France, each waiting for the other to make the first move. On one side are the English, suffering from dysentery and starvation, their numbers devastated. Arrayed against them is a rested and well-fed French army, a sea of burnished armor and menacing weaponry primed to slaughter the foolish invaders. Nevertheless, the charismatic and brilliant English king, twenty-eight-year-old Henry V, defies conventional military wisdom and leads his "band of brothers" forward. His troops are outnumbered six to one." "What follows is one of the most remarkable battles in history, celebrated for almost six centuries as the classic triumph of the underdog in the face of seemingly insurmountable odds. Immortalized by Shakespeare and by contemporary historians, the battle of Agincourt has been embellished and edited by the quill of unbridled nationalism. Now, drawing on a wide range of primary sources and original research, medievalist Juliet Barker casts aside the myth and shows us the truth behind Henry's invasion of France and the showdown at Agincourt. She paints a narrative of the entire campaign, from the preparations to the reaping of the spoils. We are there in the English camps as common men struggle to secure buckles and laces with numb fingers; in the French front lines as petulant noblemen squabble over positions in the vanguard; and in the deep mud as heavily armed knights stumble and struggle under a barrage of arrows so thick and fast that it darkens the skies." "Barker also takes us beyond the battlefield to bring into focus the dynamics of medieval life in peace and war. We meet ordinary and extraordinary people such as Margaret Merssh, a female blacksmith who forges arms in the Tower of London; Lord Grey of Codnor, who pawns his own armor to pay his soldiers' wages; and Raoul de Gaucourt, the gallant French knight who surrenders himself into English custody simply because the code of chivalry compels him to do so."--BOOK JACKET. Also includes information on archers, armour, chivalry, coats of arms, gunpowder, heralds, horses, knights, men at arms, prisoners, ships, tournaments, Tower of London, wine, women, etc.