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This New York Times bestselling account of books parachuted to soldiers during WWII is a “cultural history that does much to explain modern America” (USA Today). When America entered World War II in 1941, we faced an enemy that had banned and burned 100 million books. Outraged librarians launched a campaign to send free books to American troops, gathering 20 million hardcover donations. Two years later, the War Department and the publishing industry stepped in with an extraordinary program: 120 million specially printed paperbacks designed for troops to carry in their pockets and rucksacks in every theater of war. These small, lightweight Armed Services Editions were beloved by the troops and are still fondly remembered today. Soldiers read them while waiting to land at Normandy, in hellish trenches in the midst of battles in the Pacific, in field hospitals, and on long bombing flights. This pioneering project not only listed soldiers’ spirits, but also helped rescue The Great Gatsby from obscurity and made Betty Smith, author of A Tree Grows in Brooklyn, into a national icon. “A thoroughly engaging, enlightening, and often uplifting account . . . I was enthralled and moved.” — Tim O’Brien, author of The Things They Carried “Whether or not you’re a book lover, you’ll be moved.” — Entertainment Weekly
Considers texts treating the diverse impacts of war on those who experience it, whether as soldiers or civilians, and examines the ways in which war is transformed through writing. Because the experience of war transcends geographical boundaries, genres, and specific conflicts, this book is organized thematically. The first volume highlights various approaches to war, from the theoretical to the experimental. The second volume considers texts centered on the experiences of those who encounter war, whether on the battlefield or the home front. The final volume explores a body of writing reflecting on the impacts of war on individuals, communities, cultures, and human values.
“Calls to mind such early moderns as Hemingway and Fitzgerald...Some of the most powerful antiwar literature in modern English fiction.”—The Boston Globe The first book of the Regeneration Trilogy—a Booker Prize nominee and one of Entertainment Weekly’s 100 All-Time Greatest Novels. In 1917 Siegfried Sasson, noted poet and decorated war hero, publicly refused to continue serving as a British officer in World War I. His reason: the war was a senseless slaughter. He was officially classified "mentally unsound" and sent to Craiglockhart War Hospital. There a brilliant psychiatrist, Dr. William Rivers, set about restoring Sassoon’s “sanity” and sending him back to the trenches. This novel tells what happened as only a novel can. It is a war saga in which not a shot is fired. It is a story of a battle for a man's mind in which only the reader can decide who is the victor, who the vanquished, and who the victim. One of the most amazing feats of fiction of our time, Regeneration has been hailed by critics across the globe. More than one hundred years since World War I, this book is as timely and relevant as ever.
A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.
Selections from poetry and fiction describe the 20th century's major conflicts.
A distinguished and experienced appellate court judge, Posner offers in this new book a unique and, to orthodox legal thinkers, a startling perspective on how judges and justices decide cases.
This book explores for the first time the literature of absolute war in connection to World War II. From a transnational and comparative standpoint, it addresses a set of theoretical, historical, and literary questions, shedding new light on the nature of absolute war, the literature on the world war of 1939–45, and modern war writing in general. It determines the main features of the language of absolute war, and how it gravitates around fundamental semantic clusters, such as the horror, terror, and the specter. The Literature of Absolute War studies the variegated responses given by literary authors to the extreme and seemingly unsolvable challenges posed by absolute war to epistemology, ethics, and language. It also delves into the different poetics that articulate the writing on absolute war, placing special emphasis on four literary practices: traditional realism, traumatic realism, the fantastic, and catastrophic modernism.
In the immediate aftermath of the 2007 "Surge" of American troops in Iraq, the defeat of al-Qaeda in Iraq (AQI) in Anbar Province was widely hailed as one of America's signature victories. US Marines and soldiers fought for years there, in grinding battles such as Fallujah and Ramadi that define the experience of Iraq. Eventually, the fractious tribal sheiks in that province, with the help of American troops, united in an "Awakening" that dealt AQI a stunning defeat. The Awakening's success argued that the United States could intervene in a war-torn country and, with the right strategy, bring stability and peace. It seemed to exemplify snatching victory from the jaws of defeat. A decade later, the situation in Anbar Province is dramatically different. In 2014, much of Anbar fell to the AQI's successor organization, the Islamic State, which swept through the region with shocking ease. In Illusions of Victory, Carter Malkasian looks at the wreckage to explain why the Awakening's initial promise proved misleading and why victory was unsustainable. Malkasian begins by tracing the origins of the Awakening, then turns his attention to what happened in its wake. After the United States left, Iraq's Shi'a government sidelined Sunni leaders throughout the country. AQI, brought back to life as the Islamic State, expanded in northern and western Iraq and quickly found a receptive audience among marginalized Sunnis. In short order, the progress that had resulted from the Awakening fell apart. Malkasian draws many lessons from Anbar. Chief among them, the most stunning of victories may not last. The fact that the leading model of success fell apart severely damages the idea that the United States can send the military to a country for a few years and create lasting peace. Even the most successful example was bound to deeper social, sectarian, and religious forces insensitive to temporary boots on the ground. From today's perspective, rather than decisive success, Anbar exemplifies how intervention itself is a costly, long-term project. The most brilliant victory could not escape this wisdom.
This book examines representations of war throughout American literary history, providing a firm grounding in established criticism and opening up new lines of inquiry. Readers will find accessible yet sophisticated essays that lay out key questions and scholarship in the field. War and American Literature provides a comprehensive synthesis of the literature and scholarship of US war writing, illuminates how themes, texts, and authors resonate across time and wars, and provides multiple contexts in which texts and a war's literature can be framed. By focusing on American war writing, from the wars with the Native Americans and the Revolutionary War to the recent wars in Iraq and Afghanistan, this volume illuminates the unique role representations of war have in the US imagination.