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Throughout history, tyrants, totalitarian states, church institutions, and democratic governments alike have banned books that challenged their assumptions or questioned their activities. Political suppression also occurs in the name of security and the safeguarding of official secrets and is often used as a weapon in larger cultural or political battles. Literature Suppressed on Political Grounds, Fourth Edition illustrates the extent and frequency of such censorship in nearly every form of writing. Entries include: Animal Farm (George Orwell) The Appointment (Herta Müller) Born on the Fourth of July (Ron Kovic) Burger's Daughter (Nadine Gordimer) Cancer Ward (Aleksandr Solzhenitsyn) Doctor Zhivago (Boris Pasternak) The Fugitive (Pramoedya Anata Toer) Girls of Riyadh (Rajaa Alsanea) The Grapes of Wrath (John Steinbeck) Gulliver's Travels (Jonathan Swift) The Hate U Give (Angie Thomas) The Jungle (Upton Sinclair) Kiss of the Spider Woman (Manuel Puig) Manifesto of the Communist Party (Karl Marx and Friedrich Engels) Les Misérables (Victor Hugo) Mein Kampf (Adolf Hitler) Slaughterhouse-Five (Kurt Vonnegut Jr.) Snow (Orhan Pamuk) The Struggle Is My Life (Nelson Mandela) The Things They Carried (Tim O'Brien) The Vaněk Plays (Václav Havel) and more.
Literature Suppressed on Religious Grounds, Revised Edition profiles the censorship of many such essential works of literature. The entries new to this edition include extensive coverage of the Harry Potter series, which has been frequently banned in the United States on the grounds that it promotes witchcraft, as well as entries on two popular textbook series, The Witches by Roald Dahl, Women Without Men: A Novel of Modern Iran, and more. Also included are updates to such entries as The Satanic Verses by Salman Rushdie and On the Origin of Species by Charles Darwin.
Censorship of religious and philosophical speculation is as old as history and as current as today's headlines. Many of the world's major religious texts, including the Bible, the Talmud, the Koran, and others, have been suppressed, condemned, or proscribed at some time. Works of secular literature that touch upon religious beliefs or reflect dissenting views have also been suppressed. Literature Suppressed on Religious Grounds, Fourth Edition profiles the censorship of many of these works. These include the frequently challenged Harry Potter series, which critics accuse of promoting witchcraft and anti-family themes, as well as Philip Pullman's His Dark Materials trilogy and Dan Brown's The Da Vinci Code. Entries include: The Age of Reason (Thomas Paine) The Analects (Confucius) The Battle for God (Karen Armstrong) The Bible Children of the Alley (Naguib Mahfouz) Critique of Pure Reason (Immanuel Kant) The Da Vinci Code (Dan Brown) Dialogue Concerning the Two Chief World Systems (Galileo Galilei) Discourse on Method (Rene Descartes) Don Quixote (Miguel de Cervantes Saavedra) The Harry Potter series (J.K. Rowling) His Dark Materials (Philip Pullman) The Jewel of Medina (Sherry Jones) The Koran The Last Temptation of Christ (Nikos Kazantzakis) On the Origin of Species (Charles Darwin) The Satanic Verses (Salman Rushdie) The Talmud Thirteen Reasons Why (Jay Asher) and more.
When Tolstoy's The Kreutzer Sonata was banned from distribution through the mail (except for first class) in 1890, New York street vendors began selling it from pushcarts carrying large signs reading "Suppressed!" In 1961, the United States Supreme Court pondered whether D.H. Lawrence's Lady Chatterley's Lover was lewd or literary. In 1969, the novel was required reading in many college literature courses. Changing sexual mores have moved many formerly forbidden books out of locked cabinets and into libraries and classrooms. Literature Suppressed on Sexual Grounds, Fourth Edition examines the issues underlying the suppression of more than 120 works deemed sexually obscene. Entries include: America: The Book (Jon Stewart) An American Tragedy (Theodore Dreiser) The Arabian Nights (Sir Richard Burton, trans.) The Art of Love (Ovid) The Bluest Eye (Toni Morrison) Forever (Judy Blume) Gossip Girl series (Cecily von Ziegesar) How the Garcia Girls Lost Their Accents (Julia Alvarez) Lady Chatterley's Lover (D.H. Lawrence) Lolita (Vladimir Nabokov) Looking for Alaska (John Green) Rabbit, Run (John Updike) Snow Falling on Cedars (David Guterson) Song of Solomon (Toni Morrison) This Boy's Life (Tobias Wolff) Ulysses (James Joyce) and more.
Literature Suppressed on Social Grounds, Fourth Edition discusses the many works that have been banned over the centuries because they offended or merely ignored official truths; challenged widely held assumptions; or contained ideas or language unacceptable to a state, religious institution, or private moral watchdog. Entries include: The Absolutely True Diary of a Part-Time Indian (Sherman Alexie) Adventures of Huckleberry Finn (Mark Twain) The Adventures of Sherlock Holmes (Sir Arthur Conan Doyle) Alice's Adventures in Wonderland (Lewis Carroll) Anne Frank: The Diary of a Young Girl (Anne Frank) As I Lay Dying (William Faulkner) Beloved (Toni Morrison) The Color Purple (Alice Walker) Drama (Raina Telgemeier) Fahrenheit 451 (Ray Bradbury) The Great Gatsby (F. Scott Fitzgerald) Howl and Other Poems (Allen Ginsberg) I Know Why the Caged Bird Sings (Maya Angelou) The Kite Runner (Khaled Hosseini) One Flew Over the Cuckoo's Nest (Ken Kesey) Of Mice and Men (John Steinbeck) To Kill a Mockingbird (Harper Lee) and more.
Articles examine the history and evolution of censorship, presented in A to Z format.
This multidisciplinary handbook pulls together in one volume the research on children's and young adult literature which is currently scattered across three intersecting disciplines: education, English, and library and information science.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In The Prevention of Literature, the third in the Orwell’s Essays series, Orwell considers the freedom of thought and expression. He discusses the effect of the ownership of the press on the accuracy of reports of events, and takes aim at political language, which ‘consists almost entirely of prefabricated phrases bolted together.’ The Prevention of Literature is a stirring cry for freedom from censorship, which Orwell says must start with the writer themselves: ‘To write in plain vigorous language one has to think fearlessly.’ 'A writer who can – and must – be rediscovered with every age.' — Irish Times
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